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Chris Whitley|Living With The Law

Living With The Law

Chris Whitley

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Langue disponible : anglais

Chris Whitley's 1991 debut, Living with the Law, was recorded in Daniel Lanois' New Orleans mansion and was produced by Malcolm Burn. The sublimely dark, creepy, and possessed collection sounds completely out of place for the era of slick pop/rock like Milli Vanilli. The tortured album is rich with old-style sounds, from slide guitars to pedal steel. (Lanois contributes some on the album.) Living with the Law has a full, ambient feel that transports the listener into the recording. Whitley humbly (and falsely) claims, at the beginning of the record, that "God knows it's all been done." But these 12 songs attempt an original look at an honest style and passionate mood that is lacking in much of rock music. Whitley sings of drug abuse, alienation, failure, and loneliness with a Delta blues flavor. Standout tracks include "Phone Call from Leavenworth," "Big Sky Country," and "Dirt Radio." Those who liked Whitley's Dirt Floor must own Living with the Law if they don't already. It is more of a full-band sound, but similar in tone and feel. An exceptional and mesmerizing debut, one with the potential to inspire all who hear it. (This release is also fascinating for those who enjoy Rocket House. Influences on the 2001 album can be heard throughout Living with the Law, released a decade earlier.) An album Robert Johnson may have recorded, were he still alive.

© JT Griffith /TiVo

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Living With The Law

Chris Whitley

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1
Excerpt (Album Version)
00:00:16

C. Whitley, Composer - C. Whitley, Lyricist - Chris Whitley, Performer - Malcolm Burn, Producer

(P) 1991 Columbia Records, a division of Sony Music Entertainment

2
Living with the Law (Album Version)
00:03:41

Bill Dillon, Guitar - Chris Whitley, Acoustic Bass - Chris Whitley, Composer - Chris Whitley, Lyricist - Chris Whitley, Performer - Chris Whitley, Vocal - Daryl Johnson, Bass - Greg Calbi, Mastering Engineer - Malcolm Burn, Keyboards - Malcolm Burn, Mixing Engineer - Malcolm Burn, Producer - Malcolm Burn, Recording Engineer - Malcolm Burn, Tambourine - Mark Howard, Recording Engineer - Ronald Jones, Drums - Wayne Lorenz, 2nd Engineer

(P) 1991 Columbia Records, a division of Sony Music Entertainment

3
Big Sky Country (Album Version)
00:04:45

Bill Dillon, Guitar - Chris Whitley, Acoustic Baritone Guitar - Chris Whitley, Bass - Chris Whitley, Composer - Chris Whitley, Guitar - Chris Whitley, Lyricist - Chris Whitley, Performer - Chris Whitley, Vocal - Malcolm Burn, Producer - Ronald Jones, Drums

(P) 1991 Columbia Records, a division of Sony Music Entertainment

4
Kick the Stones
00:04:12

Bill Dillon, Guitar - C. Whitley, Composer - C. Whitley, Lyricist - Chris Whitley, Acoustic Bass - Chris Whitley, Performer - Chris Whitley, Vocal - Daryl Johnson, Bass - Greg Calbi, Mastering Engineer - Malcolm Burn, Keyboards - Malcolm Burn, Mixing Engineer - Malcolm Burn, Producer - Malcolm Burn, Recording Engineer - Malcolm Burn, Tambourine - Mark Howard, Recording Engineer - Peter Conway, Harmonica - Ronald Jones, Drums - Wayne Lorenz, 2nd Engineer

(P) 1991 Columbia Records, a division of Sony Music Entertainment

5
Make the Dirt Stick (Album Version)
00:03:32

Alan Gevaert, Bass - Chris Whitley, Acoustic Baritone Guitar - Chris Whitley, Composer - Chris Whitley, Guitar - Chris Whitley, Lyricist - Chris Whitley, Performer - Chris Whitley, Vocal - Malcolm Burn, Producer - Ronald Jones, Drums

(P) 1991 Columbia Records, a division of Sony Music Entertainment

6
Poison Girl (Album Version)
00:03:25

Bill Dillon, Guitar - Chris Whitley, Acoustic Bass - Chris Whitley, Composer - Chris Whitley, Lyricist - Chris Whitley, Performer - Chris Whitley, Vocal - Daniel Lanois, Guitar - Daryl Johnson, Bass - Deni Bonet, Viola - Greg Calbi, Mastering Engineer - Malcolm Burn, Keyboards - Malcolm Burn, Mixing Engineer - Malcolm Burn, Producer - Malcolm Burn, Recording Engineer - Malcolm Burn, Tambourine - Mark Howard, Recording Engineer - Michael Brauer, Re-Mixer - Ronald Jones, Drums - Wayne Lorenz, 2nd Engineer

