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B.B. King|The Best of the Early Years

The Best of the Early Years

B.B. King

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There have been numerous compilations of the best of B.B. King's recordings for the Modern label in the 1950s and early '60s, and if you've already picked up one of them, there isn't an urgent reason to replace or upgrade it with this CD. If not, however, this certainly makes a good bid to be considered as the best single-disc anthology of this era. The 25 tracks include many of his biggest hits and most famous classics from the period, among them "3 O'Clock Blues," "Woke Up This Morning," "Every Day I Have the Blues," "Sweet Little Angel," "Sweet Sixteen," "How Blue Can You Get?," and "Rock Me Baby," and the lesser-known tunes are of equal or near-equal quality. It's true that if you have a bit more cash and time, you might be better off with the two-CD, 40-track Original Greatest Hits, which might be a little easier to find in the U.S. than this U.K. import as well. It's also true that if you want a whole lotta Modern sides by King, you could plumb for Ace's four-CD The Vintage Years box, as well as the same label's extensive series of individual B.B. King CDs of Modern material. If you're not a completist, however, it'll come as something of a revelation as to how much better early King sounds when that mammoth body of work is whittled down to his best and, for the most part, most accessible stuff. To those more used to his later recordings, too, it will come as a surprise to hear how raw and raucous some of these performances sound in comparison to his more urbane soul-blues of later years; a few of them are even a bit influenced by early rock & roll. Note that the one previously unreleased track, by the way, is a "previously unissued intercut version of takes 2, 3, 4" of "Why I Sing the Blues" that even many completists could probably live without.

© Richie Unterberger /TiVo

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The Best of the Early Years

B.B. King

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1
B.B. Boogie
00:03:10

B.B. King, MainArtist - Jules Taub, Composer - Riley B King, Composer - Universal Music Pub MGB Ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

2
She's Dynamite
00:02:30

B.B. King, MainArtist - Hudson Whittaker, Composer - Wabash Music Co, MusicPublisher - Universal Music-Careers, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

3
Shake It up and Go
00:02:36

B.B. King, MainArtist - Jules Taub, Composer - Riley B King, Composer - Carlin Music Corp, MusicPublisher - Universal Music-Careers, MusicPublisher - BMG Music Pub Ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

4
3 O'clock Blues
00:03:02

B.B. King, MainArtist - Lowell Fulson, Composer - Sony ATV Songs LLC, MusicPublisher - Sony ATV Music Pub (UK) Ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

5
Please Love Me
00:02:51

B.B. King, MainArtist - Sam Ling, Composer - Riley B King, Composer - Universal Music Pub MGB Ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

6
Woke up This Morning
00:02:58

B.B. King, MainArtist - Jules Taub, Composer - Riley B King, Composer - Universal Music Pub MGB Ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

7
You Upset Me Baby
00:03:03

B.B. King, MainArtist - Joe Josea, Composer - Jules Taub, Composer - Riley B King, Composer - Universal Music Pub MGB Ltd, MusicPublisher - Universal Music-Careers, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

8
Every Day I Have the Blues
00:02:49

B.B. King, MainArtist - Copyright Control, MusicPublisher - Peter Chatman, Composer

(C) 2009 Ace Records (P) 2009 Ace Records

9
When My Heart Beats Like a Hammer
00:02:55

B.B. King, MainArtist - John Lee Williamson, Composer - Universal, MusicPublisher - MCA Music ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

10
Ten Long Years
00:02:49

B.B. King, MainArtist - Jules Taub, Composer - Riley B King, Composer - Universal Music Pub MGB Ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

11
Sweet Little Angel
00:03:02

B.B. King, MainArtist - Lucille Bogan, Composer - Universal, MusicPublisher - MCA Music ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

12
Don't Look Now, But I've Got the Blues
00:02:43

B.B. King, MainArtist - Lee Hazlewood, Composer - Raleigh Music Pub LLC, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

13
Early in the Morning
00:02:35

B.B. King, MainArtist - Joe Josea, Composer - Riley B King, Composer - Universal Music Pub MGB Ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

