Qobuz Store wallpaper
Kategorie:
Warenkorb 0

Ihr Warenkorb ist leer

Electrelane|Rock It to the Moon

Rock It to the Moon

Electrelane

Verfügbar in
16-Bit/44.1 kHz Stereo

Musik-Streaming

Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität

Testen Sie Qobuz kostenlos und hören Sie sich das Album an

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Abonnement abschließen

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Download

Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.

Barking dogs, carnival rides, storming guitars, and organs -- lots of organs -- ranging from ominous to pummeling figure in Electrelane's debut. It's quite possible that most of the songs are the result of jamming. That's what it sounds like, at least. Jam-based records are prone to much noodling, which isn't a problem with Rock It to the Moon; actually, the predominantly instrumental record sounds like a live show with lots of ebbs, flows, freakouts, and chill-outs. It's a rare instance where the maximum space allowed on a disc is used in a good way for a studio record. Electrelane didn't just stuff it because they happened to have enough songs. And the length doesn't smack of a massive collective ego; it smacks more of a group too excited to be making music together to ever stop. There are too many ideas floating throughout and there are too many extended passages to warrant major pruning. If a disc held 100 minutes, this would probably be 99 minutes long. Besides, who wants to put a stop to fun? "Long Dark" crosses Stereolab with Duane Eddy; it even throws some "Peter Gunn" into its nine minutes, along with some feverish keyboard licks that mimic Hot Butter's "Popcorn." "Gabriel" is probably the best Cliff's Notes summation of the record, beginning with a mournful lurch that explodes into a frenzy of blasting, racing instruments and those wild keyboards featured earlier. Imagine a funeral procession turning into a chase scene that passes through a desert, only to end abruptly with a pileup. Those barking dogs mentioned earlier remind one of Pink Floyd's "Dogs," but that's laid to rest when a contorted voice intones "I wanna be your dog." Ahh, the dogs are a Stooges reference -- of course.
© Andy Kellman /TiVo

Weitere Informationen

Rock It to the Moon

Electrelane

launch qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS bereits heruntergeladen Öffnen

download qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen Downloaden Sie die Qobuz App

Sie hören derzeit Ausschnitte der Musik.

Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements

Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements

Ab 12,49€/Monat

1
The Invisible Dog
00:04:20

Electrelane, MainArtist - BMG Rights Management, MusicPublisher - BMG, MusicPublisher - Chrysalis Music Ltd, MusicPublisher - Debbie Ball, Composer - Emma Gaze, Composer, AssociatedPerformer - Rachel Dalley, Composer, AssociatedPerformer - Verity Susman, AssociatedPerformer, ComposerLyricist - Mia Clarke, AssociatedPerformer - CMRRA, MusicPublisher

2005 Too Pure Records Ltd 2005 Too Pure Records Ltd

2
Long Dark
00:09:46

Electrelane, MainArtist - BMG Rights Management, MusicPublisher - BMG, MusicPublisher - Chrysalis Music Ltd, MusicPublisher - Debbie Ball, Composer - Emma Gaze, Composer, AssociatedPerformer - Rachel Dalley, Composer, AssociatedPerformer - Verity Susman, AssociatedPerformer, ComposerLyricist - Mia Clarke, Composer, AssociatedPerformer - CMRRA, MusicPublisher

2005 Too Pure Records Ltd 2005 Too Pure Records Ltd

3
Gabriel
00:04:25

Electrelane, MainArtist - BMG Rights Management, MusicPublisher - BMG, MusicPublisher - Chrysalis Music Ltd, MusicPublisher - Debbie Ball, Composer - Emma Gaze, Composer, AssociatedPerformer - Rachel Dalley, Composer, AssociatedPerformer - Verity Susman, AssociatedPerformer, ComposerLyricist - CMRRA, MusicPublisher

2005 Too Pure Records Ltd 2005 Too Pure Records Ltd

4
Film Music
00:03:57

Electrelane, MainArtist - BMG Rights Management, MusicPublisher - BMG, MusicPublisher - Chrysalis Music Ltd, MusicPublisher - Debbie Ball, Composer - Emma Gaze, Composer, AssociatedPerformer - Rachel Dalley, AssociatedPerformer - Verity Susman, AssociatedPerformer, ComposerLyricist - Rupert Noble, Composer - Tracy Houdek, Composer - CMRRA, MusicPublisher