(P) 1992 Columbia Records, a division of Sony Music Entertainment

7
Dust Radio (Album Version)
00:05:08

Bill Dillon, Guitar - Chris Whitley, Acoustic Bass - Chris Whitley, Composer - Chris Whitley, Lyricist - Chris Whitley, Performer - Chris Whitley, Vocal - Daryl Johnson, Bass - Greg Calbi, Mastering Engineer - Malcolm Burn, Keyboards - Malcolm Burn, Mixing Engineer - Malcolm Burn, Producer - Malcolm Burn, Recording Engineer - Malcolm Burn, Tambourine - Mark Howard, Recording Engineer - Ronald Jones, Drums - Wayne Lorenz, 2nd Engineer

(P) 1991 Columbia Records, a division of Sony Music Entertainment

8
Phone Call from Leavenworth (Album Version)
00:04:47

Bill Dillon, Guitar - Chris Whitley, Acoustic Bass - Chris Whitley, Composer - Chris Whitley, Lyricist - Chris Whitley, Performer - Chris Whitley, Vocal - Daryl Johnson, Bass - Greg Calbi, Mastering Engineer - Malcolm Burn, Keyboards - Malcolm Burn, Mixing Engineer - Malcolm Burn, Producer - Malcolm Burn, Recording Engineer - Malcolm Burn, Tambourine - Mark Howard, Recording Engineer - Ronald Jones, Drums - Wayne Lorenz, 2nd Engineer

(P) 1991 Columbia Records, a division of Sony Music Entertainment

9
I Forget You Every Day (Album Version)
00:04:33

Bill Dillon, Guitar - Chris Whitley, Acoustic Bass - Chris Whitley, Composer - Chris Whitley, Lyricist - Chris Whitley, Performer - Chris Whitley, Vocal - Daryl Johnson, Bass - Greg Calbi, Mastering Engineer - Malcolm Burn, Keyboards - Malcolm Burn, Mixing Engineer - Malcolm Burn, Producer - Malcolm Burn, Recording Engineer - Malcolm Burn, Tambourine - Mark Howard, Recording Engineer - Ronald Jones, Drums - Wayne Lorenz, 2nd Engineer

(P) 1991 Columbia Records, a division of Sony Music Entertainment

10
Long Way Around (Album Version)
00:04:26

Bill Dillon, Guitar - Chris Whitley, Acoustic Bass - Chris Whitley, Composer - Chris Whitley, Lyricist - Chris Whitley, Performer - Chris Whitley, Vocal - Daniel Whitley, Guitar - Daryl Johnson, Bass - Greg Calbi, Mastering Engineer - Malcolm Burn, Keyboards - Malcolm Burn, Mixing Engineer - Malcolm Burn, Producer - Malcolm Burn, Recording Engineer - Malcolm Burn, Tambourine - Mark Howard, Recording Engineer - Ronald Jones, Drums - Wayne Lorenz, 2nd Engineer

(P) 1991 Columbia Records, a division of Sony Music Entertainment

11
Look What Love Has Done (Album Version)
00:03:16

Bill Dillon, Guitar - Chris Whitley, Acoustic Bass - Chris Whitley, Composer - Chris Whitley, Lyricist - Chris Whitley, Performer - Chris Whitley, Vocal - Daryl Johnson, Bass - Greg Calbi, Mastering Engineer - Malcolm Burn, Keyboards - Malcolm Burn, Mixing Engineer - Malcolm Burn, Producer - Malcolm Burn, Recording Engineer - Malcolm Burn, Tambourine - Mark Howard, Recording Engineer - Ronald Jones, Drums - Wayne Lorenz, 2nd Engineer

(P) 1991 Columbia Records, a division of Sony Music Entertainment

12
Bordertown (Album Version)
00:04:13

Chris Whitley, Acoustic Baritone Guitar - Chris Whitley, Composer - Chris Whitley, Guitar - Chris Whitley, Lyricist - Chris Whitley, Performer - Chris Whitley, Vocal - Malcolm Burn, Producer - Ronald Jones, Drums

(P) 1991 Columbia Records, a division of Sony Music Entertainment

Chronique

Chris Whitley's 1991 debut, Living with the Law, was recorded in Daniel Lanois' New Orleans mansion and was produced by Malcolm Burn. The sublimely dark, creepy, and possessed collection sounds completely out of place for the era of slick pop/rock like Milli Vanilli. The tortured album is rich with old-style sounds, from slide guitars to pedal steel. (Lanois contributes some on the album.) Living with the Law has a full, ambient feel that transports the listener into the recording. Whitley humbly (and falsely) claims, at the beginning of the record, that "God knows it's all been done." But these 12 songs attempt an original look at an honest style and passionate mood that is lacking in much of rock music. Whitley sings of drug abuse, alienation, failure, and loneliness with a Delta blues flavor. Standout tracks include "Phone Call from Leavenworth," "Big Sky Country," and "Dirt Radio." Those who liked Whitley's Dirt Floor must own Living with the Law if they don't already. It is more of a full-band sound, but similar in tone and feel. An exceptional and mesmerizing debut, one with the potential to inspire all who hear it. (This release is also fascinating for those who enjoy Rocket House. Influences on the 2001 album can be heard throughout Living with the Law, released a decade earlier.) An album Robert Johnson may have recorded, were he still alive.

© JT Griffith /TiVo

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