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The Dessoff Choirs|Margaret Bonds: Credo; Simon Bore the Cross

Margaret Bonds: Credo; Simon Bore the Cross

The Dessoff Choirs, Janinah Burnett & Dashon Burton

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Langue disponible : anglais

The arrangements of spirituals by Margaret Bonds are familiar, but she wrote a good number of larger works that have been neglected by comparison with those of her teacher, Florence B. Price. Partly this is because many remained unpublished; the Credo heard here was published only in 2022, and a number of performances followed. One of these came from New York's Dessoff Choirs and Orchestra under the direction of Malcolm J. Merriweather. The Credo, with a text by W.E.B. DuBois, is paired with an oratorio-like work, Simon Bore the Cross; the text of the latter is by Langston Hughes, a close friend of Bonds. Both pieces artfully weave African American materials with established forms of sacred music; the Credo is not a setting of the Credo of the Catholic mass (although it draws on that) but a set of more general statements of belief, several of them specifically African American. The spirituals influence Bonds' language at many points -- sample the unique treatment of "He Never Said a Mumblin' Word" from the Crucifixion movement of Simon Bore the Cross -- but neither work is simply a chain of spirituals. The music is beautifully performed by the choristers of the Dessoff Choirs, largely not African American but well-drilled in the flavors of Black music by Merriweather, and the sound -- recorded at Manhattan's Church of the Heavenly Rest -- is ideal. Both of these works would be ideal for school and collegiate choirs, and Merriweather and the Dessoff Choirs deserve special credit for inaugurating their revival with such strong performances.

© James Manheim /TiVo

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Margaret Bonds: Credo; Simon Bore the Cross

The Dessoff Choirs

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1
Credo: I. I Believe in God
Malcolm J. Merriweather
00:02:33

Margaret Bonds, Composer - Malcolm J. Merriweather, Conductor, MainArtist - The Dessoff Choirs, MainArtist - The Dessoff Orchestra, Orchestra - Margaret Bonds Estate, MusicPublisher - W.E.B. Du Bois, Composer

(C) 2023 The Dessoff Choirs (P) 2023 The Dessoff Choirs

2
Credo: II. Especially do I Believe in the Negro Race
Malcolm J. Merriweather
00:03:25

Margaret Bonds, Composer - Malcolm J. Merriweather, Conductor, MainArtist - Janinah Burnett, MainArtist - The Dessoff Choirs, MainArtist - The Dessoff Orchestra, Orchestra - Margaret Bonds Estate, MusicPublisher - W.E.B. Du Bois, Composer

(C) 2023 The Dessoff Choirs (P) 2023 The Dessoff Choirs

3
Credo: III. I Believe in Pride of Race
Malcolm J. Merriweather
00:03:05

Margaret Bonds, Composer - Malcolm J. Merriweather, Conductor, MainArtist - The Dessoff Choirs, MainArtist - The Dessoff Orchestra, Orchestra - Margaret Bonds Estate, MusicPublisher - W.E.B. Du Bois, Composer

(C) 2023 The Dessoff Choirs (P) 2023 The Dessoff Choirs

4
Credo: IV. I Believe in the Devil
Malcolm J. Merriweather
00:01:33

Margaret Bonds, Composer - Malcolm J. Merriweather, Conductor, MainArtist - The Dessoff Choirs, MainArtist - The Dessoff Orchestra, Orchestra - Margaret Bonds Estate, MusicPublisher - W.E.B. Du Bois, Composer

(C) 2023 The Dessoff Choirs (P) 2023 The Dessoff Choirs

5
Credo: V. I Believe in the Prince of Peace
Malcolm J. Merriweather
00:06:12

Margaret Bonds, Composer - Malcolm J. Merriweather, Conductor, MainArtist - The Dessoff Choirs, MainArtist - The Dessoff Orchestra, Orchestra - Margaret Bonds Estate, MusicPublisher - W.E.B. Du Bois, Composer

(C) 2023 The Dessoff Choirs (P) 2023 The Dessoff Choirs

6
Credo: VI. I Believe in Liberty
Malcolm J. Merriweather
00:04:26

Margaret Bonds, Composer - Malcolm J. Merriweather, Conductor, MainArtist - Dashon Burton, MainArtist - The Dessoff Choirs, MainArtist - The Dessoff Orchestra, Orchestra - Margaret Bonds Estate, MusicPublisher - W.E.B. Du Bois, Composer

(C) 2023 The Dessoff Choirs (P) 2023 The Dessoff Choirs

7
Credo: VII. I Believe in Patience
Malcolm J. Merriweather
00:02:21

Margaret Bonds, Composer - Malcolm J. Merriweather, Conductor, MainArtist - The Dessoff Choirs, MainArtist - The Dessoff Orchestra, Orchestra - Margaret Bonds Estate, MusicPublisher - W.E.B. Du Bois, Composer

