Catégories :
Panier 0

Votre panier est vide

Iván Fischer - Gustav Mahler : Symphony No. 6 in A-Minor

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

Gustav Mahler : Symphony No. 6 in A-Minor

Budapest Festival Orchestra - Iván Fischer

Livret numérique

Disponible en
logo Hi-Res
24-Bit 192.0 kHz - Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Choisissez la qualité audio : 

Pour bénéficier de ce tarif, abonnez-vous à Sublime+

Langue disponible : anglais

Best known for performing music by modern Hungarian composers such as Bartók and Kódaly, and also for his numerous Mozart recordings in the 1990s, Iván Fischer takes a surprising turn in his repertoire by recording Mahler's Symphony No. 6 in A minor, "Tragic," with the Budapest Festival Orchestra, a bold undertaking for any maestro, but one for which he is well-prepared. Fischer has performed Mahler live on many occasions, and has devoted considerable time to studying the music before committing an interpretation to disc, so his 2005 Channel Classics release cannot be called careless or hastily planned. This symphony may not be as difficult to interpret and perform as are others of Mahler's gargantuan essays, but because expectations are high among devotees, Fischer has a tough job pleasing the cognoscenti. (Curiously, many obsessive Mahlerians have a marked preference for this work, possibly because it is the most coherent and powerful of the purely instrumental symphonies. Fischer's performance can be enjoyed as one of the best sounding to come along in years -- the nuances in the brass and percussion are especially marvelous -- and it can be taken as one of the most reasoned and thoughtful interpretations as well. Fischer aims for clarity and balance, and gets a transparent reading from the BFO that reveals every note. Yet a real feeling for Mahler's exaggerated emotional world seems to be lacking, and when the music should be wildly hysterical, appallingly grotesque, and running headlong toward catastrophe, Fischer's version keeps safely back from the edge of the abyss, dusts itself off, and reminds us that it is, after all, only a symphony, not the end of the world. Alas, the great recordings of the Symphony No. 6 actually do sound like the end of the world, and can almost create physical sensations of heartache and terror. This recording, however well it sounds and despite its many interesting features, has no such power, and is much less gripping than it should have been.

Plus d'informations

Gustav Mahler : Symphony No. 6 in A-Minor

Iván Fischer

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app
Ecouter sur Qobuz

Copier le lien pour partager la page

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 40 millions de titres avec votre abonnement illimité.

Écoutez cet album et plus de 40 millions de titres avec votre abonnement illimité.

Symphony No. 6 in A-Minor (Gustav Mahler)

1
I. Allegro energico, ma non troppo 00:22:29

Budapest Festival Orchestra, Performer - Gustav Mahler, Composer

2008 Channel Classics Records

2
II. Andante moderato 00:13:51

Budapest Festival Orchestra, Performer - Gustav Mahler, Composer

2008 Channel Classics Records

3
III. Scherzo - Wuchtig 00:12:58

Budapest Festival Orchestra, Performer - Gustav Mahler, Composer

2008 Channel Classics Records

4
IV. Finale - Allegro moderato 00:29:21

Budapest Festival Orchestra, Performer - Gustav Mahler, Composer

2008 Channel Classics Records

Descriptif de l'album

Best known for performing music by modern Hungarian composers such as Bartók and Kódaly, and also for his numerous Mozart recordings in the 1990s, Iván Fischer takes a surprising turn in his repertoire by recording Mahler's Symphony No. 6 in A minor, "Tragic," with the Budapest Festival Orchestra, a bold undertaking for any maestro, but one for which he is well-prepared. Fischer has performed Mahler live on many occasions, and has devoted considerable time to studying the music before committing an interpretation to disc, so his 2005 Channel Classics release cannot be called careless or hastily planned. This symphony may not be as difficult to interpret and perform as are others of Mahler's gargantuan essays, but because expectations are high among devotees, Fischer has a tough job pleasing the cognoscenti. (Curiously, many obsessive Mahlerians have a marked preference for this work, possibly because it is the most coherent and powerful of the purely instrumental symphonies. Fischer's performance can be enjoyed as one of the best sounding to come along in years -- the nuances in the brass and percussion are especially marvelous -- and it can be taken as one of the most reasoned and thoughtful interpretations as well. Fischer aims for clarity and balance, and gets a transparent reading from the BFO that reveals every note. Yet a real feeling for Mahler's exaggerated emotional world seems to be lacking, and when the music should be wildly hysterical, appallingly grotesque, and running headlong toward catastrophe, Fischer's version keeps safely back from the edge of the abyss, dusts itself off, and reminds us that it is, after all, only a symphony, not the end of the world. Alas, the great recordings of the Symphony No. 6 actually do sound like the end of the world, and can almost create physical sensations of heartache and terror. This recording, however well it sounds and despite its many interesting features, has no such power, and is much less gripping than it should have been.

À propos

Distinctions :

Améliorer cette page album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...
À découvrir également
Par Iván Fischer

Playlists

Dans la même thématique...
Les Grands Angles...
Danny Elfman en dix albums

Entre féerie et humour déjanté, grandiose et douceur bienveillante, Danny Elfman a bâti en près de quarante ans un style très personnel et bigarré, qu’il distille dans des productions hollywoodiennes éclectiques, signées notamment Tim Burton ou Gus Van Sant. À l’occasion d’un week-end qui lui est consacré à la Philharmonie de Paris, retour sur dix albums essentiels de sa discographie.

Sibelius : 10 moments clés de la discographie

La discographie du compositeur finlandais Jean Sibelius (1865-1957) est d’une grande richesse, et surtout d’une exceptionnelle qualité et diversité. Qobuz vous en propose un tour d’horizon en mettant l’accent sur 10 moments particulièrement significatifs.

Tim Burton en 10 albums

Qu’il tourne en prises de vues réelles ou en stop motion, Tim Burton a construit en plus de trente ans un monde cinématographique où le merveilleux poétique côtoie le gothique et l’humour macabre. À quelques exceptions près, c’est le compositeur Danny Elfman qui l’a épaulé dans cette aventure, formant un duo symbiotique : sans les images de Burton, la musique de Elfman n’aurait pas la même saveur et vice versa, ce qu’ils ont encore prouvé en 2019 avec le bouleversant “Dumbo”.

Dans l'actualité...