Catégories :
Panier 0

Votre panier est vide

Sangeet Trio|Inde du Nord : Sangeet Trio en concert (Live)

Inde du Nord : Sangeet Trio en concert (Live)

Sangeet Trio, Tarun Bhattacharya, Vishwa Mohan Bhatt, Ronu Majumdar

Disponible en
16-Bit/44.1 kHz Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Téléchargez cet album dans la qualité de votre choix

Langue disponible : anglais

This is an unusual ensemble for Indian classical music. First of all, instead of a soloist accompanied by the tabla drums and the sitar-like tampura, there is a trio plus accompanists. The trio consists of three unusual instruments: bansuri flutes (played by Renu Mojumdar), a modified guitar (played by Vishwa Mohan Bhatt), and the Middle Eastern santur hammer dulcimer (played by Tarun Bhattacharya). The guitar is especially interesting. It has a short neck, four melody strings, three drone strings, and 12 sympathetic strings. It is played with a metal slide in a quasi "slack key" style. The slide is frequently used to bend notes in the Indian fashion, but when Bhatt resorts to more of a finger-picking style, it sounds American. The trio plays "Raja Jog" at this live concert in Paris. It is an exceedingly long raag (66 minutes), and the alap -- the opening 18-and-a-half-minute slow movement -- might be a little tedious for Western ears. The two faster sections are more engrossing. The musicians chose a raag whose intervals recall the American blues, and there is a repeated five-note figure that could almost be a jazz riff. The overall effect is more like jazz than blues. These allusions are achieved without any straining for effect, if they are indeed conscious at all. Good fun.

© Kurt Keefner /TiVo

Plus d'informations

Inde du Nord : Sangeet Trio en concert (Live)

Sangeet Trio

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 100 millions de titres avec votre abonnement illimité.

Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.

À partir de 12,49€/mois

1
Alap (Live, Raga Jog)
00:18:30

Traditional, Composer - Ronu Majumdar, MainArtist - Vishwa Mohan Bhatt, MainArtist - Tarun Bhattacharya, MainArtist - Sangeet Trio, MainArtist

Radio France, Mars 2018 Radio France, Mars 2018

2
Jhaptal (Live, Raga Jog)
00:18:27

Traditional, Composer - Ronu Majumdar, MainArtist - Vishwa Mohan Bhatt, MainArtist - Tarun Bhattacharya, MainArtist - Sangeet Trio, MainArtist

Radio France, Mars 2018 Radio France, Mars 2018

3
Drut Tîn-Tal (Live, Raga Jog)
00:29:48

Traditional, Composer - Ronu Majumdar, MainArtist - Vishwa Mohan Bhatt, MainArtist - Tarun Bhattacharya, MainArtist - Sangeet Trio, MainArtist

Radio France, Mars 2018 Radio France, Mars 2018

Chronique

This is an unusual ensemble for Indian classical music. First of all, instead of a soloist accompanied by the tabla drums and the sitar-like tampura, there is a trio plus accompanists. The trio consists of three unusual instruments: bansuri flutes (played by Renu Mojumdar), a modified guitar (played by Vishwa Mohan Bhatt), and the Middle Eastern santur hammer dulcimer (played by Tarun Bhattacharya). The guitar is especially interesting. It has a short neck, four melody strings, three drone strings, and 12 sympathetic strings. It is played with a metal slide in a quasi "slack key" style. The slide is frequently used to bend notes in the Indian fashion, but when Bhatt resorts to more of a finger-picking style, it sounds American. The trio plays "Raja Jog" at this live concert in Paris. It is an exceedingly long raag (66 minutes), and the alap -- the opening 18-and-a-half-minute slow movement -- might be a little tedious for Western ears. The two faster sections are more engrossing. The musicians chose a raag whose intervals recall the American blues, and there is a repeated five-note figure that could almost be a jazz riff. The overall effect is more like jazz than blues. These allusions are achieved without any straining for effect, if they are indeed conscious at all. Good fun.

© Kurt Keefner /TiVo

À propos

Distinctions :

Améliorer les informations de l'album

Qobuz logo Pourquoi acheter sur Qobuz ?