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Clara Haskil|Clara Haskil - Philips Recordings 1951-1960

Clara Haskil - Philips Recordings 1951-1960

Clara Haskil

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Langue disponible : anglais

There must be more to Clara Haskil than merely her defective technique. There would have to be, or Philips would not have reissued this seven-disc collection of her recordings made between 1951 and 1960. But, after listening to Haskil play, it's hard to say what that more might be. In the solo works, Haskil's tempos are full of extravagant rubato and unscheduled accelerandos, while her textures are thick with smudged inner lines. In the works with orchestra, she's the same only more so with unexpected tempo changes that leave the conductor scrambling and a tone that only rarely manages to rise above the level of the orchestra. Of course, all that interpretive heaving and hoing came standard equipment with her training in the French post-Romantic style by Alfred Cortot, but even for that famously sloppy school, Haskil was an amazingly sloppy pianist. Listen just to her 1959 performance of the first movement of Schumann's Piano Concerto with Willem van Otterloo and the Philharmonisches Orchester Den Haag: listen to the smashed chords of the opening flourish, to the flailed double octaves at the first theme's climax, to the callous shallowness of her second theme's tone, to the missed notes in the build up to the third theme's climax, and especially to the buckets of dropped notes in the cadenza's hardest passages. Though she can get through the easier works here, and though she does bring to slow movements a species of barely restrained intensity, there is not much more to Haskil, finally, than the vicarious thrill of her nervous excitement. Unlike Philips' golden and glowing later piano sound, the sound here is dim, gray, and grim even in the more recent recordings.

© TiVo

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Clara Haskil - Philips Recordings 1951-1960

Clara Haskil

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Sonata in E flat major K.193 (Domenico Scarlatti)

1
D. Scarlatti: Sonata in E flat, K.193
00:04:01

DOMENICO SCARLATTI, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1951 Universal International Music B.V.

Sonata in B minor, K.87 (Domenico Scarlatti)

2
D. Scarlatti: Sonata in B minor, K.87
00:04:33

DOMENICO SCARLATTI, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1951 Universal International Music B.V.

Sonata in F minor, K.386 (Domenico Scarlatti)

3
D. Scarlatti: Sonata in F minor, K.386
00:02:26

DOMENICO SCARLATTI, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1951 Universal International Music B.V.

Nine Variations in D, K.573 on a minuet by J.P. Duport (Wolfgang Amadeus Mozart)

4
Mozart: Nine Variations in D, K.573 on a minuet by J.P. Duport
00:13:21

Wolfgang Amadeus Mozart, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1954 Universal International Music B.V.

Piano Sonata No. 10 In C Major, K.330 (Wolfgang Amadeus Mozart)

5
1. Allegro moderato
00:06:20

Wolfgang Amadeus Mozart, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1954 Universal International Music B.V.

6
2. Andante cantabile
00:06:15

Wolfgang Amadeus Mozart, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1954 Universal International Music B.V.

7
3. Allegretto
00:05:19

Wolfgang Amadeus Mozart, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1954 Universal International Music B.V.

Sonatine, M.40 - for Piano (Maurice Ravel)

8
1. Modéré
00:03:56

Maurice Ravel, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1952 Universal International Music B.V.

9
2. Mouvement de menuet
00:02:47

Maurice Ravel, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1952 Universal International Music B.V.

10
3. Animé
00:03:35

Maurice Ravel, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1952 Universal International Music B.V.

Bunte Blätter, Op. 99 (Robert Schumann)

11
Stücklein I: Nicht schnell, mit Innigkeit
00:01:29

Robert Schumann, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1952 Universal International Music B.V.

12
Stücklein II: Sehr rasch
00:00:52

Robert Schumann, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1952 Universal International Music B.V.

13
Stücklein III: Frisch
00:00:47

Robert Schumann, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1952 Universal International Music B.V.

14
Albumblatter I: Ziemlich langsam, sehr gesangvoll
00:01:03

Robert Schumann, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1952 Universal International Music B.V.

15
Albumblatter II: Schnell
00:00:41

Robert Schumann, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1952 Universal International Music B.V.

16
Albumblatter III: Ziemlich langsam, sehr gesangvoll
00:01:12

Robert Schumann, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1952 Universal International Music B.V.

17
Albumblatter IV: Langsam
00:01:02

Robert Schumann, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1952 Universal International Music B.V.

18
Albumblatter V: Sehr langsam
00:01:40

Robert Schumann, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1952 Universal International Music B.V.

Abegg Variations, Op.1 (Robert Schumann)

19
Schumann: Abegg Variations, Op. 1
00:06:55

Robert Schumann, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1952 Universal International Music B.V.

DISQUE 2

Kinderszenen, Op. 15 (Robert Schumann)

1
1. Von fremden Ländern und Menschen
00:01:36

Robert Schumann, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1956 Universal International Music B.V.

2
2. Kuriose Geschichte
00:00:58

Robert Schumann, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1956 Universal International Music B.V.

