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Trio Mediæval|Words Of The Angel

Words Of The Angel

Trio Mediaeval

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Would that it were possible to give a debut recording a higher rating. The Trio Mediaeval is a remarkable group of women from Scandanavia whose repertoire consists of contemporary works and medieval compositions, as well as Baroque church music. This recording comprises a Messe de Tournai of polyphonic mass movements from a 14th century text and is interspersed with motets and songs from roughly the same period, including a number of works from English manuscripts. There is also a small collection of monophonic music Laude verses from the 13th century, and Ivan Moody's glorious Words of the Angel inserted as part of the mass, the lone contemporary work in the set. Produced by the Hilliard Ensemble's John Potter, the Trio has accomplished the unthinkable in taking a body of music that was meant solely for the voices of men, and transformed it into a multiphonic soprano's paradise. While the intonations presented a number of problems, the group takes the source material and treats it as if it were contemporary music and skates a wonderfully razored line of innovation and reverence that moves from mere academic inquiry -- something to despise in classical music -- into a terrain of mystery, depth, and an ambiguous austerity that actually feels like the music of prayer. So often, either the music director or the technical gifts of individual singers bury the soul of a medieval manuscript under technique and the secular sheen of primary academic indulgence. Here, despite the presence of truly inspiring vocal gifts -- being able to shape a stark musical line with warmth and aplomb while adding structure and aesthetic form to a series of works that were separate until the present recording -- the texts themselves and their prayerful intention are given full expression by this wonderful group. Their treatment of Moody's Words of the Angel (a young composer of 37 who studied with John Tavener and belongs to the Orthodox Church) is offered the same reverential space, placing it in a timeless continuum with the other works here that are centuries older. The projected polyphony takes the Eastern motifs and weaves them seamlessly into the earlier medieval ideal without perverting or altering in any way the composer's intentions. Only time will tell, of course, but Words of the Angel, with its inspiring performance and heartfelt, mystical longings, will most likely become a recording of reference for decades to come.

© Thom Jurek /TiVo

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Words Of The Angel

Trio Mediæval

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Alma mater - Ante thorum ((traditional))

1
Traditional: Alma mater - Ante thorum
Anna Maria Friman
00:02:34

Traditional, ComposerLyricist - John Potter, Producer - Manfred Eicher, Producer, Executive Producer - Anna Maria Friman, Voice, AssociatedPerformer - Trio Mediaeval, Ensemble, MainArtist - Linn Andrea Fuglseth, Voice, AssociatedPerformer - Peter Länger, Recording Engineer, StudioPersonnel - Torunn Ostrem Ossum, Voice, AssociatedPerformer

℗ 2001 ECM Records GmbH

Ave donna santissima ((traditional))

2
Traditional: Ave donna santissima
Linn Andrea Fuglseth
00:03:04

Traditional, ComposerLyricist - John Potter, Producer - Manfred Eicher, Producer, Executive Producer - Linn Andrea Fuglseth, Voice, MainArtist, AssociatedPerformer - Peter Länger, Recording Engineer, StudioPersonnel

℗ 2001 ECM Records GmbH

Salve mater misericordie ((traditional))

3
Traditional: Salve mater misericordie
Anna Maria Friman
00:02:23

Traditional, ComposerLyricist - John Potter, Producer - Manfred Eicher, Producer, Executive Producer - Anna Maria Friman, Voice, AssociatedPerformer - Trio Mediaeval, Ensemble, MainArtist - Linn Andrea Fuglseth, Voice, AssociatedPerformer - Peter Länger, Recording Engineer, StudioPersonnel - Torunn Ostrem Ossum, Voice, AssociatedPerformer

℗ 2001 ECM Records GmbH

La Messe de Tournai ((traditional))

4
1. Kyrie
Anna Maria Friman
00:01:46

Traditional, ComposerLyricist - John Potter, Producer - Manfred Eicher, Producer, Executive Producer - Anna Maria Friman, Voice, AssociatedPerformer - Trio Mediaeval, Ensemble, MainArtist - Linn Andrea Fuglseth, Voice, AssociatedPerformer - Peter Länger, Recording Engineer, StudioPersonnel - Torunn Ostrem Ossum, Voice, AssociatedPerformer

℗ 2001 ECM Records GmbH

5
2. Gloria
Anna Maria Friman
00:06:48

Traditional, ComposerLyricist - John Potter, Producer - Manfred Eicher, Producer, Executive Producer - Anna Maria Friman, Voice, AssociatedPerformer - Trio Mediaeval, Ensemble, MainArtist - Linn Andrea Fuglseth, Voice, AssociatedPerformer - Peter Länger, Recording Engineer, StudioPersonnel - Torunn Ostrem Ossum, Voice, AssociatedPerformer

℗ 2001 ECM Records GmbH

Lauda novella ((traditional))

6
Traditional: Lauda novella
Torunn Ostrem Ossum
00:03:12

Traditional, ComposerLyricist - John Potter, Producer - Manfred Eicher, Producer, Executive Producer - Peter Länger, Recording Engineer, StudioPersonnel - Torunn Ostrem Ossum, Voice, MainArtist, AssociatedPerformer

