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Eric Dolphy|Far Cry

Far Cry

Booker Little, Eric Dolphy

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Langue disponible : anglais

Charlie Parker's influence permeates this 1960 session. Beyond the obvious acknowledgment on song titles ("Mrs. Parker of K.C. ['Bird's Mother']" and "Ode to Charlie Parker"), his restless spirit is utilized as a guiding light for breaking bebop molds. Far Cry finds multi-reedist Eric Dolphy in a transitional phase, relinquishing Parker's governing universal impact and diving into the next controversial phase that critics began calling "anti-jazz." On this date Booker Little's lyrical trumpet and Jackie Byard's confident grasp of multiple piano styles (though both steeped in hard bop) were sympathetic to the burgeoning "avant-garde" approach that Dolphy displays, albeit sparingly, on this session. Far Cry contains the initial performance of Dolphy's future jazz classic "Miss Ann," along with his first recorded solo alto sax performance on "Tenderly," in which Dolphy bridges the gap between the solo saxophone performances of Coleman Hawkins and Anthony Braxton.

© Al Campbell /TiVo

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Far Cry

Eric Dolphy

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1
Mrs. Parker Of K.C. (Bird's Mother)
00:08:00

Eric Dolphy, MainArtist - Jaki Byard, ComposerLyricist - Booker Little, MainArtist

℗ 1989 Prestige Records/Fantasy, Inc.

2
Ode To Charlie Parker
00:08:42

Eric Dolphy, MainArtist - Jaki Byard, ComposerLyricist - Booker Little, MainArtist

℗ 1989 Prestige Records/Fantasy, Inc.

3
Far Cry
00:03:52

Ron Carter, AssociatedPerformer, Bass (Vocal) - Eric Dolphy, Composer, Alto Saxophone, MainArtist, AssociatedPerformer - Roy Haynes, Drums, AssociatedPerformer - Jaki Byard, Piano, AssociatedPerformer - Booker Little, Trumpet, MainArtist, AssociatedPerformer

℗ 1989 Fantasy, Inc.

4
Miss Ann
00:04:15

Ron Carter, AssociatedPerformer, Bass (Vocal) - Eric Dolphy, Composer, Alto Saxophone, MainArtist, AssociatedPerformer - Roy Haynes, Drums, AssociatedPerformer - Jaki Byard, Piano, AssociatedPerformer - Booker Little, Trumpet, MainArtist, AssociatedPerformer

℗ 1989 Fantasy, Inc.

5
Left Alone
00:06:40

Billie Holiday, ComposerLyricist - Eric Dolphy, MainArtist - Mal Waldron, ComposerLyricist - Booker Little, MainArtist

℗ 1989 Fantasy, Inc.

6
Tenderly
00:04:18

Jack Lawrence, ComposerLyricist - Eric Dolphy, MainArtist - WALTER GROSS, ComposerLyricist - Booker Little, MainArtist

℗ 1989 Fantasy, Inc.

7
It's Magic
00:05:39

Jule Styne, ComposerLyricist - Sammy Cahn, ComposerLyricist - Eric Dolphy, MainArtist - Booker Little, MainArtist

℗ 1989 Fantasy, Inc.

8
Serene
00:06:37

Eric Dolphy, Composer, MainArtist - Booker Little, MainArtist

℗ 1989 Fantasy, Inc.

Chronique

Charlie Parker's influence permeates this 1960 session. Beyond the obvious acknowledgment on song titles ("Mrs. Parker of K.C. ['Bird's Mother']" and "Ode to Charlie Parker"), his restless spirit is utilized as a guiding light for breaking bebop molds. Far Cry finds multi-reedist Eric Dolphy in a transitional phase, relinquishing Parker's governing universal impact and diving into the next controversial phase that critics began calling "anti-jazz." On this date Booker Little's lyrical trumpet and Jackie Byard's confident grasp of multiple piano styles (though both steeped in hard bop) were sympathetic to the burgeoning "avant-garde" approach that Dolphy displays, albeit sparingly, on this session. Far Cry contains the initial performance of Dolphy's future jazz classic "Miss Ann," along with his first recorded solo alto sax performance on "Tenderly," in which Dolphy bridges the gap between the solo saxophone performances of Coleman Hawkins and Anthony Braxton.

© Al Campbell /TiVo

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