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The Albion Band|Demi Paradise

Demi Paradise

The Albion Band

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Langue disponible : anglais

This album completes the trilogy of mid-'90s recordings by the revamped Albion Band. For the most part, Demi Paradise revolves around the singing and songwriting of Chris While and Julie Matthews, whose vocal harmonies sound a lot like those of the Indigo Girls. With only one traditional selection, it's evident that bassist and bandleader Ashley Hutchings has switched gears again, although it is possible that he's recorded every British folk song ever written, given his 30-year attention to England's folk music. Relying on the strengths of the groups' writers, this recording has taken on a contemporary-folk and acoustic-pop flavor. Of course, wherever fiddler Chris Leslie is involved, traces of traditional folk music are sure to surface, and that is the case here as Leslie has arranged a medley of traditional reels and composed a medley of contemporary jigs in the old style. But those two instances aren't enough to offset the modern folk direction of this album.

© Dave Sleger /TiVo

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Demi Paradise

The Albion Band

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1
Don't Let Me Come Home a Stranger
00:04:18

The Albion Band, Performance, MainArtist

© 1996 Sanctuary Records Group Ltd., a BMG Company ℗ 1996 Sanctuary Records Group Ltd., a BMG Company

2
Ivory Tower
00:03:02

The Albion Band, Performance, MainArtist

© 1996 Sanctuary Records Group Ltd., a BMG Company ℗ 1996 Sanctuary Records Group Ltd., a BMG Company

3
Along the Pilgrim's Way
00:04:05

The Albion Band, Performance, MainArtist

© 1996 Sanctuary Records Group Ltd., a BMG Company ℗ 1996 Sanctuary Records Group Ltd., a BMG Company

4
My Secret Place
00:03:45

The Albion Band, Performance, MainArtist

© 1996 Sanctuary Records Group Ltd., a BMG Company ℗ 1996 Sanctuary Records Group Ltd., a BMG Company

5
Reels: The Gaspe Reel/Sam's Slammer/Imogene's Ridge
00:04:03

The Albion Band, Performance, MainArtist

© 1996 Sanctuary Records Group Ltd., a BMG Company ℗ 1996 Sanctuary Records Group Ltd., a BMG Company

6
The Young Man Cut Down In His Prime
00:04:23

The Albion Band, Performance, MainArtist

© 1996 Sanctuary Records Group Ltd., a BMG Company ℗ 1996 Sanctuary Records Group Ltd., a BMG Company

7
When She Sits in the Kitchen
00:03:48

The Albion Band, Performance, MainArtist

© 1996 Sanctuary Records Group Ltd., a BMG Company ℗ 1996 Sanctuary Records Group Ltd., a BMG Company

8
White Water Running
00:04:18

The Albion Band, Performance, MainArtist

© 1996 Sanctuary Records Group Ltd., a BMG Company ℗ 1996 Sanctuary Records Group Ltd., a BMG Company

9
Sea of Sorrow
00:03:31

The Albion Band, Performance, MainArtist

© 1996 Sanctuary Records Group Ltd., a BMG Company ℗ 1996 Sanctuary Records Group Ltd., a BMG Company

10
Jigs: The Switchback/The New Book/The Slippery Slope
00:02:57

The Albion Band, Performance, MainArtist

© 1996 Sanctuary Records Group Ltd., a BMG Company ℗ 1996 Sanctuary Records Group Ltd., a BMG Company

11
This Blessed Plot
00:05:22

The Albion Band, Performance, MainArtist

© 1996 Sanctuary Records Group Ltd., a BMG Company ℗ 1996 Sanctuary Records Group Ltd., a BMG Company

12
Circle Round the Sun
00:04:42

The Albion Band, Performance, MainArtist

© 1996 Sanctuary Records Group Ltd., a BMG Company ℗ 1996 Sanctuary Records Group Ltd., a BMG Company

Chronique

This album completes the trilogy of mid-'90s recordings by the revamped Albion Band. For the most part, Demi Paradise revolves around the singing and songwriting of Chris While and Julie Matthews, whose vocal harmonies sound a lot like those of the Indigo Girls. With only one traditional selection, it's evident that bassist and bandleader Ashley Hutchings has switched gears again, although it is possible that he's recorded every British folk song ever written, given his 30-year attention to England's folk music. Relying on the strengths of the groups' writers, this recording has taken on a contemporary-folk and acoustic-pop flavor. Of course, wherever fiddler Chris Leslie is involved, traces of traditional folk music are sure to surface, and that is the case here as Leslie has arranged a medley of traditional reels and composed a medley of contemporary jigs in the old style. But those two instances aren't enough to offset the modern folk direction of this album.

© Dave Sleger /TiVo

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