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City Of Birmingham Symphony Orchestra|Bliss: Music for Strings, Meditations on a Theme by John Blow & A Prayer to the Infant Jesus

Bliss: Music for Strings, Meditations on a Theme by John Blow & A Prayer to the Infant Jesus

Philip Ledger, Ambrosian Singers, Hugo Rignold, City Of Birmingham Symphony Orchestra

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Langue disponible : anglais

Of the English modernist composers who came of age after the First World War, Arthur Bliss has been less well served on record than he deserves. His major works -- Morning Heroes, A Colour Symphony, and the four great ballets -- have received few recordings. Even Bliss' warmly lyrical and instantly appealing Music for Strings has had few recordings, and the recording at hand is perhaps the least successful of them. Hugo Rignold and the Birmingham Symphony deliver scrappy playing, doubtful ensemble, and shaky tempos, so it's hard to say much good about the performance. Listeners unfamiliar with the piece should be guided toward either Adrian Boult or Richard Hickox's more polished recordings. The Meditation on a Theme by John Blow contains some of Bliss' most varied and rhythmically bracing music, and here Rignold's boisterous and rambunctious reading is much more successful, in large part due to the better playing of the Birmingham musicians. The final work here is A Prayer for the Infant Jesus in the only recording yet made at the time of release, by Philip Ledger and the Ambrosian Singers. Scored for women's voices, the work is starkly beautiful and Ledger and the English choir deliver a wonderfully moving performance that could win Bliss new advocates among the English cathedral set. As is standard with Lyrita, the stereo sound here is cool, clear, and honest.
© TiVo

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Bliss: Music for Strings, Meditations on a Theme by John Blow & A Prayer to the Infant Jesus

City Of Birmingham Symphony Orchestra

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Music for Strings, F. 123 (Arthur Bliss)

1
I. Allegro moderato, energico
City Of Birmingham Symphony Orchestra
00:09:37

City Of Birmingham Symphony Orchestra, Orchestra, MainArtist - Sir Arthur Bliss, Composer - Hugo Rignold, Conductor

(C) 2007 Lyrita (P) 2007 Lyrita

2
II. Andante molto
City Of Birmingham Symphony Orchestra
00:10:23

City Of Birmingham Symphony Orchestra, Orchestra, MainArtist - Sir Arthur Bliss, Composer - Hugo Rignold, Conductor

(C) 2007 Lyrita (P) 2007 Lyrita

3
III. Allegro molto
City Of Birmingham Symphony Orchestra
00:06:36

City Of Birmingham Symphony Orchestra, Orchestra, MainArtist - Sir Arthur Bliss, Composer - Hugo Rignold, Conductor

(C) 2007 Lyrita (P) 2007 Lyrita

Meditations on a Theme by John Blow, F. 118 (Arthur Bliss)

4
Introduction. The Lord Is My Shepherd - I Will Fear No Evil
City Of Birmingham Symphony Orchestra
00:07:27

City Of Birmingham Symphony Orchestra, Orchestra, MainArtist - Sir Arthur Bliss, Composer - Hugo Rignold, Conductor

(C) 2007 Lyrita (P) 2007 Lyrita

5
Meditation I. He Leadeth Me Beside the Still Waters
City Of Birmingham Symphony Orchestra
00:03:06

City Of Birmingham Symphony Orchestra, Orchestra, MainArtist - Sir Arthur Bliss, Composer - Hugo Rignold, Conductor

(C) 2007 Lyrita (P) 2007 Lyrita

6
Meditation II. Thy Rod and Staff They Comfort Me
City Of Birmingham Symphony Orchestra
00:02:27

City Of Birmingham Symphony Orchestra, Orchestra, MainArtist - Sir Arthur Bliss, Composer - Hugo Rignold, Conductor

(C) 2007 Lyrita (P) 2007 Lyrita

7
Meditation III. The Lambs
City Of Birmingham Symphony Orchestra
00:02:36

City Of Birmingham Symphony Orchestra, Orchestra, MainArtist - Sir Arthur Bliss, Composer - Hugo Rignold, Conductor

(C) 2007 Lyrita (P) 2007 Lyrita

8
Meditation IV. He Restoreth My Soul
City Of Birmingham Symphony Orchestra
00:02:41

City Of Birmingham Symphony Orchestra, Orchestra, MainArtist - Sir Arthur Bliss, Composer - Hugo Rignold, Conductor

(C) 2007 Lyrita (P) 2007 Lyrita

9
Meditation V. In Green Pastures
City Of Birmingham Symphony Orchestra
00:04:57

City Of Birmingham Symphony Orchestra, Orchestra, MainArtist - Sir Arthur Bliss, Composer - Hugo Rignold, Conductor

(C) 2007 Lyrita (P) 2007 Lyrita

10
Interlude. Through the Valley of the Shadow of Death
City Of Birmingham Symphony Orchestra
00:03:03

City Of Birmingham Symphony Orchestra, Orchestra, MainArtist - Sir Arthur Bliss, Composer - Hugo Rignold, Conductor

(C) 2007 Lyrita (P) 2007 Lyrita

11
Finale. In the House of the Lord
City Of Birmingham Symphony Orchestra
00:07:21

City Of Birmingham Symphony Orchestra, Orchestra, MainArtist - Sir Arthur Bliss, Composer - Hugo Rignold, Conductor

(C) 2007 Lyrita (P) 2007 Lyrita

A Prayer to the Infant Jesus, F. 48 (Arthur Bliss)

12
A Prayer to the Infant Jesus, F. 48
Ambrosian Singers
00:05:38

Ambrosian Singers, Choir, MainArtist - Philip Ledger, Conductor - Sir Arthur Bliss, Composer

(C) 2007 Lyrita (P) 2007 Lyrita

Chronique

Of the English modernist composers who came of age after the First World War, Arthur Bliss has been less well served on record than he deserves. His major works -- Morning Heroes, A Colour Symphony, and the four great ballets -- have received few recordings. Even Bliss' warmly lyrical and instantly appealing Music for Strings has had few recordings, and the recording at hand is perhaps the least successful of them. Hugo Rignold and the Birmingham Symphony deliver scrappy playing, doubtful ensemble, and shaky tempos, so it's hard to say much good about the performance. Listeners unfamiliar with the piece should be guided toward either Adrian Boult or Richard Hickox's more polished recordings. The Meditation on a Theme by John Blow contains some of Bliss' most varied and rhythmically bracing music, and here Rignold's boisterous and rambunctious reading is much more successful, in large part due to the better playing of the Birmingham musicians. The final work here is A Prayer for the Infant Jesus in the only recording yet made at the time of release, by Philip Ledger and the Ambrosian Singers. Scored for women's voices, the work is starkly beautiful and Ledger and the English choir deliver a wonderfully moving performance that could win Bliss new advocates among the English cathedral set. As is standard with Lyrita, the stereo sound here is cool, clear, and honest.
© TiVo

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