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Krzysztof Kaczka|J.S. Bach: Concertos for Violin & Flute

J.S. Bach: Concertos for Violin & Flute

Lorenzo Gugole, L'Appassionata, Jarosław Nadrzycki, Krzysztof Kaczka

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Langue disponible : anglais

How would have Bach composed if he had had access to modern instrumentarium: a violin with Tourte’s bow that produces a higher volume of sound, a trumpet with an entire chromatic scale or a contemporary grand piano? Would he be inspired by the art of virtuosos of today, such as the Leipzig ensemble of Collegium Musicum, as he was known to have composed for distinguished artists? Would he forgive pop or computer game composers for using his music? How would he judge changes in the key of pieces, which played a vital role in the intellectual and emotional rendition of music according to Baroque rules? Or else, would he adjust to the vibe of our epoch and make use of samples instead of real performers?

In any case, he would definitely appreciate the interpretations by Jaroslaw Nadrzycki, Krzysztof Kaczka and L’Appasionata, a Verona-based chamber orchestra. The energy that these young musicians display while playing Bach’s pieces would certainly match the composer’s spirit. If we observe Bach’s portraits for which he would pose in a dignified wig as we listen to his grand music, we might think that Bach was a placid and serious man. Yet not once did his contemporaries have to cope with his fits of anger or turbulent character; on the contrary, he must have also been high-spirited and humorous, which we may deduce from his numerous pieces. © Haenssler Classic

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J.S. Bach: Concertos for Violin & Flute

Krzysztof Kaczka

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Concerto for 2 Harpsichords in C Minor, BWV 1060 (Arr. for Violin, Flute & Orchestra) (Johann Sebastian Bach)

1
I. Allegro
Krzysztof Kaczka
00:05:08

Johann Sebastian Bach, Composer - Krzysztof Kaczka, Artist, MainArtist - Lorenzo Gugole, MainArtist, - Jarosław Nadrzycki, Artist, MainArtist - L'Appassionata, Orchestra, MainArtist

(C) 2021 haenssler CLASSIC (P) 2021 haenssler CLASSIC

2
II. Adagio
Krzysztof Kaczka
00:04:48

Johann Sebastian Bach, Composer - Krzysztof Kaczka, Artist, MainArtist - Lorenzo Gugole, MainArtist, - Jarosław Nadrzycki, Artist, MainArtist - L'Appassionata, Orchestra, MainArtist

(C) 2021 haenssler CLASSIC (P) 2021 haenssler CLASSIC

3
III. Allegro
Krzysztof Kaczka
00:03:32

Johann Sebastian Bach, Composer - Krzysztof Kaczka, Artist, MainArtist - Lorenzo Gugole, MainArtist, - Jarosław Nadrzycki, Artist, MainArtist - L'Appassionata, Orchestra, MainArtist

(C) 2021 haenssler CLASSIC (P) 2021 haenssler CLASSIC

Harpsichord Concerto No. 5 in F Minor, BWV 1056 (Arr. for Flute & Orchestra) (Johann Sebastian Bach)

4
I. Allegro
Krzysztof Kaczka
00:03:30

Johann Sebastian Bach, Composer - Krzysztof Kaczka, Artist, MainArtist - Lorenzo Gugole, MainArtist, - L'Appassionata, Orchestra, MainArtist

(C) 2021 haenssler CLASSIC (P) 2021 haenssler CLASSIC

5
II. Largo
Krzysztof Kaczka
00:02:45

Johann Sebastian Bach, Composer - Krzysztof Kaczka, Artist, MainArtist - Lorenzo Gugole, MainArtist, - L'Appassionata, Orchestra, MainArtist

(C) 2021 haenssler CLASSIC (P) 2021 haenssler CLASSIC

6
III. Presto
Krzysztof Kaczka
00:03:38

Johann Sebastian Bach, Composer - Krzysztof Kaczka, Artist, MainArtist - Lorenzo Gugole, MainArtist, - L'Appassionata, Orchestra, MainArtist