14
Days of Old
00:02:29

B.B. King, MainArtist - Jules Taub, Composer - Riley B King, Composer - Universal Music Pub MGB Ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

15
Mean Old Frisco
00:02:34

B.B. King, MainArtist - Arthur "Big Boy" Crudup, Composer - Songs Of Universal, MusicPublisher - Crudup Music, MusicPublisher - Wabash Music Co, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

16
Catfish Blues (Aka Fishin' After Me)
00:02:33

B.B. King, MainArtist - Robert Petway, Composer - MCA Music ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

17
Sweet Sixteen (Pts. 1 & 2)
00:06:15

AHMET ERTEGUN, Composer - B.B. King, MainArtist - Carlin Music Corp, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

18
I'll Survive
00:02:41

B.B. King, MainArtist - Copyright Control, MusicPublisher - Sam Ling, Composer - Riley B King, Composer - Universal Music Pub Int MGB, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

19
Downhearted AKA How Blue Can You Get?
00:03:14

B.B. King, MainArtist - Jane Feather, Composer - Air-Edel Associates Ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

20
Bad Case of Love
00:02:21

B.B. King, MainArtist - Joe Josea, Composer - Universal Music Pub MGB Ltd, MusicPublisher - Curtis Irving, Composer

(C) 2009 Ace Records (P) 2009 Ace Records

21
Rock Me Baby
00:03:00

B.B. King, MainArtist - Melvin Jackson, Composer - EMI UNITED PARTNERSHIP LTD, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

22
Blues Stay Away from Me
00:03:08

Rabon Delmore, Composer - Alton Delmore, Composer - Wayne Raney, Composer - B.B. King, MainArtist - Henry Glover, Composer - Campbell Connelly & Co Ltd, MusicPublisher - Universal Songs of Polygram, MusicPublisher - Trio Music, MusicPublisher - Fort Knox Music, MusicPublisher - State One Music Pub UK, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

23
Five Long Years
00:03:29

B.B. King, MainArtist - Eddie Boyd, Composer - ONWARD MUSIC LTD, MusicPublisher - Embassey Music, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

24
That Evil Child
00:03:53

B.B. King, MainArtist - Joe Josea, Composer - Riley B King, Composer - Universal Music Pub MGB Ltd, MusicPublisher

(C) 2009 Ace Records (P) 2009 Ace Records

25
Why I Sing the Blues
00:02:49

B.B. King, MainArtist - Dave Clark, Composer - Universal, MusicPublisher - MCA Music ltd, MusicPublisher - Riley B King, Composer

(C) 2009 Ace Records (P) 2009 Ace Records

Albumbeschreibung

There have been numerous compilations of the best of B.B. King's recordings for the Modern label in the 1950s and early '60s, and if you've already picked up one of them, there isn't an urgent reason to replace or upgrade it with this CD. If not, however, this certainly makes a good bid to be considered as the best single-disc anthology of this era. The 25 tracks include many of his biggest hits and most famous classics from the period, among them "3 O'Clock Blues," "Woke Up This Morning," "Every Day I Have the Blues," "Sweet Little Angel," "Sweet Sixteen," "How Blue Can You Get?," and "Rock Me Baby," and the lesser-known tunes are of equal or near-equal quality. It's true that if you have a bit more cash and time, you might be better off with the two-CD, 40-track Original Greatest Hits, which might be a little easier to find in the U.S. than this U.K. import as well. It's also true that if you want a whole lotta Modern sides by King, you could plumb for Ace's four-CD The Vintage Years box, as well as the same label's extensive series of individual B.B. King CDs of Modern material. If you're not a completist, however, it'll come as something of a revelation as to how much better early King sounds when that mammoth body of work is whittled down to his best and, for the most part, most accessible stuff. To those more used to his later recordings, too, it will come as a surprise to hear how raw and raucous some of these performances sound in comparison to his more urbane soul-blues of later years; a few of them are even a bit influenced by early rock & roll. Note that the one previously unreleased track, by the way, is a "previously unissued intercut version of takes 2, 3, 4" of "Why I Sing the Blues" that even many completists could probably live without.

© Richie Unterberger /TiVo

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