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BGO's 2013 two-fer pairs Eric Gale's first two albums for Columbia, Ginseng Woman and Multiplication. Both records were produced by Bob James, who brings a synth-savvy snap to these '70s fusion platters, sessions that were designed in the wake of Donald Byrd's vocal-heavy jazz-funk but carry perhaps just a few too many analog synths. Gale doesn't begin to dominate until Multiplication -- Ginseng Woman is so thoroughly a groove album it's hard to discern solos underneath its pristine veneer -- but soon he starts carving out space for some seriously satisfying single-line runs. And those grooves are enjoyable too -- perhaps the reggae revision of "Sara Smile" doesn't quite gibe and there are certainly too many incidents of thick backing vocals on both albums, making this heavily redolent of its time, but much of the appeal is its polyester shimmer, and when these two records are seen as R&B-heavy fusion workouts, not jazz sessions, they're fun pieces of fleeting mood music.
© Stephen Thomas Erlewine /TiVo
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Richard Tee, Piano - Ralph MacDonald, Percussion - Bob James, Producer - Bob James, Organ - JOE JORGENSON, Engineer - Eric Gale, Guitar - Eric Gale, Performer - Steve Gadd, Drums - Vladimir Meller, Mastering Engineer - Anthony Jackson, Bass - B. James, Composer - B. James, Lyricist - Grover Washington, Jr., Saxophone - Joe Jorgensen, Co-Producer
(P) 1977 Columbia Records, a division of Sony Music Entertainment
Ralph MacDonald, Percussion - Bob James, Producer - E. Gale, Composer - E. Gale, Lyricist - JOE JORGENSON, Engineer - Eric Gale, Guitar - Eric Gale, Performer - Andrew Smith, Drums - Vladimir Meller, Mastering Engineer - Joe Jorgensen, Co-Producer - Gary King, Bass
(P) 1977 Columbia Records, a division of Sony Music Entertainment
Richard Tee, Drums - Richard Tee, Piano - John Oates, Composer - John Oates, Lyricist - Ralph MacDonald, Percussion - Bob James, Producer - Bob James, Arranger - BILL EATON, Vocal Arranger - Daryl Hall, Composer - Daryl Hall, Lyricist - JOE JORGENSON, Engineer - Eric Gale, Guitar - Eric Gale, Performer - Steve Gadd, Drums - Vladimir Meller, Mastering Engineer - Joe Jorgensen, Co-Producer - Gary King, Bass
(P) 1977 Columbia Records, a division of Sony Music Entertainment
Jay Borden, 2nd Engineer - Max Ellen, Violin - Max Pollikoff, Violin - Richard Tee, Piano - Richard Tee, Organ - Randy Brecker, Trumpet - Paul Faulise, Trombone - Alphonso Johnson, Bass - Barry Finclair, Viola - Harry Lookofsky, Violin - Emanuel Vardi, Viola - Joe Jorgensen, Co-Producer - Vladimir Meller, Mastering Engineer - Eddie Daniels, Tenor Saxophone - Bob James, Producer - Charles McCracken, Acoustic Cello - Steve Gadd, Drums - Eric Gale, Electric Guitar - Eric Gale, Performer - Don Puluse, Engineer - Wayne Andre, Trombone - Jerry Dodgion, Alto Saxophone - David Nadien, Violin - George Marge, Baritone Saxophone - Richard Locker, Acoustic Cello - L. RITENOUR, Composer - L. RITENOUR, Lyricist - Marvin Stamm, Trumpet - Lew Soloff, Trumpet - Jay Chattaway, Arranger - Doug Epstein, 2nd Engineer - Matthew Raimondi, Violin - Harry Cykman, Violin - Jon Faddis, Trumpet - Harold Kohon, Violin - Mike Brauer, 2nd Engineer - Willie Weeks, Bass - Ralph MacDonald, Percussion - Lamar Alsop, Violin
(P) 1977 Columbia Records, a division of Sony Music Entertainment
David Nadien, Violin - Jay Borden, 2nd Engineer - Lew Soloff, Trumpet - Harold Kohon, Violin - Harry Cykman, Violin - Vladimir Meller, Mastering Engineer - Mike Brauer, 2nd Engineer - Charles McCracken, Acoustic Cello - Don Puluse, Engineer - Wayne Andre, Trombone - Bob James, Producer - Bob James, Arranger - Richard Locker, Acoustic Cello - Lamar Alsop, Violin - Ralph MacDonald, Percussion - Marvin Stamm, Trumpet - Richard Tee, Piano - Richard Tee, Organ - Eddie Daniels, Tenor Saxophone - Willie Weeks, Bass - Barry Finclair, Viola - Eric Gale, Electric Guitar - Eric Gale, Performer - R. TEE, Composer - R. TEE, Lyricist - Paul Faulise, Trombone - Alphonso Johnson, Bass - Max Pollikoff, Violin - Jon Faddis, Trumpet - Max Ellen, Violin - Matthew Raimondi, Violin - Steve Gadd, Drums - Doug Epstein, 2nd Engineer - Joe Jorgensen, Co-Producer - Emanuel Vardi, Viola - Randy Brecker, Trumpet - Harry Lookofsky, Violin - Jerry Dodgion, Alto Saxophone - George Marge, Baritone Saxophone
(P) 1977 Columbia Records, a division of Sony Music Entertainment