3
3. Hasche-Mann
00:00:31

Robert Schumann, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1956 Universal International Music B.V.

4
4. Bittendes Kind
00:00:46

Robert Schumann, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1956 Universal International Music B.V.

5
5. Glückes genug
00:01:14

Robert Schumann, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1956 Universal International Music B.V.

6
6. Wichtige Begebenheit
00:00:44

Robert Schumann, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1956 Universal International Music B.V.

7
7. Träumerei
00:02:39

Robert Schumann, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1956 Universal International Music B.V.

8
8. Am Kamin
00:00:53

Robert Schumann, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1956 Universal International Music B.V.

9
9. Ritter vom Steckenpferd
00:00:36

Robert Schumann, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1956 Universal International Music B.V.

10
10. Fast zu ernst
00:01:26

Robert Schumann, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1956 Universal International Music B.V.

11
11. Fürchtenmachen
00:01:36

Robert Schumann, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1956 Universal International Music B.V.

12
12. Kind im Einschlummern
00:01:36

Robert Schumann, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1956 Universal International Music B.V.

13
13. Der Dichter spricht
00:02:00

Robert Schumann, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1956 Universal International Music B.V.

Waldszenen, Op. 82 (Robert Schumann)

14
1. Eintritt
00:02:02

Robert Schumann, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1954 Universal International Music B.V.

15
2. Jäger auf der Lauer
00:01:19

Robert Schumann, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1954 Universal International Music B.V.

16
3. Einsame Blumen
00:02:12

Robert Schumann, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1954 Universal International Music B.V.

17
4. Verrufene Stelle
00:02:26

Robert Schumann, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1954 Universal International Music B.V.

18
5. Freundliche Landschaft
00:01:02

Robert Schumann, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1954 Universal International Music B.V.

19
6. Herberge
00:01:53

Robert Schumann, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1954 Universal International Music B.V.

20
7. Vogel als Prophet
00:03:11

Robert Schumann, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1954 Universal International Music B.V.

21
8. Jagdlied
00:02:26

Robert Schumann, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1954 Universal International Music B.V.

22
9. Abschied
00:03:14

Robert Schumann, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1954 Universal International Music B.V.

Piano Sonata No. 17 in D minor, Op. 31 No. 2 -"Tempest" (Ludwig van Beethoven)

23
1. Largo - Allegro
00:07:29

Ludwig van Beethoven, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1956 Universal International Music B.V.

24
2. Adagio
00:06:17

Ludwig van Beethoven, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1956 Universal International Music B.V.

25
3. Allegretto
00:05:42

Ludwig van Beethoven, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1956 Universal International Music B.V.

Piano Sonata No. 18 in E-Flat Major, Op. 31 No. 3 (Ludwig van Beethoven)

26
1. Allegro
00:08:24

Ludwig van Beethoven, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1956 Universal International Music B.V.

27
2. Scherzo. Allegretto vivace
00:04:50

Ludwig van Beethoven, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1956 Universal International Music B.V.

28
3. Menuetto. Moderato e grazioso
00:04:13

Ludwig van Beethoven, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1956 Universal International Music B.V.

29
4. Presto con fuoco
00:04:34

Ludwig van Beethoven, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1956 Universal International Music B.V.

DISQUE 3

Piano Sonata No. 21 in B flat, D.960 (Franz Schubert)

1
1. Molto moderato
00:13:24

Franz Schubert, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1951 Universal International Music B.V.

2
2. Andante sostenuto
00:08:04

Franz Schubert, Composer - Clara Haskil, Piano, MainArtist, AssociatedPerformer

℗ 1951 Universal International Music B.V.

Chronique

There must be more to Clara Haskil than merely her defective technique. There would have to be, or Philips would not have reissued this seven-disc collection of her recordings made between 1951 and 1960. But, after listening to Haskil play, it's hard to say what that more might be. In the solo works, Haskil's tempos are full of extravagant rubato and unscheduled accelerandos, while her textures are thick with smudged inner lines. In the works with orchestra, she's the same only more so with unexpected tempo changes that leave the conductor scrambling and a tone that only rarely manages to rise above the level of the orchestra. Of course, all that interpretive heaving and hoing came standard equipment with her training in the French post-Romantic style by Alfred Cortot, but even for that famously sloppy school, Haskil was an amazingly sloppy pianist. Listen just to her 1959 performance of the first movement of Schumann's Piano Concerto with Willem van Otterloo and the Philharmonisches Orchester Den Haag: listen to the smashed chords of the opening flourish, to the flailed double octaves at the first theme's climax, to the callous shallowness of her second theme's tone, to the missed notes in the build up to the third theme's climax, and especially to the buckets of dropped notes in the cadenza's hardest passages. Though she can get through the easier works here, and though she does bring to slow movements a species of barely restrained intensity, there is not much more to Haskil, finally, than the vicarious thrill of her nervous excitement. Unlike Philips' golden and glowing later piano sound, the sound here is dim, gray, and grim even in the more recent recordings.

© TiVo

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