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ORF Vienna Radio Symphony Orchestra|Dawson & Kay: Orchestral Works

Dawson & Kay: Orchestral Works

ORF Vienna Radio Symphony Orchestra, Arthur Fagen

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Langue disponible : anglais

William Dawson’s Negro Folk Symphony was premiered by Leopold Stokowski and the Philadelphia Orchestra in 1934 to huge enthusiasm. Its traditional form houses a continuous process of variation and introduces little-known spirituals in fragmentary form, while the work’s recurring motifs, remarkable transitions and syncopations are enhanced in Dawson’s 1952 revision heard here. The Fantasy Variations by composer and teacher Ulysses Kay employs dissonance with great expressivity in a work of textural and coloristic variety. Umbrian Scene, despite its pictorial suggestion, is lean and sombre. © Naxos

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Dawson & Kay: Orchestral Works

ORF Vienna Radio Symphony Orchestra

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Negro Folk Symphony (William Dawson)

1
I. The Bond of Africa
00:12:06

William Dawson, Composer - Arthur Fagen, Conductor - ORF Vienna Radio Symphony Orchestra, Orchestra, MainArtist

(C) 2020 Naxos (P) 2020 Naxos

2
II. Hope in the Night
00:12:41

William Dawson, Composer - Arthur Fagen, Conductor - ORF Vienna Radio Symphony Orchestra, Orchestra, MainArtist

(C) 2020 Naxos (P) 2020 Naxos

3
III. O Let Me Shine!
00:08:18

William Dawson, Composer - Arthur Fagen, Conductor - ORF Vienna Radio Symphony Orchestra, Orchestra, MainArtist

(C) 2020 Naxos (P) 2020 Naxos

Fantasy Variations (Ulysses Kay)

4
Fantasy Variations
00:18:00

Arthur Fagen, Conductor - Ulysses Kay, Composer - ORF Vienna Radio Symphony Orchestra, Orchestra, MainArtist

(C) 2020 Naxos (P) 2020 Naxos

Umbrian Scene (Ulysses Kay)

5
Umbrian Scene
00:13:34

Arthur Fagen, Conductor - Ulysses Kay, Composer - ORF Vienna Radio Symphony Orchestra, Orchestra, MainArtist

(C) 2020 Naxos (P) 2020 Naxos

Chronique

William Dawson’s Negro Folk Symphony was premiered by Leopold Stokowski and the Philadelphia Orchestra in 1934 to huge enthusiasm. Its traditional form houses a continuous process of variation and introduces little-known spirituals in fragmentary form, while the work’s recurring motifs, remarkable transitions and syncopations are enhanced in Dawson’s 1952 revision heard here. The Fantasy Variations by composer and teacher Ulysses Kay employs dissonance with great expressivity in a work of textural and coloristic variety. Umbrian Scene, despite its pictorial suggestion, is lean and sombre. © Naxos

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