David Nadien, Violin - Jay Borden, 2nd Engineer - Harold Kohon, Violin - Lew Soloff, Trumpet - Harry Cykman, Violin - Vladimir Meller, Mastering Engineer - Mike Brauer, 2nd Engineer - Charles McCracken, Acoustic Cello - Wayne Andre, Trombone - Don Puluse, Engineer - Bob James, Arranger - Bob James, Producer - Bob James, Adaptor - Richard Locker, Acoustic Cello - Marvin Stamm, Trumpet - Lamar Alsop, Violin - Ralph MacDonald, Percussion - Willie Weeks, Bass - Eddie Daniels, Tenor Saxophone - Richard Tee, Piano - Richard Tee, Organ - Barry Finclair, Viola - Eric Gale, Electric Guitar - Eric Gale, Performer - Paul Faulise, Trombone - Alphonso Johnson, Bass - Max Pollikoff, Violin - Matthew Raimondi, Violin - Jon Faddis, Trumpet - Max Ellen, Violin - Steve Gadd, Drums - Doug Epstein, 2nd Engineer - Joe Jorgensen, Co-Producer - Randy Brecker, Trumpet - Emanuel Vardi, Viola - Harry Lookofsky, Violin - Jerry Dodgion, Alto Saxophone - George Marge, Baritone Saxophone
(P) 1977 Columbia Records, a division of Sony Music Entertainment
Jay Borden, 2nd Engineer - Max Ellen, Violin - Max Pollikoff, Violin - Richard Tee, Piano - Richard Tee, Organ - Randy Brecker, Trumpet - Paul Faulise, Trombone - Alphonso Johnson, Bass - Barry Finclair, Viola - Harry Lookofsky, Violin - Emanuel Vardi, Viola - Joe Jorgensen, Co-Producer - Vladimir Meller, Mastering Engineer - Eddie Daniels, Tenor Saxophone - Bob James, Producer - Charles McCracken, Acoustic Cello - Steve Gadd, Drums - Eric Gale, Electric Guitar - Eric Gale, Performer - Don Puluse, Engineer - Wayne Andre, Trombone - Jerry Dodgion, Alto Saxophone - David Nadien, Violin - George Marge, Baritone Saxophone - Richard Locker, Acoustic Cello - Marvin Stamm, Trumpet - Lew Soloff, Trumpet - Doug Epstein, 2nd Engineer - Bill Eaton, Adaptor - Bill Eaton, Arranger - Matthew Raimondi, Violin - Harry Cykman, Violin - Jon Faddis, Trumpet - BILL EATON, Arranger - BILL EATON, Adaptor - Traditional, Composer - Traditional, Lyricist - Harold Kohon, Violin - Mike Brauer, 2nd Engineer - Willie Weeks, Bass - Ralph MacDonald, Percussion - Lamar Alsop, Violin
(P) 1977 Columbia Records, a division of Sony Music Entertainment
Jay Borden, 2nd Engineer - Max Ellen, Violin - Andrew Smith, Drums - Max Pollikoff, Violin - Richard Tee, Piano - Richard Tee, Organ - Randy Brecker, Trumpet - Paul Faulise, Trombone - Alphonso Johnson, Bass - Anthony Jackson, Bass - Barry Finclair, Viola - Harry Lookofsky, Violin - Emanuel Vardi, Viola - Joe Jorgensen, Co-Producer - Vladimir Meller, Mastering Engineer - Eddie Daniels, Tenor Saxophone - Bob James, Producer - Bob James, Arranger - Charles McCracken, Acoustic Cello - Steve Gadd, Drums - Eric Gale, Electric Guitar - Eric Gale, Performer - Don Puluse, Engineer - Wayne Andre, Trombone - Jerry Dodgion, Alto Saxophone - David Nadien, Violin - George Marge, Baritone Saxophone - Richard Locker, Acoustic Cello - Marvin Stamm, Trumpet - E. Gale, Composer - E. Gale, Lyricist - Lew Soloff, Trumpet - Doug Epstein, 2nd Engineer - Matthew Raimondi, Violin - Harry Cykman, Violin - Jon Faddis, Trumpet - Harold Kohon, Violin - Mike Brauer, 2nd Engineer - Willie Weeks, Bass - Ralph MacDonald, Percussion - Lamar Alsop, Violin
(P) 1977 Columbia Records, a division of Sony Music Entertainment
Chronique
BGO's 2013 two-fer pairs Eric Gale's first two albums for Columbia, Ginseng Woman and Multiplication. Both records were produced by Bob James, who brings a synth-savvy snap to these '70s fusion platters, sessions that were designed in the wake of Donald Byrd's vocal-heavy jazz-funk but carry perhaps just a few too many analog synths. Gale doesn't begin to dominate until Multiplication -- Ginseng Woman is so thoroughly a groove album it's hard to discern solos underneath its pristine veneer -- but soon he starts carving out space for some seriously satisfying single-line runs. And those grooves are enjoyable too -- perhaps the reggae revision of "Sara Smile" doesn't quite gibe and there are certainly too many incidents of thick backing vocals on both albums, making this heavily redolent of its time, but much of the appeal is its polyester shimmer, and when these two records are seen as R&B-heavy fusion workouts, not jazz sessions, they're fun pieces of fleeting mood music.
© Stephen Thomas Erlewine /TiVo
À propos
- 1 disque(s) - 12 piste(s)
- Durée totale : 01:13:09
- Artistes principaux : Eric Gale
- Compositeur : Various Composers
- Label : Legacy - Columbia
- Genre : Jazz Jazz fusion & Jazz rock
(P) 1977 SONY BMG MUSIC ENTERTAINMENT
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