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Judy Collins|So Early In The Spring

So Early In The Spring

Judy Collins

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This two-LP, 23-song set was the second Judy Collins compilation in five years and the third in under a decade. However, in contrast to the folk-oriented Recollections or Colors of the Day's focus on her best-known popular tracks from the late '60s, this was a more comprehensive retrospective covering all phases of her career. Unfortunately, it came out at a point when Collins' career momentum was slowing, and a little too long after her unexpected chart hit "Send in the Clowns." In addition, all of Collins' albums were still in print at the time, and there was nothing here that wasn't on those LPs. This collection could be of little interest to anyone but hardcore fans -- and they were the people who needed it least. Fans of her post-folk era didn't need the summary of the early period, and fans of the folk period didn't want the pop/rock material. However, as a career overview it was the only place to go, and as of the year 2000 So Early in the Spring... is still available as a cassette. It can be considered superior in aspects of its programming to Forever: An Anthology -- indeed, there has never been a definitive anthology of Collins' work. Maybe they should let Lenny Kaye try his hand at that, since he's been so good at repackaging so many Elektra releases.

© Bruce Eder /TiVo

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So Early In The Spring

Judy Collins

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1
Pretty Polly
00:05:51

Judy Collins, Arranger, Acoustic Guitar, MainArtist - Traditional, Writer - COLLINS, Writer - Michael Sahl, Arranger, Writer

© 1977 Elektra Records ℗ 1977 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States.

2
So Early, Early in the Spring
00:03:10

Judy Collins, Acoustic Guitar, MainArtist - Traditional, Writer - Mary Robbins, Adapter

© 1977 Elektra Records ℗ 1977 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States.

3
Pretty Saro
00:03:04

Judy Collins, Acoustic Guitar, MainArtist - Jean Ritchie, Writer

© 1977 Elektra Records ℗ 1977 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States.

4
Golden Apples of the Sun
00:03:53

Judy Collins, Acoustic Guitar, MainArtist - J. Collins, Writer - W. B. Yeats, Writer

© 1977 Elektra Records ℗ 1977 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States.

5
Bonnie Ship the Diamond
00:02:19

Judy Collins, Acoustic Guitar, MainArtist - Traditional, Composer, Writer

© 1977 Elektra Records ℗ 1977 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States.

6
Farewell to Tarwathie
00:05:05

Judy Collins, Acoustic Guitar, MainArtist - Traditional, Writer - COLLINS, Arranger

© 1977 Elektra Records ℗ 1977 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States.

7
The Hostage
00:02:52

Judy Collins, Acoustic Guitar, MainArtist - Tom Paxton, Writer

© 1977 Elektra Records ℗ 1977 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States.

8
La Colombe
00:05:06

Judy Collins, Acoustic Guitar, MainArtist - Jacques Brel, Writer - Joshua Rifkin, Arranger - Brel-Clayre, Writer - E. B. Marks, Writer

© 1977 Elektra Records ℗ 1977 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States.

9
Coal Tattoo
00:03:08

Judy Collins, Acoustic Guitar, MainArtist - Billy Ed Wheeler, Writer - Wheeler, Writer - BILLY EDD WHEELER, Writer

© 1977 Elektra Records ℗ 1977 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States.

10
Carry It On
00:02:49

Judy Collins, Acoustic Guitar, MainArtist - Gil Turner, Writer

© 1977 Elektra Records ℗ 1977 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States.

11
Bread and Roses
00:03:06

Judy Collins, Acoustic Guitar, MainArtist - JAMES OPPENHEIM, Writer - Mimi Farina, Writer

© 1977 Elektra Records ℗ 1977 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States.

12
Marat / Sade
00:05:35

Judy Collins, Acoustic Guitar, MainArtist - Mitchell, Writer - Weiss, Writer - Joshua Rifkin, Arranger - Peaslee, Writer

© 1977 Elektra Records ℗ 1977 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States.

13
Special Delivery
00:03:53

Judy Collins, Acoustic Guitar, MainArtist - Billy Mernit, Writer - W. Mernit, Writer

© 1977 Elektra Records ℗ 1977 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States.

14
The Lovin' of the Game
00:03:05

Judy Collins, Acoustic Guitar, MainArtist - Arif Mardin, Arranger - Pat Garvey, Writer - Victoria Garvey Armstrong, Writer

© 1977 Elektra Records ℗ 1977 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States.

15
Both Sides Now
00:03:17

Judy Collins, Acoustic Guitar, MainArtist - Joni Mitchell, Composer, Writer

© 1977 Elektra Records ℗ 1977 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States.

16
Marieke
00:03:13

Judy Collins, Acoustic Guitar, MainArtist - Jacques Brel, Writer - Gérard Jouannest, Writer - Joshua Rifkin, Arranger - Jacques Brel-Gerard Jouannest, Writer

© 1977 Elektra Records ℗ 1977 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States.

17
Send in the Clowns
00:04:03

Judy Collins, Acoustic Guitar, MainArtist - Stephen Sondheim, Composer, Writer

© 1977 Elektra Records ℗ 1977 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States.

18
Bird on a Wire
00:04:38

Judy Collins, Acoustic Guitar, MainArtist - Leonard, Writer - Cohen, Writer

© 1977 Elektra Records ℗ 1977 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States.

19
Since You Asked
00:02:34

Judy Collins, Acoustic Guitar, Writer, MainArtist - Joshua Rifkin, Arranger

© 1977 Elektra Records ℗ 1977 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States.

20
Born to the Breed
00:04:52

Judy Collins, Acoustic Guitar, Writer, MainArtist - Arif Mardin, Arranger - COLLINS, Writer

© 1977 Elektra Records ℗ 1977 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States.

21
My Father
00:05:02

Judy Collins, Acoustic Guitar, Writer, MainArtist - J. Collins, Writer

© 1977 Elektra Records ℗ 1977 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States.

22
Holly Ann
00:04:48

Judy Collins, Acoustic Guitar, Writer, MainArtist - Richard Bell, String Arranger

© 1977 Elektra Records ℗ 1977 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States.

23
Houses
00:04:38

Judy Collins, Acoustic Guitar, Writer, MainArtist - J. Collins, Writer - Jonathan Tunick, Arranger

© 1977 Elektra Records ℗ 1977 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States.

24
Secret Gardens
00:05:33

Judy Collins, Acoustic Guitar, Writer, MainArtist - J. Collins, Writer - Richard Bell, String Arranger

© 1977 Elektra Records ℗ 1977 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States.

Albumbeschreibung

This two-LP, 23-song set was the second Judy Collins compilation in five years and the third in under a decade. However, in contrast to the folk-oriented Recollections or Colors of the Day's focus on her best-known popular tracks from the late '60s, this was a more comprehensive retrospective covering all phases of her career. Unfortunately, it came out at a point when Collins' career momentum was slowing, and a little too long after her unexpected chart hit "Send in the Clowns." In addition, all of Collins' albums were still in print at the time, and there was nothing here that wasn't on those LPs. This collection could be of little interest to anyone but hardcore fans -- and they were the people who needed it least. Fans of her post-folk era didn't need the summary of the early period, and fans of the folk period didn't want the pop/rock material. However, as a career overview it was the only place to go, and as of the year 2000 So Early in the Spring... is still available as a cassette. It can be considered superior in aspects of its programming to Forever: An Anthology -- indeed, there has never been a definitive anthology of Collins' work. Maybe they should let Lenny Kaye try his hand at that, since he's been so good at repackaging so many Elektra releases.

© Bruce Eder /TiVo

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