Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Langue disponible : anglais
The music of Dutch composer Joep Franssens defies easy categorization. The individualist tendencies of his teacher Louis Andriessen are evident, as well as an embrace of the sounds of both American and eastern European minimalism, along with an unabashed lyrical impulse. Roaring Rotterdam (1997) is a highly attractive work for orchestra that has some of the throbbing, exuberant energy of the third movement of John Adam's Harmonielehre, and Gerd Albrecht leads the Netherlands Radio Symphony Orchestra in a performance of urgent conviction. Instead of using the traditional biblical text, Franssens' Magnificat, for soprano, chorus, and orchestra, sets a fragment of a 1915 Portuguese poem by Fernando Pessoa that addresses the splendor of nature and the human relationship to it, but its title is apt. The tone is very much that of the best Magnificats -- an elevated, serene affirmation of life, with moments of both intimacy and majesty. Franssens' setting is an unfurling of a widening and deepening sense of wonder and awe that proceeds with unhurried ecstasy to a climax of breathtaking, elemental joy. It's a work of daunting difficulty, and the Netherlands Radio Choir shows some strain by its ending, but aside from that caveat, Tonu Kaljuste's performance, with the Choir and the Netherlands Symphony Orchestra, is rhapsodic and beautifully paced. Kaljuste also conducts Harmony of the Spheres, Part 1, for a cappella chorus, featuring the Netherlands Chamber. Its radiant mood is similar to that of the Magnificat, but with a quieter, more subdued tone. The recordings were made at live performances, so there is some ancillary noise, and the sound doesn't have ideal clarity and purity, but it's never less than satisfactory and doesn't distract the ear. The CD should be of strong interest to fans of new music in the post-minimalist vein.
© TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
Tom Peeters, Contributor - Gerd Albrecht, Conductor - Netherlands Radio Philharmonic Orchestra, MainArtist - Joep Franssens, Composer - Bart Noorman, Contributor - Michael Nieuwenhuizen, Producer
2008 Coda BVBA 2008 Coda BVBA
Tonu Kaljuste, Conductor - Netherlands Chamber Choir, MainArtist - Tom Peeters, Contributor - Joep Franssens, Composer - Bart Noorman, Contributor - Michael Nieuwenhuizen, Producer
2008 Coda BVBA 2008 Coda BVBA
Netherlands Radio Choir, MainArtist - Tonu Kaljuste, Conductor - Tom Peeters, Contributor - Netherlands Radio Philharmonic Orchestra, MainArtist - Joep Franssens, Composer - Elma van den Dool, Soloist - Bart Noorman, Contributor - Michael Nieuwenhuizen, Producer
2008 Coda BVBA 2008 Coda BVBA
Chronique
The music of Dutch composer Joep Franssens defies easy categorization. The individualist tendencies of his teacher Louis Andriessen are evident, as well as an embrace of the sounds of both American and eastern European minimalism, along with an unabashed lyrical impulse. Roaring Rotterdam (1997) is a highly attractive work for orchestra that has some of the throbbing, exuberant energy of the third movement of John Adam's Harmonielehre, and Gerd Albrecht leads the Netherlands Radio Symphony Orchestra in a performance of urgent conviction. Instead of using the traditional biblical text, Franssens' Magnificat, for soprano, chorus, and orchestra, sets a fragment of a 1915 Portuguese poem by Fernando Pessoa that addresses the splendor of nature and the human relationship to it, but its title is apt. The tone is very much that of the best Magnificats -- an elevated, serene affirmation of life, with moments of both intimacy and majesty. Franssens' setting is an unfurling of a widening and deepening sense of wonder and awe that proceeds with unhurried ecstasy to a climax of breathtaking, elemental joy. It's a work of daunting difficulty, and the Netherlands Radio Choir shows some strain by its ending, but aside from that caveat, Tonu Kaljuste's performance, with the Choir and the Netherlands Symphony Orchestra, is rhapsodic and beautifully paced. Kaljuste also conducts Harmony of the Spheres, Part 1, for a cappella chorus, featuring the Netherlands Chamber. Its radiant mood is similar to that of the Magnificat, but with a quieter, more subdued tone. The recordings were made at live performances, so there is some ancillary noise, and the sound doesn't have ideal clarity and purity, but it's never less than satisfactory and doesn't distract the ear. The CD should be of strong interest to fans of new music in the post-minimalist vein.
© TiVo
À propos
- 1 disque(s) - 3 piste(s)
- Durée totale : 00:51:47
- Artistes principaux : Netherlands Radio Philharmonic Orchestra Netherlands Chamber Choir Netherlands Radio Choir
- Compositeur : Joep Franssens
- Label : Etcetera
- Genre : Classique
2008 Coda BVBA 2008 Coda BVBA
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.