Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Text in englischer Sprache verfügbar
Welcome to Hell, and Venom themselves, for that matter, have long been the subject of heated debate within the heavy metal community. Few bands have been as recognizably influential yet so universally panned by critics during their careers, and, of course, it was this, their first long-player, which ignited most of that controversy in the first place. This shocking debut was the scene of a bloody, head-on collision between Black Sabbath's original heavy metal commandments and lyrical obsessions with all things demonic, and Motörhead's unparalleled distortion and breakneck speed. Make no mistake: Welcome to Hell, more than any other album, crystallized the elements of what later became known as thrash, death, black, and virtually every other form of extreme metal, serving as a primer for thousands of post-New Wave of British Heavy Metal teens to follow. Primitive with a capital P, the album's production values are so poor that fittingly Welcome to Hell truly sounds like it was recorded in a tomb, the band's Marshall stacks caked with dirt and oozing worms even as they tore through their material like a pack of speed freaks. It's not that the hellish triumvirate of bassist/growler Cronos, guitarist Mantas, and drummer Abaddon -- there, even the ghoulish names set a precedent -- were such incompetent musicians individually (OK, maybe Abaddon), but their performance as a unit often sounds clumsy and underrehearsed. All of this only contributes to the album's gimmick-free honesty, of course, and highlights include such timeless satanic onslaughts as the title track, "In League With Satan," "One Thousand Days in Sodom" (whose there-and-back riff would later be re-written by Slayer a dozen times), and, most notably, the absolute classic "Witching Hour." Possibly Venom's single most important track, in it you'll hear a number of stylistic devices which would later pervade all extreme metal genres, indeed become their most regularly abused clichés. Additional early singles like "Angel Dust" and "Live Like an Angel (Die Like a Devil)" round out the disc in bombastic fashion, while lesser-known numbers like "Sons of Satan" and "Poison" just plain rock out. [Neat/Sanctuary's 2002 reissue adds a whopping 11 bonus cuts between alternate takes, singles, and demos, and killer packaging to boot. And original fans can rest assured that no amount of remastering can put a pretty face on Venom's incredible racket (the drums still sound like cardboard boxes -- thank God).]
© Eduardo Rivadavia /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Jeffrey Dunn, Composer, Electric Guitar - Anthony Bray, Composer, Percussion - Conrad Lant, Composer, Bass Guitar, Vocals - Venom, Producer, MainArtist - Keith Nichol, Producer
© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1981 Sanctuary Records Group Ltd., a BMG Company
Jeffrey Dunn, Composer, Electric Guitar - Anthony Bray, Composer - Conrad Lant, Composer, Lyricist, Vocals - Venom, Composer, MainArtist - Keith Nichol, Producer - Tony Bray, Composer, Lyricist - Jeff Dunn, Composer, Lyricist
© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1981 Sanctuary Records Group Ltd., a BMG Company
Jeffrey Dunn, Electric Guitar - Anthony Bray, Percussion - Conrad Lant, Bass Guitar, Vocals - Venom, Producer, MainArtist - Keith Nichol, Producer
© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1981 Sanctuary Records Group Ltd., a BMG Company
Jeffrey Dunn, Composer, Electric Guitar - Anthony Bray, Composer, Percussion - Conrad Lant, Composer, Bass Guitar, Vocals - Venom, Producer, MainArtist - Keith Nichol, Producer
© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1981 Sanctuary Records Group Ltd., a BMG Company
Jeffrey Dunn, Composer, Electric Guitar - Anthony Bray, Composer, Percussion - Conrad Lant, Composer, Bass Guitar, Vocals - Venom, Producer, MainArtist - Keith Nichol, Producer
© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1981 Sanctuary Records Group Ltd., a BMG Company
Jeffrey Dunn, Electric Guitar - Anthony Bray, Percussion - Conrad Lant, Bass Guitar, Vocals - Venom, Producer, MainArtist - Keith Nichol, Producer
© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1981 Sanctuary Records Group Ltd., a BMG Company
Jeffrey Dunn, Composer, Electric Guitar - Anthony Bray, Composer, Percussion - Conrad Lant, Composer, Bass Guitar, Vocals, Writer - Venom, Composer, Producer, MainArtist - Keith Nichol, Producer - Tony Bray, Writer - Jeff Dunn, Writer
© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1981 Sanctuary Records Group Ltd., a BMG Company
Jeffrey Dunn, Electric Guitar - Anthony Bray, Percussion - Conrad Lant, Bass Guitar, Vocals - Venom, Producer, MainArtist - Keith Nichol, Producer
© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1981 Sanctuary Records Group Ltd., a BMG Company
Jeffrey Dunn, Composer, Electric Guitar - Anthony Bray, Composer, Percussion - Conrad Lant, Composer, Bass Guitar, Vocals - Venom, Producer, MainArtist - Keith Nichol, Producer
© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1981 Sanctuary Records Group Ltd., a BMG Company
Jeffrey Dunn, Composer, Electric Guitar - Anthony Bray, Composer, Percussion - Conrad Lant, Composer, Bass Guitar, Vocals - Venom, Producer, MainArtist - Keith Nichol, Producer
© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1981 Sanctuary Records Group Ltd., a BMG Company
Jeffrey Dunn, Composer, Electric Guitar - Anthony Bray, Composer, Percussion - Conrad Lant, Composer, Bass Guitar, Vocals - Venom, Producer, MainArtist - Keith Nichol, Producer
© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1981 Sanctuary Records Group Ltd., a BMG Company
Jeffrey Dunn, Composer, Electric Guitar - Anthony Bray, Composer, Percussion - Conrad Lant, Composer, Bass Guitar, Vocals - Venom, Producer, MainArtist - Keith Nichol, Producer
© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1981 Sanctuary Records Group Ltd., a BMG Company
Jeffrey Dunn, Composer, Electric Guitar - Anthony Bray, Composer, Percussion - Conrad Lant, Composer, Bass Guitar, Vocals - Venom, Producer, MainArtist - Keith Nichol, Producer
© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1981 Sanctuary Records Group Ltd., a BMG Company
Jeffrey Dunn, Electric Guitar - Anthony Bray, Percussion - Conrad Lant, Bass Guitar, Vocals - Venom, Producer, MainArtist - Keith Nichol, Producer
© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1981 Sanctuary Records Group Ltd., a BMG Company
Jeffrey Dunn, Electric Guitar - Anthony Bray, Percussion - Conrad Lant, Bass Guitar, Vocals - Venom, Producer, MainArtist - Keith Nichol, Producer
© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1981 Sanctuary Records Group Ltd., a BMG Company
Jeffrey Dunn, Composer, Electric Guitar - Anthony Bray, Composer, Percussion - Conrad Lant, Composer, Bass Guitar, Vocals - Venom, Producer, MainArtist - Keith Nichol, Producer
© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1981 Sanctuary Records Group Ltd., a BMG Company
Jeffrey Dunn, Composer, Electric Guitar - Anthony Bray, Composer, Percussion - Conrad Lant, Composer, Bass Guitar, Vocals - Venom, Producer, MainArtist - Keith Nichol, Producer
© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1981 Sanctuary Records Group Ltd., a BMG Company
Jeffrey Dunn, Composer, Electric Guitar - Anthony Bray, Composer, Percussion - Conrad Lant, Composer, Bass Guitar, Vocals - Venom, Producer, MainArtist - Keith Nichol, Producer
© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1981 Sanctuary Records Group Ltd., a BMG Company
Jeffrey Dunn, Composer, Electric Guitar - Anthony Bray, Composer, Percussion - Conrad Lant, Composer, Bass Guitar, Vocals - Venom, Producer, MainArtist - Keith Nichol, Producer
© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1981 Sanctuary Records Group Ltd., a BMG Company
Jeffrey Dunn, Composer, Electric Guitar - Anthony Bray, Composer, Percussion - Conrad Lant, Composer, Lyricist, Bass Guitar, Vocals - Venom, Composer, Producer, MainArtist - Keith Nichol, Producer - Tony Bray, Composer, Lyricist - Jeff Dunn, Composer, Lyricist
© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1981 Sanctuary Records Group Ltd., a BMG Company
Jeffrey Dunn, Composer, Electric Guitar - Anthony Bray, Composer, Percussion - Conrad Lant, Composer, Bass Guitar, Vocals - Venom, Producer, MainArtist - Keith Nichol, Producer
© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1981 Sanctuary Records Group Ltd., a BMG Company
Jeffrey Dunn, Composer, Electric Guitar - Anthony Bray, Composer, Percussion - Conrad Lant, Composer, Bass Guitar, Vocals - Venom, Producer, MainArtist - Keith Nichol, Producer
© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 1981 Sanctuary Records Group Ltd., a BMG Company
Albumbeschreibung
Welcome to Hell, and Venom themselves, for that matter, have long been the subject of heated debate within the heavy metal community. Few bands have been as recognizably influential yet so universally panned by critics during their careers, and, of course, it was this, their first long-player, which ignited most of that controversy in the first place. This shocking debut was the scene of a bloody, head-on collision between Black Sabbath's original heavy metal commandments and lyrical obsessions with all things demonic, and Motörhead's unparalleled distortion and breakneck speed. Make no mistake: Welcome to Hell, more than any other album, crystallized the elements of what later became known as thrash, death, black, and virtually every other form of extreme metal, serving as a primer for thousands of post-New Wave of British Heavy Metal teens to follow. Primitive with a capital P, the album's production values are so poor that fittingly Welcome to Hell truly sounds like it was recorded in a tomb, the band's Marshall stacks caked with dirt and oozing worms even as they tore through their material like a pack of speed freaks. It's not that the hellish triumvirate of bassist/growler Cronos, guitarist Mantas, and drummer Abaddon -- there, even the ghoulish names set a precedent -- were such incompetent musicians individually (OK, maybe Abaddon), but their performance as a unit often sounds clumsy and underrehearsed. All of this only contributes to the album's gimmick-free honesty, of course, and highlights include such timeless satanic onslaughts as the title track, "In League With Satan," "One Thousand Days in Sodom" (whose there-and-back riff would later be re-written by Slayer a dozen times), and, most notably, the absolute classic "Witching Hour." Possibly Venom's single most important track, in it you'll hear a number of stylistic devices which would later pervade all extreme metal genres, indeed become their most regularly abused clichés. Additional early singles like "Angel Dust" and "Live Like an Angel (Die Like a Devil)" round out the disc in bombastic fashion, while lesser-known numbers like "Sons of Satan" and "Poison" just plain rock out. [Neat/Sanctuary's 2002 reissue adds a whopping 11 bonus cuts between alternate takes, singles, and demos, and killer packaging to boot. And original fans can rest assured that no amount of remastering can put a pretty face on Venom's incredible racket (the drums still sound like cardboard boxes -- thank God).]
© Eduardo Rivadavia /TiVo
Informationen zu dem Album
- 1 Disc(s) - 22 Track(s)
- Gesamte Laufzeit: 01:18:05
- Künstler: Venom
- Komponist: Various Composers
- Label: Noise Records
- Genre: Metal
© 2002 Sanctuary Records Group Ltd., a BMG Company ℗ 2002 Sanctuary Records Group Ltd., a BMG Company
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.