(C) 2023 The Dessoff Choirs (P) 2023 The Dessoff Choirs

8
Simon Bore the Cross: I. Prelude
Malcolm J. Merriweather
00:04:57

Langston Hughes, Composer - Margaret Bonds, Composer - Malcolm J. Merriweather, Conductor, MainArtist - The Dessoff Choirs, MainArtist - The Dessoff Orchestra, Orchestra - Margaret Bonds Estate, MusicPublisher

(C) 2023 The Dessoff Choirs (P) 2023 The Dessoff Choirs

9
Simon Bore the Cross: II. I Find No Fault
Malcolm J. Merriweather
00:01:56

Langston Hughes, Composer - Margaret Bonds, Composer - Malcolm J. Merriweather, Conductor, MainArtist - Dashon Burton, MainArtist - The Dessoff Choirs, MainArtist - The Dessoff Orchestra, Orchestra - Margaret Bonds Estate, MusicPublisher

(C) 2023 The Dessoff Choirs (P) 2023 The Dessoff Choirs

10
Simon Bore the Cross: III. The Trial
Malcolm J. Merriweather
00:05:36

Langston Hughes, Composer - Margaret Bonds, Composer - Malcolm J. Merriweather, Conductor, MainArtist - The Dessoff Choirs, MainArtist - The Dessoff Orchestra, Orchestra - Margaret Bonds Estate, MusicPublisher

(C) 2023 The Dessoff Choirs (P) 2023 The Dessoff Choirs

11
Simon Bore the Cross: IV. Who Is That Man?
Malcolm J. Merriweather
00:04:04

Langston Hughes, Composer - Margaret Bonds, Composer - Malcolm J. Merriweather, Conductor, MainArtist - Janinah Burnett, MainArtist - The Dessoff Choirs, MainArtist - The Dessoff Orchestra, Orchestra - Margaret Bonds Estate, MusicPublisher

(C) 2023 The Dessoff Choirs (P) 2023 The Dessoff Choirs

12
Simon Bore the Cross: V. Don’t You Know, Mary?
Malcolm J. Merriweather
00:04:08

Langston Hughes, Composer - Margaret Bonds, Composer - Malcolm J. Merriweather, Conductor, MainArtist - The Dessoff Choirs, MainArtist - The Dessoff Orchestra, Orchestra - Margaret Bonds Estate, MusicPublisher

(C) 2023 The Dessoff Choirs (P) 2023 The Dessoff Choirs

13
Simon Bore the Cross: VI. Walkin' to Calvary
Malcolm J. Merriweather
00:08:39

Langston Hughes, Composer - Margaret Bonds, Composer - Malcolm J. Merriweather, Conductor, MainArtist - Janinah Burnett, MainArtist - The Dessoff Choirs, MainArtist - The Dessoff Orchestra, Orchestra - Margaret Bonds Estate, MusicPublisher

(C) 2023 The Dessoff Choirs (P) 2023 The Dessoff Choirs

14
Simon Bore the Cross: VII. The Crucifixion
Malcolm J. Merriweather
00:04:20

Langston Hughes, Composer - Margaret Bonds, Composer - Malcolm J. Merriweather, Conductor, MainArtist - The Dessoff Choirs, MainArtist - The Dessoff Orchestra, Orchestra - Margaret Bonds Estate, MusicPublisher

(C) 2023 The Dessoff Choirs (P) 2023 The Dessoff Choirs

15
Simon Bore the Cross: VIII. Postlude Resurrection
Malcolm J. Merriweather
00:05:34

Langston Hughes, Composer - Margaret Bonds, Composer - Malcolm J. Merriweather, Conductor, MainArtist - The Dessoff Choirs, MainArtist - The Dessoff Orchestra, Orchestra - Margaret Bonds Estate, MusicPublisher

(C) 2023 The Dessoff Choirs (P) 2023 The Dessoff Choirs

Chronique

The arrangements of spirituals by Margaret Bonds are familiar, but she wrote a good number of larger works that have been neglected by comparison with those of her teacher, Florence B. Price. Partly this is because many remained unpublished; the Credo heard here was published only in 2022, and a number of performances followed. One of these came from New York's Dessoff Choirs and Orchestra under the direction of Malcolm J. Merriweather. The Credo, with a text by W.E.B. DuBois, is paired with an oratorio-like work, Simon Bore the Cross; the text of the latter is by Langston Hughes, a close friend of Bonds. Both pieces artfully weave African American materials with established forms of sacred music; the Credo is not a setting of the Credo of the Catholic mass (although it draws on that) but a set of more general statements of belief, several of them specifically African American. The spirituals influence Bonds' language at many points -- sample the unique treatment of "He Never Said a Mumblin' Word" from the Crucifixion movement of Simon Bore the Cross -- but neither work is simply a chain of spirituals. The music is beautifully performed by the choristers of the Dessoff Choirs, largely not African American but well-drilled in the flavors of Black music by Merriweather, and the sound -- recorded at Manhattan's Church of the Heavenly Rest -- is ideal. Both of these works would be ideal for school and collegiate choirs, and Merriweather and the Dessoff Choirs deserve special credit for inaugurating their revival with such strong performances.

© James Manheim /TiVo

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