Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Although he doesn't totally transcend his Stevie Ray Vaughan/Hendrix influences, Chris Duarte attempts to progress beyond them -- occasionally -- on his fourth release, Romp. Kicking off with the greasy Junior Kimbrough-penned title track, he then moves into a sizzling Hendrix-fueled instrumental, "101," which shows his hot-dog guitar prowess but could have been on any of his previous discs. Similarly, the flashy "Like Eric" doesn't hide the fact that if you wanted to hear Eric Johnson, you'd buy an Eric Johnson album. Things finally settle into a more unique groove on "My My." Here his haunting Hendrix-styled distorted fuzz tone nudges a mechanical beat that's creepy and edgy. Better still is a version of Dylan's "One More Cup of Coffee," the album's six-minute centerpiece that transforms the original into a dreamy, ominous ode, utilizing near spoken lyrics against a subtle and stark backing. With a slinky guitar solo that reflects the tune's longing, it's where the guitarist finally establishes a distinctive approach, albeit with someone else's song. On the nine-minute "Last Night," Duarte mines similar territory with a brooding, mesmerizing poem of devils and inner demons that sounds like something Jim Morrison conjured up in a heroin-fueled nightmare. His guitar skitters and snakes around the melody, exploding then suddenly pulling back in a dazzling display of restraint and fret shredding that makes you wish he would have maintained this level of menacing intensity for the entire album. "Mr. Neighbor" revisits Hendrix again in a tune that is structured so closely to "Bold as Love" -- right down to the guitar tone -- you'd think Jimi would get a co-writing credit. The closing, spiritually based "Take It to the Lord" shows that Duarte can compose a religious ballad that doesn't pander to lowest common denominator clichés. He's obviously got chops and good ideas, but Duarte still hasn't quite forged his own sound for an entire album. Romp though, proves that he's getting closer.
© Hal Horowitz /TiVo
Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen
Downloaden Sie die Qobuz App
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Chris Duarte Group, MainArtist - Chris Duarte, Guitar, Vocals, AssociatedPerformer - John Jordan, Electric Bass, AssociatedPerformer - Dennis Herring, Producer, Mixer, Recording Producer, StudioPersonnel - Robert Hadley, Mastering Engineer, StudioPersonnel - Sean Macke, Recording Engineer, StudioPersonnel - Dawn Palladino, Asst. Recording Engineer, StudioPersonnel - Ed Miles, Drums, AssociatedPerformer - David 'Junior' Kimbrough, ComposerLyricist
℗ 2003 Rounder Records, a division of Concord Music Group, Inc.
Chris Duarte Group, MainArtist - Chris Duarte, Guitar, AssociatedPerformer, ComposerLyricist - John Jordan, Electric Bass, AssociatedPerformer - Dennis Herring, Producer, Mixer, Recording Producer, StudioPersonnel - Robert Hadley, Mastering Engineer, StudioPersonnel - Sean Macke, Recording Engineer, StudioPersonnel - Dawn Palladino, Asst. Recording Engineer, StudioPersonnel - Ed Miles, Drums, AssociatedPerformer
℗ 2003 Rounder Records, a division of Concord Music Group, Inc.
Chris Duarte Group, MainArtist - Chris Duarte, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - John Jordan, Electric Bass, AssociatedPerformer - Dennis Herring, Producer, Mixer, Recording Producer, StudioPersonnel - Robert Hadley, Mastering Engineer, StudioPersonnel - Sean Macke, Recording Engineer, StudioPersonnel - Dawn Palladino, Asst. Recording Engineer, StudioPersonnel - Ed Miles, Drums, AssociatedPerformer
℗ 2003 Rounder Records, a division of Concord Music Group, Inc.
Chris Duarte Group, MainArtist - Chris Duarte, Guitar, AssociatedPerformer, ComposerLyricist - John Jordan, Electric Bass, AssociatedPerformer - Dennis Herring, Producer, Mixer, Recording Producer, StudioPersonnel - Robert Hadley, Mastering Engineer, StudioPersonnel - Sean Macke, Recording Engineer, StudioPersonnel - Dawn Palladino, Asst. Recording Engineer, StudioPersonnel - Ed Miles, Drums, AssociatedPerformer
℗ 2003 Rounder Records, a division of Concord Music Group, Inc.
Chris Duarte Group, MainArtist - Chris Duarte, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - John Jordan, Electric Bass, AssociatedPerformer, ComposerLyricist - Dennis Herring, Producer, Mixer, Recording Producer, StudioPersonnel, ComposerLyricist - Robert Hadley, Mastering Engineer, StudioPersonnel - Sean Macke, Recording Engineer, StudioPersonnel - Dawn Palladino, Asst. Recording Engineer, StudioPersonnel - Ed Miles, Drums, AssociatedPerformer, ComposerLyricist
℗ 2003 Rounder Records, a division of Concord Music Group, Inc.
