Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
One album later and literally half the band had changed. Doug Carrion took over on bass, being just as competent though not otherwise as distinguished as his predecessor, Roger Marbury, while Dave Smalley was also gone, to be replaced by the lyrically similar-minded Peter Cortner. The latter's singing is rather more ragged than Smalley's sometimes blunter work, but the fact that he's not trying to simply ape Smalley actually helps make him much more distinct as a result. Both use speaking as part of their delivery, and Cortner's thinner voice actually suits the fragility of his lyrics quite well, arguably being just that much more effective than Smalley's approach, which sometimes sounded challenging even while pondering personal issues. Baker's still doing a good job all around on guitar, and if anything, stretching himself further at creating true anthems for the disaffected, feeling big and heroic while still embracing punk's simplicity, as the fantastic title track shows. There's even more in the way of soloing, which usually ends up serving each song's drive rather than being a showcase for wanking around. Not that once or twice he indulges in some fret-bending flash that uncomfortably signals where he'd end up with the horrible Junkyard, but happily that approach doesn't dominate. The opening cut, "The Godfather," is a perfect pairing of his talent and Cortner's, with a chorus that rises just enough as the latter wonders how he can truly get in touch with the one he loves. Then there's "When I Move," which completely goes against the grain by only having Cortner and Baker on the track -- the latter simply performing acoustic guitar! Colin Sears keeps up the steady drumming work from the first album, while the production, though at points a touch less crisp than that on Can I Say, still lets everything come through nice and strong.
© Ned Raggett /TiVo
Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen
Downloaden Sie die Qobuz App
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Brian Baker, Composer - Dag Nasty, MainArtist - Doug Carrion, Composer - Peter Cortner, Composer, Lyricist - Colin Sears, Composer
1987 Dischord Records 1987 Dischord Records
Brian Baker, Composer - Dag Nasty, MainArtist - Doug Carrion, Composer - Peter Cortner, Composer, Lyricist - Colin Sears, Composer
1987 Dischord Records 1987 Dischord Records
Brian Baker, Composer - Dag Nasty, MainArtist - Doug Carrion, Composer - Peter Cortner, Composer, Lyricist - Colin Sears, Composer
1987 Dischord Records 1987 Dischord Records
Brian Baker, Composer - Dag Nasty, MainArtist - Doug Carrion, Composer - Peter Cortner, Composer, Lyricist - Colin Sears, Composer
1987 Dischord Records 1987 Dischord Records
Brian Baker, Composer - Dag Nasty, MainArtist - Doug Carrion, Composer - Peter Cortner, Composer, Lyricist - Colin Sears, Composer
1987 Dischord Records 1987 Dischord Records
Brian Baker, Composer - Dag Nasty, MainArtist - Doug Carrion, Composer - Peter Cortner, Composer, Lyricist - Colin Sears, Composer
1987 Dischord Records 1987 Dischord Records
Brian Baker, Composer - Dag Nasty, MainArtist - Doug Carrion, Composer - Peter Cortner, Composer, Lyricist - Colin Sears, Composer
1987 Dischord Records 1987 Dischord Records
Brian Baker, Composer - Dag Nasty, MainArtist - Doug Carrion, Composer - Peter Cortner, Composer, Lyricist - Colin Sears, Composer
1987 Dischord Records 1987 Dischord Records
Brian Baker, Composer - Dag Nasty, MainArtist - Doug Carrion, Composer - Peter Cortner, Composer, Lyricist - Colin Sears, Composer
1987 Dischord Records 1987 Dischord Records
Brian Baker, Composer - Dag Nasty, MainArtist - Doug Carrion, Composer - Peter Cortner, Composer, Lyricist - Colin Sears, Composer
1987 Dischord Records 1987 Dischord Records
Brian Baker, Composer - Dag Nasty, MainArtist - Doug Carrion, Composer - Peter Cortner, Composer, Lyricist - Colin Sears, Composer
1987 Dischord Records 1987 Dischord Records
Brian Baker, Composer - Dag Nasty, MainArtist - Doug Carrion, Composer - Peter Cortner, Composer, Lyricist - Colin Sears, Composer
1987 Dischord Records 1987 Dischord Records
Brian Baker, Composer - Dag Nasty, MainArtist - Doug Carrion, Composer - Peter Cortner, Composer, Lyricist - Colin Sears, Composer
1987 Dischord Records 1987 Dischord Records
Brian Baker, Composer - Dag Nasty, MainArtist - Doug Carrion, Composer - Peter Cortner, Composer, Lyricist - Colin Sears, Composer
1987 Dischord Records 1987 Dischord Records
Brian Baker, Composer - Dag Nasty, MainArtist - Doug Carrion, Composer - Peter Cortner, Composer, Lyricist - Colin Sears, Composer
1987 Dischord Records 1987 Dischord Records
Brian Baker, Composer - Dag Nasty, MainArtist - Doug Carrion, Composer - Peter Cortner, Composer, Lyricist - Colin Sears, Composer
1987 Dischord Records 1987 Dischord Records
Brian Baker, Composer - Dag Nasty, MainArtist - Doug Carrion, Composer - Peter Cortner, Composer, Lyricist - Colin Sears, Composer
1987 Dischord Records 1987 Dischord Records
Albumbeschreibung
One album later and literally half the band had changed. Doug Carrion took over on bass, being just as competent though not otherwise as distinguished as his predecessor, Roger Marbury, while Dave Smalley was also gone, to be replaced by the lyrically similar-minded Peter Cortner. The latter's singing is rather more ragged than Smalley's sometimes blunter work, but the fact that he's not trying to simply ape Smalley actually helps make him much more distinct as a result. Both use speaking as part of their delivery, and Cortner's thinner voice actually suits the fragility of his lyrics quite well, arguably being just that much more effective than Smalley's approach, which sometimes sounded challenging even while pondering personal issues. Baker's still doing a good job all around on guitar, and if anything, stretching himself further at creating true anthems for the disaffected, feeling big and heroic while still embracing punk's simplicity, as the fantastic title track shows. There's even more in the way of soloing, which usually ends up serving each song's drive rather than being a showcase for wanking around. Not that once or twice he indulges in some fret-bending flash that uncomfortably signals where he'd end up with the horrible Junkyard, but happily that approach doesn't dominate. The opening cut, "The Godfather," is a perfect pairing of his talent and Cortner's, with a chorus that rises just enough as the latter wonders how he can truly get in touch with the one he loves. Then there's "When I Move," which completely goes against the grain by only having Cortner and Baker on the track -- the latter simply performing acoustic guitar! Colin Sears keeps up the steady drumming work from the first album, while the production, though at points a touch less crisp than that on Can I Say, still lets everything come through nice and strong.
© Ned Raggett /TiVo
Informationen zu dem Album
- 1 Disc(s) - 17 Track(s)
- Gesamte Laufzeit: 00:42:22
- Künstler: Dag Nasty
- Komponist: Various Composers
- Label: Dischord Records
- Genre: Pop/Rock Rock Alternativ und Indie
1987 Dischord Records 1987 Dischord Records
Verbesserung der Albuminformationen
Warum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.