Qobuz Store wallpaper
Catégories :
Panier 0

Votre panier est vide

Netherlands Symphony Orchestra|Mahler: Symphony No.1 in D Major - "Hamburg, 1893" Version

Mahler: Symphony No.1 in D Major - "Hamburg, 1893" Version

Netherlands Symphony Orchestra, Jan Willem de Vriend

Disponible en
24-Bit/96 kHz Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Téléchargez cet album dans la qualité de votre choix

Langue disponible : anglais

The original version of Gustav Mahler's Symphony No. 1 in D major was the symphonic poem in two parts called "Titan," after a novel of the same name by Jean Paul. A comparison with the published symphony shows that this early work is quite close in its musical construction and mostly recognizable in its brilliant, if somewhat heavier, orchestration. It also includes the "Blumine" movement, which Mahler later rejected, but which many modern conductors feel duty bound to restore to the symphony. But if they enjoy conducting "Blumine" so much, they really should record "Titan" and leave the symphony alone, because it plainly weakens the symphonic structure. In "Titan," one could make the same claim that "Blumine" is a brake on the work's momentum, coming so quickly after the energetic first movement and delaying the boisterous Scherzo -- only here, the first part is a continuous, if subdivided, whole: Spring and No End, Flowers, In Full Sail -- so there is no reason to accept the demands of a symphonic structure in this looser design. Even so, it is difficult to give "Titan" pride of place over the symphony simply for being the earlier work because it sounds in many passages to be a rougher version of what Mahler later polished and perfected. In this performance by Jan Willem de Vriend and the Netherlands Symphony Orchestra, the inadequacies of the orchestration and its imbalances are all too obvious. Here, Mahler combined sonorities as if thickly applying paint on a canvas with a palette knife, so the effect in many places is too clumsy and bombastic, most noticeably at climaxes. The passage of a few years convinced Mahler to re-orchestrate many passages to thin out textures and to delete "Blumine," so the final version is much more transparent and vibrant, even though much of the tone poem's soundworld is preserved in the published score. Mahler aficionados will find this recording of particular interest, but the majority of listeners will be satisfied with an excellent recording of the symphony and pass by this original version.

© TiVo

Plus d'informations

Mahler: Symphony No.1 in D Major - "Hamburg, 1893" Version

Netherlands Symphony Orchestra

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 100 millions de titres avec votre abonnement illimité.

Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.

À partir de 12,49€/mois

Symphony No.1 in D Major (Gustav Mahler)

1
Symphony No.1 in D Major: I. Langsam schleppend
00:13:45

Gustav Mahler, Composer - Jan Willem de Vriend, Conductor - Netherlands Symphony Orchestra, MainArtist

(C) 2010 Challenge Classics (P) 2010 Challenge Classics

2
Symphony No.1 in D Major: II. Andante allegretto "Blumine"
00:06:26

Gustav Mahler, Composer - Jan Willem de Vriend, Conductor - Netherlands Symphony Orchestra, MainArtist

(C) 2010 Challenge Classics (P) 2010 Challenge Classics

3
Symphony No.1 in D Major: III. Scherzo, Kräftig bewegt (Langsames Walzertempo)
00:06:56

Gustav Mahler, Composer - Jan Willem de Vriend, Conductor - Netherlands Symphony Orchestra, MainArtist

(C) 2010 Challenge Classics (P) 2010 Challenge Classics

4
Symphony No.1 in D Major: IV. Todentmarsch "in Calloto Manier" Feirlich und gemessen
00:10:00

Gustav Mahler, Composer - Jan Willem de Vriend, Conductor - Netherlands Symphony Orchestra, MainArtist

(C) 2010 Challenge Classics (P) 2010 Challenge Classics

5
Symphony No.1 in D Major: V. Stürmisch bewegt
00:19:14

Gustav Mahler, Composer - Jan Willem de Vriend, Conductor - Netherlands Symphony Orchestra, MainArtist

(C) 2010 Challenge Classics (P) 2010 Challenge Classics

Chronique

The original version of Gustav Mahler's Symphony No. 1 in D major was the symphonic poem in two parts called "Titan," after a novel of the same name by Jean Paul. A comparison with the published symphony shows that this early work is quite close in its musical construction and mostly recognizable in its brilliant, if somewhat heavier, orchestration. It also includes the "Blumine" movement, which Mahler later rejected, but which many modern conductors feel duty bound to restore to the symphony. But if they enjoy conducting "Blumine" so much, they really should record "Titan" and leave the symphony alone, because it plainly weakens the symphonic structure. In "Titan," one could make the same claim that "Blumine" is a brake on the work's momentum, coming so quickly after the energetic first movement and delaying the boisterous Scherzo -- only here, the first part is a continuous, if subdivided, whole: Spring and No End, Flowers, In Full Sail -- so there is no reason to accept the demands of a symphonic structure in this looser design. Even so, it is difficult to give "Titan" pride of place over the symphony simply for being the earlier work because it sounds in many passages to be a rougher version of what Mahler later polished and perfected. In this performance by Jan Willem de Vriend and the Netherlands Symphony Orchestra, the inadequacies of the orchestration and its imbalances are all too obvious. Here, Mahler combined sonorities as if thickly applying paint on a canvas with a palette knife, so the effect in many places is too clumsy and bombastic, most noticeably at climaxes. The passage of a few years convinced Mahler to re-orchestrate many passages to thin out textures and to delete "Blumine," so the final version is much more transparent and vibrant, even though much of the tone poem's soundworld is preserved in the published score. Mahler aficionados will find this recording of particular interest, but the majority of listeners will be satisfied with an excellent recording of the symphony and pass by this original version.

© TiVo

À propos

Améliorer les informations de l'album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...

Getz/Gilberto

Stan Getz

Getz/Gilberto Stan Getz

Moanin'

Art Blakey & The Jazz Messengers

Moanin' Art Blakey & The Jazz Messengers

Blue Train

John Coltrane

Blue Train John Coltrane

Live In Europe

Melody Gardot

Live In Europe Melody Gardot
À découvrir également
Par Netherlands Symphony Orchestra

Gilse, J. Van: Symphonies Nos. 1 and 2

Netherlands Symphony Orchestra

Gilse, J. Van: Symphonies Nos. 1 and 2 Netherlands Symphony Orchestra

Andriessen: Symphonic Works, Vol. 4

Netherlands Symphony Orchestra

Andriessen: Symphonic Works, Vol. 4 Netherlands Symphony Orchestra

Gilse: Orchestral Works

Netherlands Symphony Orchestra

Gilse: Orchestral Works Netherlands Symphony Orchestra

Hendrik Andriessen: Symphonic Works, Vol. 1

Netherlands Symphony Orchestra

Hendrik Andriessen: Symphonic Works, Vol. 1 Netherlands Symphony Orchestra

Playlists

Dans la même thématique...

J.S. Bach: Goldberg Variations

Víkingur Ólafsson

J.S. Bach: Goldberg Variations Víkingur Ólafsson

Rachmaninoff: The Piano Concertos & Paganini Rhapsody

Yuja Wang

Beethoven and Beyond

María Dueñas

Beethoven and Beyond María Dueñas

A Symphonic Celebration - Music from the Studio Ghibli Films of Hayao Miyazaki

Joe Hisaishi

Chopin: Piano Sonata No. 2, Op. 35 "Funeral March" - Beethoven: Piano Sonata No. 29, Op. 106 "Hammerklavier"

Beatrice Rana