℗ 2001 ECM Records GmbH

Benedicta es celorum ((traditional))

7
Traditional: Benedicta es celorum
Anna Maria Friman
00:04:55

Traditional, ComposerLyricist - John Potter, Producer - Manfred Eicher, Producer, Executive Producer - Anna Maria Friman, Voice, AssociatedPerformer - Trio Mediaeval, Ensemble, MainArtist - Linn Andrea Fuglseth, Voice, AssociatedPerformer - Peter Länger, Recording Engineer, StudioPersonnel - Torunn Ostrem Ossum, Voice, AssociatedPerformer

℗ 2001 ECM Records GmbH

Mater Christi nobilis ((traditional))

8
Traditional: Mater Christi nobilis
Anna Maria Friman
00:01:09

Traditional, ComposerLyricist - John Potter, Producer - Manfred Eicher, Producer, Executive Producer - Anna Maria Friman, Voice, AssociatedPerformer - Trio Mediaeval, Ensemble, MainArtist - Linn Andrea Fuglseth, Voice, AssociatedPerformer - Peter Länger, Recording Engineer, StudioPersonnel - Torunn Ostrem Ossum, Voice, AssociatedPerformer

℗ 2001 ECM Records GmbH

De spineto nata rosa ((traditional))

9
Traditional: De spineto nata rosa
Anna Maria Friman
00:03:20

Traditional, ComposerLyricist - John Potter, Producer - Manfred Eicher, Producer, Executive Producer - Anna Maria Friman, Voice, AssociatedPerformer - Trio Mediaeval, Ensemble, MainArtist - Linn Andrea Fuglseth, Voice, AssociatedPerformer - Peter Länger, Recording Engineer, StudioPersonnel - Torunn Ostrem Ossum, Voice, AssociatedPerformer

℗ 2001 ECM Records GmbH

Salve virgo virginum ((traditional))

10
Traditional: Salve virgo virginum
Anna Maria Friman
00:03:10

Traditional, ComposerLyricist - John Potter, Producer - Manfred Eicher, Producer, Executive Producer - Anna Maria Friman, Voice, AssociatedPerformer - Trio Mediaeval, Ensemble, MainArtist - Linn Andrea Fuglseth, Voice, AssociatedPerformer - Peter Länger, Recording Engineer, StudioPersonnel - Torunn Ostrem Ossum, Voice, AssociatedPerformer

℗ 2001 ECM Records GmbH

La Messe de Tournai ((traditional))

11
3. Credo
Anna Maria Friman
00:05:37

Traditional, ComposerLyricist - John Potter, Producer - Manfred Eicher, Producer, Executive Producer - Anna Maria Friman, Voice, AssociatedPerformer - Trio Mediaeval, Ensemble, MainArtist - Linn Andrea Fuglseth, Voice, AssociatedPerformer - Peter Länger, Recording Engineer, StudioPersonnel - Torunn Ostrem Ossum, Voice, AssociatedPerformer

℗ 2001 ECM Records GmbH

Stella maris ((traditional))

12
Traditional: Stella maris
Anna Maria Friman
00:02:44

Traditional, ComposerLyricist - John Potter, Producer - Manfred Eicher, Producer, Executive Producer - Anna Maria Friman, Voice, AssociatedPerformer - Trio Mediaeval, Ensemble, MainArtist - Linn Andrea Fuglseth, Voice, AssociatedPerformer - Peter Länger, Recording Engineer, StudioPersonnel - Torunn Ostrem Ossum, Voice, AssociatedPerformer

℗ 2001 ECM Records GmbH

Venite a laudare ((traditional))

13
Traditional: Venite a laudare
Anna Maria Friman
00:03:10

Traditional, ComposerLyricist - John Potter, Producer - Manfred Eicher, Producer, Executive Producer - Anna Maria Friman, Voice, MainArtist, AssociatedPerformer - Peter Länger, Recording Engineer, StudioPersonnel

℗ 2001 ECM Records GmbH

In excelsis gloria ((traditional))

14
Traditional: In excelsis gloria
Anna Maria Friman
00:02:23

Traditional, ComposerLyricist - John Potter, Producer - Manfred Eicher, Producer, Executive Producer - Anna Maria Friman, Voice, AssociatedPerformer - Trio Mediaeval, Ensemble, MainArtist - Linn Andrea Fuglseth, Voice, AssociatedPerformer - Peter Länger, Recording Engineer, StudioPersonnel - Torunn Ostrem Ossum, Voice, AssociatedPerformer

℗ 2001 ECM Records GmbH

La Messe de Tournai ((traditional))

15
4. Sanctus
Anna Maria Friman
00:03:15

Traditional, ComposerLyricist - John Potter, Producer - Manfred Eicher, Producer, Executive Producer - Anna Maria Friman, Voice, AssociatedPerformer - Trio Mediaeval, Ensemble, MainArtist - Linn Andrea Fuglseth, Voice, AssociatedPerformer - Peter Länger, Recording Engineer, StudioPersonnel - Torunn Ostrem Ossum, Voice, AssociatedPerformer