(C) 2021 haenssler CLASSIC (P) 2021 haenssler CLASSIC

Violin Concerto in A minor, BWV 1041 (Johann Sebastian Bach)

7
I. Allegro
Jarosław Nadrzycki
00:03:36

Johann Sebastian Bach, Composer - Lorenzo Gugole, MainArtist, - Jarosław Nadrzycki, Artist, MainArtist - L'Appassionata, Orchestra, MainArtist

(C) 2021 haenssler CLASSIC (P) 2021 haenssler CLASSIC

8
II. Andante
Jarosław Nadrzycki
00:05:52

Johann Sebastian Bach, Composer - Lorenzo Gugole, MainArtist, - Jarosław Nadrzycki, Artist, MainArtist - L'Appassionata, Orchestra, MainArtist

(C) 2021 haenssler CLASSIC (P) 2021 haenssler CLASSIC

9
III. Allegro assai
Jarosław Nadrzycki
00:03:21

Johann Sebastian Bach, Composer - Lorenzo Gugole, MainArtist, - Jarosław Nadrzycki, Artist, MainArtist - L'Appassionata, Orchestra, MainArtist

(C) 2021 haenssler CLASSIC (P) 2021 haenssler CLASSIC

Concerto for 2 Violins in D Minor, BWV 1043 (Arr. for Violin, Flute & Orchestra) (Johann Sebastian Bach)

10
I. Vivace
Krzysztof Kaczka
00:03:40

Johann Sebastian Bach, Composer - Krzysztof Kaczka, Artist, MainArtist - Lorenzo Gugole, MainArtist, - Jarosław Nadrzycki, Artist, MainArtist - L'Appassionata, Orchestra, MainArtist

(C) 2021 haenssler CLASSIC (P) 2021 haenssler CLASSIC

11
II. Largo ma non tanto
Krzysztof Kaczka
00:06:24

Johann Sebastian Bach, Composer - Krzysztof Kaczka, Artist, MainArtist - Lorenzo Gugole, MainArtist, - Jarosław Nadrzycki, Artist, MainArtist - L'Appassionata, Orchestra, MainArtist

(C) 2021 haenssler CLASSIC (P) 2021 haenssler CLASSIC

12
III. Allegro
Krzysztof Kaczka
00:04:47

Johann Sebastian Bach, Composer - Krzysztof Kaczka, Artist, MainArtist - Lorenzo Gugole, MainArtist, - Jarosław Nadrzycki, Artist, MainArtist - L'Appassionata, Orchestra, MainArtist

(C) 2021 haenssler CLASSIC (P) 2021 haenssler CLASSIC

Chronique

How would have Bach composed if he had had access to modern instrumentarium: a violin with Tourte’s bow that produces a higher volume of sound, a trumpet with an entire chromatic scale or a contemporary grand piano? Would he be inspired by the art of virtuosos of today, such as the Leipzig ensemble of Collegium Musicum, as he was known to have composed for distinguished artists? Would he forgive pop or computer game composers for using his music? How would he judge changes in the key of pieces, which played a vital role in the intellectual and emotional rendition of music according to Baroque rules? Or else, would he adjust to the vibe of our epoch and make use of samples instead of real performers?

In any case, he would definitely appreciate the interpretations by Jaroslaw Nadrzycki, Krzysztof Kaczka and L’Appasionata, a Verona-based chamber orchestra. The energy that these young musicians display while playing Bach’s pieces would certainly match the composer’s spirit. If we observe Bach’s portraits for which he would pose in a dignified wig as we listen to his grand music, we might think that Bach was a placid and serious man. Yet not once did his contemporaries have to cope with his fits of anger or turbulent character; on the contrary, he must have also been high-spirited and humorous, which we may deduce from his numerous pieces. © Haenssler Classic

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