Neil Young Dead Man - Music From And Inspired By The Motion Picture By Jim Jarmusch

Dead Man - Music From And Inspired By The Motion Picture By Jim Jarmusch

Neil Young

Paru le 18 octobre 2009 chez Vapor Records

Artiste principal : Neil Young

Genre : Film > Bandes originales de films

Musique illimitée

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Even within the unpredictable Neil Young discography, this qualifies as one of his most unpredictable efforts. This soundtrack to the Jim Jarmusch film Dead Man is entirely instrumental, with the exception of some poetry read by Johnny Depp (who stars in the film) and a bit of dialogue. What's more, these untitled instrumental passages are dominated by subterranean guitar rumbles that manage to sound both grungy and subdued. Young also takes care to vary his approach a bit, switching occaionally to pump organ, detuned piano, and acoustic guitar. The results not only evoke the hostile, desolate landscapes of the film's Old West, but work on their own terms as ambient mood music for the non-new age crowd, creating an atmosphere of restless disturbance with subtlety and grace. It's not necessarily for the typical Neil Young fan (whoever that might be), but it's certainly one of his most successful experimental efforts. ~ Richie Unterberger
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Album : 1 disque - 13 pistes Durée totale : 01:02:18

  1. 1 Guitar Solo, No. 1 (Album Version)

    NEIL YOUNG, Producer, Writer, MainArtist - JOHN HANLON, Producer, Mixer Copyright : 1996 Vapor Records 1996 Vapor Records

  2. 2 The Round Stones Beneath the Earth (Album Version)

    NEIL YOUNG, Producer, Writer, MainArtist - JOHN HANLON, Producer, Mixer Copyright : 1996 Vapor Records 1996 Vapor Records

  3. 3 Guitar Solo, No. 2 (Album Version)

    NEIL YOUNG, Producer, Writer, MainArtist - JOHN HANLON, Producer, Mixer Copyright : 1996 Vapor Records 1996 Vapor Records

  4. 4 Why Dost Thou Hide Thyself in Clouds (Album Version)

    NEIL YOUNG, Producer, Writer, MainArtist - JOHN HANLON, Producer, Mixer Copyright : 1996 Vapor Records 1996 Vapor Records

  5. 5 Organ Solo (Album Version)

    NEIL YOUNG, Producer, Writer, MainArtist - JOHN HANLON, Producer, Mixer Copyright : 1996 Vapor Records 1996 Vapor Records

  6. 6 Do You Know How to Use This Weapon? (Album Version)

    NEIL YOUNG, Producer, Writer, MainArtist - JOHN HANLON, Producer, Mixer Copyright : 1996 Vapor Records 1996 Vapor Records

  7. 7 Guitar Solo, No. 3 (Album Version)

    NEIL YOUNG, Producer, Writer, MainArtist - JOHN HANLON, Producer, Mixer Copyright : 1996 Vapor Records 1996 Vapor Records

  8. 8 Nobody's Story (Album Version)

    NEIL YOUNG, Producer, Writer, MainArtist - JOHN HANLON, Producer, Mixer Copyright : 1996 Vapor Records 1996 Vapor Records

  9. 9 Guitar Solo, No. 4 (Album Version)

    NEIL YOUNG, Producer, Writer, MainArtist - JOHN HANLON, Producer, Mixer Copyright : 1996 Vapor Records 1996 Vapor Records

  10. 10 Stupid White Men... (Album Version)

    NEIL YOUNG, Producer, Writer, MainArtist - JOHN HANLON, Producer, Mixer Copyright : 1996 Vapor Records 1996 Vapor Records

  11. 11 Guitar Solo, No. 5 (Album Version)

    NEIL YOUNG, Producer, Writer, MainArtist - JOHN HANLON, Producer, Mixer Copyright : 1996 Vapor Records 1996 Vapor Records

  12. 12 Time for You to Leave, William Blake... (Album Version)

    NEIL YOUNG, Producer, Writer, MainArtist - JOHN HANLON, Producer, Mixer Copyright : 1996 Vapor Records 1996 Vapor Records

  13. 13 Guitar Solo, No. 6 (Album Version)

    NEIL YOUNG, Producer, Writer, MainArtist - JOHN HANLON, Producer, Mixer Copyright : 1996 Vapor Records 1996 Vapor Records

  • Descriptif de l'album
  • Even within the unpredictable Neil Young discography, this qualifies as one of his most unpredictable efforts. This soundtrack to the Jim Jarmusch film Dead Man is entirely instrumental, with the exception of some poetry read by Johnny Depp (who stars in the film) and a bit of dialogue. What's more, these untitled instrumental passages are dominated by subterranean guitar rumbles that manage to sound both grungy and subdued. Young also takes care to vary his approach a bit, switching occaionally to pump organ, detuned piano, and acoustic guitar. The results not only evoke the hostile, desolate landscapes of the film's Old West, but work on their own terms as ambient mood music for the non-new age crowd, creating an atmosphere of restless disturbance with subtlety and grace. It's not necessarily for the typical Neil Young fan (whoever that might be), but it's certainly one of his most successful experimental efforts. ~ Richie Unterberger

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Neil Young dans le magazine

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