℗ 2001 ECM Records GmbH

O ceteris preambulis ((traditional))

16
Traditional: O ceteris preambulis
Anna Maria Friman
00:02:18

Traditional, ComposerLyricist - John Potter, Producer - Manfred Eicher, Producer, Executive Producer - Anna Maria Friman, Voice, AssociatedPerformer - Trio Mediaeval, Ensemble, MainArtist - Linn Andrea Fuglseth, Voice, AssociatedPerformer - Peter Länger, Recording Engineer, StudioPersonnel - Torunn Ostrem Ossum, Voice, AssociatedPerformer

℗ 2001 ECM Records GmbH

La Messe de Tournai ((traditional))

17
5. Agnus Dei
Anna Maria Friman
00:02:12

Traditional, ComposerLyricist - John Potter, Producer - Manfred Eicher, Producer, Executive Producer - Anna Maria Friman, Voice, AssociatedPerformer - Trio Mediaeval, Ensemble, MainArtist - Linn Andrea Fuglseth, Voice, AssociatedPerformer - Peter Länger, Recording Engineer, StudioPersonnel - Torunn Ostrem Ossum, Voice, AssociatedPerformer

℗ 2001 ECM Records GmbH

Oi me lasso ((traditional))

18
Traditional: Oi me lasso
Anna Maria Friman
00:04:04

Traditional, ComposerLyricist - John Potter, Producer - Manfred Eicher, Producer, Executive Producer - Anna Maria Friman, Voice, AssociatedPerformer - Trio Mediaeval, Ensemble, MainArtist - Linn Andrea Fuglseth, Voice, AssociatedPerformer - Peter Länger, Recording Engineer, StudioPersonnel - Torunn Ostrem Ossum, Voice, AssociatedPerformer

℗ 2001 ECM Records GmbH

Words Of The Angel (Ivan Moody)

19
Moody: Words Of The Angel
Anna Maria Friman
00:05:25

Traditional, Author - John Potter, Producer - Ivan Moody, Composer - Manfred Eicher, Producer, Executive Producer - Anna Maria Friman, Voice, AssociatedPerformer - Trio Mediaeval, Ensemble, MainArtist - Linn Andrea Fuglseth, Voice, AssociatedPerformer - Peter Länger, Recording Engineer, StudioPersonnel - Torunn Ostrem Ossum, Voice, AssociatedPerformer

℗ 2001 ECM Records GmbH

La Messe de Tournai ((traditional))

20
6. Ite missa est
Anna Maria Friman
00:02:06

Traditional, ComposerLyricist - John Potter, Producer - Manfred Eicher, Producer, Executive Producer - Anna Maria Friman, Voice, AssociatedPerformer - Trio Mediaeval, Ensemble, MainArtist - Linn Andrea Fuglseth, Voice, AssociatedPerformer - Peter Länger, Recording Engineer, StudioPersonnel - Torunn Ostrem Ossum, Voice, AssociatedPerformer

℗ 2001 ECM Records GmbH

Albumbeschreibung

Would that it were possible to give a debut recording a higher rating. The Trio Mediaeval is a remarkable group of women from Scandanavia whose repertoire consists of contemporary works and medieval compositions, as well as Baroque church music. This recording comprises a Messe de Tournai of polyphonic mass movements from a 14th century text and is interspersed with motets and songs from roughly the same period, including a number of works from English manuscripts. There is also a small collection of monophonic music Laude verses from the 13th century, and Ivan Moody's glorious Words of the Angel inserted as part of the mass, the lone contemporary work in the set. Produced by the Hilliard Ensemble's John Potter, the Trio has accomplished the unthinkable in taking a body of music that was meant solely for the voices of men, and transformed it into a multiphonic soprano's paradise. While the intonations presented a number of problems, the group takes the source material and treats it as if it were contemporary music and skates a wonderfully razored line of innovation and reverence that moves from mere academic inquiry -- something to despise in classical music -- into a terrain of mystery, depth, and an ambiguous austerity that actually feels like the music of prayer. So often, either the music director or the technical gifts of individual singers bury the soul of a medieval manuscript under technique and the secular sheen of primary academic indulgence. Here, despite the presence of truly inspiring vocal gifts -- being able to shape a stark musical line with warmth and aplomb while adding structure and aesthetic form to a series of works that were separate until the present recording -- the texts themselves and their prayerful intention are given full expression by this wonderful group. Their treatment of Moody's Words of the Angel (a young composer of 37 who studied with John Tavener and belongs to the Orthodox Church) is offered the same reverential space, placing it in a timeless continuum with the other works here that are centuries older. The projected polyphony takes the Eastern motifs and weaves them seamlessly into the earlier medieval ideal without perverting or altering in any way the composer's intentions. Only time will tell, of course, but Words of the Angel, with its inspiring performance and heartfelt, mystical longings, will most likely become a recording of reference for decades to come.

© Thom Jurek /TiVo

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