Chris Duarte Group, MainArtist - Chris Duarte, Guitar, Vocals, AssociatedPerformer - John Jordan, Electric Bass, AssociatedPerformer - Bob Dylan, ComposerLyricist - Dennis Herring, Producer, Mixer, Recording Producer, StudioPersonnel - Robert Hadley, Mastering Engineer, StudioPersonnel - Sean Macke, Recording Engineer, StudioPersonnel - Dawn Palladino, Asst. Recording Engineer, StudioPersonnel - Ed Miles, Drums, AssociatedPerformer
℗ 2003 Rounder Records, a division of Concord Music Group, Inc.
Chris Duarte Group, MainArtist - Chris Duarte, Guitar, AssociatedPerformer, ComposerLyricist - John Jordan, Electric Bass, AssociatedPerformer - Dennis Herring, Producer, Mixer, Recording Producer, StudioPersonnel - Robert Hadley, Mastering Engineer, StudioPersonnel - Sean Macke, Recording Engineer, StudioPersonnel - Dawn Palladino, Asst. Recording Engineer, StudioPersonnel - Ed Miles, Drums, AssociatedPerformer
℗ 2003 Rounder Records, a division of Concord Music Group, Inc.
Chris Duarte Group, MainArtist - Chris Duarte, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - John Jordan, Electric Bass, AssociatedPerformer - Dennis Herring, Producer, Mixer, Recording Producer, StudioPersonnel - Robert Hadley, Mastering Engineer, StudioPersonnel - Sean Macke, Recording Engineer, StudioPersonnel - Dawn Palladino, Asst. Recording Engineer, StudioPersonnel - Ed Miles, Drums, AssociatedPerformer
℗ 2003 Rounder Records, a division of Concord Music Group, Inc.
Chris Duarte Group, MainArtist - Chris Duarte, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - John Jordan, Electric Bass, AssociatedPerformer - Dennis Herring, Producer, Mixer, Recording Producer, StudioPersonnel - Robert Hadley, Mastering Engineer, StudioPersonnel - Sean Macke, Recording Engineer, StudioPersonnel - Dawn Palladino, Asst. Recording Engineer, StudioPersonnel - Ed Miles, Drums, AssociatedPerformer
℗ 2003 Rounder Records, a division of Concord Music Group, Inc.
Chris Duarte Group, MainArtist - Chris Duarte, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - John Jordan, Electric Bass, AssociatedPerformer - Dennis Herring, Producer, Mixer, Recording Producer, StudioPersonnel - Robert Hadley, Mastering Engineer, StudioPersonnel - Sean Macke, Recording Engineer, StudioPersonnel - Dawn Palladino, Asst. Recording Engineer, StudioPersonnel - Ed Miles, Drums, AssociatedPerformer
℗ 2003 Rounder Records, a division of Concord Music Group, Inc.
Albumbeschreibung
Although he doesn't totally transcend his Stevie Ray Vaughan/Hendrix influences, Chris Duarte attempts to progress beyond them -- occasionally -- on his fourth release, Romp. Kicking off with the greasy Junior Kimbrough-penned title track, he then moves into a sizzling Hendrix-fueled instrumental, "101," which shows his hot-dog guitar prowess but could have been on any of his previous discs. Similarly, the flashy "Like Eric" doesn't hide the fact that if you wanted to hear Eric Johnson, you'd buy an Eric Johnson album. Things finally settle into a more unique groove on "My My." Here his haunting Hendrix-styled distorted fuzz tone nudges a mechanical beat that's creepy and edgy. Better still is a version of Dylan's "One More Cup of Coffee," the album's six-minute centerpiece that transforms the original into a dreamy, ominous ode, utilizing near spoken lyrics against a subtle and stark backing. With a slinky guitar solo that reflects the tune's longing, it's where the guitarist finally establishes a distinctive approach, albeit with someone else's song. On the nine-minute "Last Night," Duarte mines similar territory with a brooding, mesmerizing poem of devils and inner demons that sounds like something Jim Morrison conjured up in a heroin-fueled nightmare. His guitar skitters and snakes around the melody, exploding then suddenly pulling back in a dazzling display of restraint and fret shredding that makes you wish he would have maintained this level of menacing intensity for the entire album. "Mr. Neighbor" revisits Hendrix again in a tune that is structured so closely to "Bold as Love" -- right down to the guitar tone -- you'd think Jimi would get a co-writing credit. The closing, spiritually based "Take It to the Lord" shows that Duarte can compose a religious ballad that doesn't pander to lowest common denominator clichés. He's obviously got chops and good ideas, but Duarte still hasn't quite forged his own sound for an entire album. Romp though, proves that he's getting closer.
© Hal Horowitz /TiVo
Informationen zu dem Album
- 1 Disc(s) - 10 Track(s)
- Gesamte Laufzeit: 00:50:58
- Künstler: Chris Duarte Group
- Komponist: Various Composers
- Label: Zoe Records
- Genre: Pop/Rock Rock
© 2003 Rounder Records, a division of Concord Music Group, Inc. ℗ 2003 Rounder Records, a division of Concord Music Group, Inc.
Verbesserung der Albuminformationen
Warum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.