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Text in englischer Sprache verfügbar
For some reason, some critics named Tom Jones as the most likely successor to Tony Bennett's throne as most unlikely hero to Generation X. So, Interscope signed the aging sex symbol and had him record with several of the hippest names in dance music -- or at least the hippest names in dance music in 1991. And the result, the clumsily titled The Lead and How to Swing It, is a record neither true to Tom Jones' core audience nor appealing to Gen Xers, simply because it doesn't feature Jones doing what he does best -- famous songs written by other people. Instead, it's a set of written-to-order dance numbers that are immaculately produced and sung, yet hardly engaging. And they're devoid of the camp factor that made his version of Prince's "Kiss" so entertaining.
© Stephen Thomas Erlewine /TiVo
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Trevor Horn, Producer - Tom Jones, MainArtist - Tom Elmhirst, Asst. Recording Engineer, StudioPersonnel - TONY PHILLIPS, Mixer, StudioPersonnel - Stephen Fitzmaurice, Engineer, StudioPersonnel - Joe Mendelson, ComposerLyricist - Ben Nitze, ComposerLyricist
℗ 1994 UMG Recordings, Inc.
Trevor Horn, Producer - Tom Jones, MainArtist - Andrew Keith Gray, ComposerLyricist - Derek Michael Allen, ComposerLyricist - Mark Cox, ComposerLyricist
℗ 1994 Interscope Records
Diane Warren, ComposerLyricist - Richard Perry, Producer - Tom Jones, MainArtist - Tori Amos, FeaturedArtist - THOM PANUNZIO, Producer
℗ 1994 Interscope Records
Vince Clarke, ComposerLyricist - Tom Jones, MainArtist - Youth, Producer
℗ 1994 Interscope Records
Gardner Cole, ComposerLyricist - Teddy Riley, Producer - André Cymone, ComposerLyricist - Mic Murphy, ComposerLyricist - Tom Jones, MainArtist
℗ 1994 Interscope Records
Teddy Riley, Producer, ComposerLyricist - Tom Jones, MainArtist - Levi Little, ComposerLyricist - Carol Duboc, ComposerLyricist
℗ 1994 Interscope Records
M. Glover, ComposerLyricist - Tom Jones, MainArtist - Youth, Producer - Marshall Jefferson, ComposerLyricist
℗ 1994 Interscope Records
James Wright, ComposerLyricist - Richard Perry, Producer - Tom Jones, MainArtist - Howard Johnson, Producer, ComposerLyricist - Dj Rogers Jr., ComposerLyricist - Warryn "Smiley" Campbell, ComposerLyricist - John McClain, Producer - D.J. Battlecat, Producer
℗ 1994 Interscope Records
Tom Jones, MainArtist - Jeff Lynne, Producer, ComposerLyricist
℗ 1994 Interscope Records
Howard Gray, Producer - Tom Jones, MainArtist - Michael Allen, Producer, ComposerLyricist - Andrew Keith Gray, Producer, ComposerLyricist
℗ 1994 Interscope Records
Jan Leyers, Producer, ComposerLyricist - Tom Jones, MainArtist - Paul Michiels, ComposerLyricist - David Werner, Producer, ComposerLyricist
℗ 1994 Interscope Records
Albumbeschreibung
For some reason, some critics named Tom Jones as the most likely successor to Tony Bennett's throne as most unlikely hero to Generation X. So, Interscope signed the aging sex symbol and had him record with several of the hippest names in dance music -- or at least the hippest names in dance music in 1991. And the result, the clumsily titled The Lead and How to Swing It, is a record neither true to Tom Jones' core audience nor appealing to Gen Xers, simply because it doesn't feature Jones doing what he does best -- famous songs written by other people. Instead, it's a set of written-to-order dance numbers that are immaculately produced and sung, yet hardly engaging. And they're devoid of the camp factor that made his version of Prince's "Kiss" so entertaining.
© Stephen Thomas Erlewine /TiVo
Informationen zu dem Album
- 1 Disc(s) - 11 Track(s)
- Gesamte Laufzeit: 00:47:46
- Künstler: Tom Jones
- Komponist: Various Composers
- Label: Interscope
- Genre: Pop/Rock Pop
© 1994 Interscope Records ℗ 1994 Interscope Records
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