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Paul Hillier|Bitter Ballads (Paul Hillier & Andrew Lawrence-King)

Bitter Ballads (Paul Hillier & Andrew Lawrence-King)

Paul Hillier & Andrew Lawrence-King

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On the surface, BITTER BALLADS appears to be a collection of Medieval or Renaissance songs: Paul Hillier and Andrew Lawrence-King are known early-music performers, the disc title has a Renaissance sound to it, and even the sound of the performances brings to mind English ballads. You may even recognize Bernart de Ventadorn's "Can vei la lauzeta" or Oswald von Wolkenstein's "Es fügt sich." The catch here is that of the sixteen poems sung, only five of the melodies were composed to match them. For the rest, Hillier and Lawrence-King have taken existing tunes and matched them to different words. Thus, Ventadorn's song is sung here with words by Bertolt Brecht, and a poem by Charles Dickens finds itself with a traditional tune which might be quite at home in 16th- or 17th-century England. The performances here are earthy and natural. Some of the songs are accompanied, others are not, as Hillier originally matched Brecht with Ventadorn to demonstrate that troubadour songs could--and probably were--performed as often without accompaniment as with. Lawrence-King is a sensitive partner to the singer and a skilled soloist in the transcribed Howard Skempton works.
© TiVo

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Bitter Ballads (Paul Hillier & Andrew Lawrence-King)

Paul Hillier

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1
Clever Tom Clinch Going to be Hanged
00:03:14

Paul Hillier, Performer

1998 harmonia mundi

2
The Roundhead
00:02:04

Paul Hillier, Performer

1998 harmonia mundi

3
London is a Fine Town
00:01:32

Paul Hillier, Performer

1998 harmonia mundi

4
London
00:02:35

Paul Hillier, Performer

1998 harmonia mundi

5
The Fine Old English Gentleman
00:05:13

Paul Hillier, Performer

1998 harmonia mundi

6
The Great Testament
00:11:25

Paul Hillier, Performer

1998 harmonia mundi

7
Highland Dance #1
00:02:10

Paul Hillier, Performer

1998 harmonia mundi

8
Kiltory
00:05:51

Paul Hillier, Performer

1998 harmonia mundi

9
Highland Dance #2
00:03:00

Paul Hillier, Performer

1998 harmonia mundi

10
Shallow-Water Warning
00:02:38

Paul Hillier, Performer

1998 harmonia mundi

11
Song for a Sea Tower
00:02:54

Paul Hillier, Performer

1998 harmonia mundi

12
The Ballad of Marie Farrar
00:08:58

Paul Hillier, Performer

1998 harmonia mundi

13
Senza Licenza
00:02:32

Paul Hillier, Performer

1998 harmonia mundi

14
Invention
00:00:52

Paul Hillier, Performer

1998 harmonia mundi

15
Fine Flowers in the Valley
00:04:46

Paul Hillier, Performer

1998 harmonia mundi

16
Sappho - Fragment
00:01:31

Paul Hillier, Performer

1998 harmonia mundi

17
The Keel Row I
00:00:48

Paul Hillier, Performer

1998 harmonia mundi

18
It Was Summer Now
00:00:46

Paul Hillier, Performer

1998 harmonia mundi

19
The Keel Row II
00:01:04

Paul Hillier, Performer

1998 harmonia mundi

20
Disillusionment
00:01:20

Paul Hillier, Performer

1998 harmonia mundi

21
The Cockfight
00:01:16

Paul Hillier, Performer

1998 harmonia mundi

22
Sailing to Byzantium
00:06:47

Paul Hillier, Performer

1998 harmonia mundi

23
Brigg Fair
00:02:13

Paul Hillier, Performer

1998 harmonia mundi

24
Coda from Briggflatts
00:01:47

Paul Hillier, Performer

1998 harmonia mundi

Chronique

On the surface, BITTER BALLADS appears to be a collection of Medieval or Renaissance songs: Paul Hillier and Andrew Lawrence-King are known early-music performers, the disc title has a Renaissance sound to it, and even the sound of the performances brings to mind English ballads. You may even recognize Bernart de Ventadorn's "Can vei la lauzeta" or Oswald von Wolkenstein's "Es fügt sich." The catch here is that of the sixteen poems sung, only five of the melodies were composed to match them. For the rest, Hillier and Lawrence-King have taken existing tunes and matched them to different words. Thus, Ventadorn's song is sung here with words by Bertolt Brecht, and a poem by Charles Dickens finds itself with a traditional tune which might be quite at home in 16th- or 17th-century England. The performances here are earthy and natural. Some of the songs are accompanied, others are not, as Hillier originally matched Brecht with Ventadorn to demonstrate that troubadour songs could--and probably were--performed as often without accompaniment as with. Lawrence-King is a sensitive partner to the singer and a skilled soloist in the transcribed Howard Skempton works.
© TiVo

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