2005 Too Pure Records Ltd 2005 Too Pure Records Ltd

5
Blue Straggler
00:06:49

Chrysalis, MusicPublisher - Electrelane, MainArtist - BMG Rights Management, MusicPublisher - BMG, MusicPublisher - Chrysalis Music Ltd, MusicPublisher - Debbie Ball, Composer - Emma Gaze, Composer, AssociatedPerformer - Rachel Dalley, Composer, AssociatedPerformer - Verity Susman, AssociatedPerformer, ComposerLyricist - CMRRA, MusicPublisher

2005 Too Pure Records Ltd 2005 Too Pure Records Ltd

6
Many Peaks
00:04:01

Chrysalis, MusicPublisher - Electrelane, MainArtist - BMG Rights Management, MusicPublisher - BMG, MusicPublisher - Chrysalis Music Ltd, MusicPublisher - Debbie Ball, Composer - Emma Gaze, Composer, AssociatedPerformer - Rachel Dalley, Composer, AssociatedPerformer - Verity Susman, AssociatedPerformer, ComposerLyricist - CMRRA, MusicPublisher - Katie Spafford, StudioMusician - Hannah Matthew, StudioMusician - Marianne Vaughan, StudioMusician - Roland Susman, StudioMusician - Sarah Feltham-Chesshire, StudioMusician - Sophian Poznansky, StudioMusician

2005 Too Pure Records Ltd 2005 Too Pure Records Ltd

7
Le Song
00:03:25

Chrysalis, MusicPublisher - Electrelane, MainArtist - BMG Rights Management, MusicPublisher - BMG, MusicPublisher - Chrysalis Music Ltd, MusicPublisher - Debbie Ball, Composer - Emma Gaze, Composer, AssociatedPerformer - Rachel Dalley, Composer, AssociatedPerformer - Verity Susman, AssociatedPerformer, ComposerLyricist - Mia Clarke, AssociatedPerformer - CMRRA, MusicPublisher

2005 Too Pure Records Ltd 2005 Too Pure Records Ltd

8
Spartakiade
00:01:41

Chrysalis, MusicPublisher - Electrelane, MainArtist - BMG Rights Management, MusicPublisher - BMG, MusicPublisher - Chrysalis Music Ltd, MusicPublisher - Debbie Ball, Composer - Emma Gaze, Composer, AssociatedPerformer - Rachel Dalley, Composer, AssociatedPerformer - Verity Susman, AssociatedPerformer, ComposerLyricist - Mia Clarke, AssociatedPerformer - CMRRA, MusicPublisher

2005 Too Pure Records Ltd 2005 Too Pure Records Ltd

9
U.O.R
00:08:42

Chrysalis, MusicPublisher - Electrelane, MainArtist - BMG Rights Management, MusicPublisher - BMG, MusicPublisher - Chrysalis Music Ltd, MusicPublisher - Debbie Ball, Composer - Emma Gaze, Composer, AssociatedPerformer - Rachel Dalley, AssociatedPerformer - Verity Susman, AssociatedPerformer, ComposerLyricist - Mia Clarke, AssociatedPerformer - Rupert Noble, Composer - CMRRA, MusicPublisher

2005 Too Pure Records Ltd 2005 Too Pure Records Ltd

10
The Boat
00:04:25

Chrysalis, MusicPublisher - Electrelane, MainArtist - BMG Rights Management, MusicPublisher - Emma Gaze, AssociatedPerformer - Rachel Dalley, AssociatedPerformer, ComposerLyricist - Verity Susman, AssociatedPerformer - Mia Clarke, AssociatedPerformer - CMRRA, MusicPublisher

2005 Too Pure Records Ltd 2005 Too Pure Records Ltd

11
Mother
00:22:24

Electrelane, MainArtist - BMG Rights Management, MusicPublisher - BMG, MusicPublisher - Chrysalis Music Ltd, MusicPublisher - Emma Gaze, Composer, AssociatedPerformer - Rachel Dalley, Composer, AssociatedPerformer - Verity Susman, AssociatedPerformer, ComposerLyricist - Mia Clarke, Composer, AssociatedPerformer - CMRRA, MusicPublisher

2005 Too Pure Records Ltd 2005 Too Pure Records Ltd

Albumbeschreibung

Barking dogs, carnival rides, storming guitars, and organs -- lots of organs -- ranging from ominous to pummeling figure in Electrelane's debut. It's quite possible that most of the songs are the result of jamming. That's what it sounds like, at least. Jam-based records are prone to much noodling, which isn't a problem with Rock It to the Moon; actually, the predominantly instrumental record sounds like a live show with lots of ebbs, flows, freakouts, and chill-outs. It's a rare instance where the maximum space allowed on a disc is used in a good way for a studio record. Electrelane didn't just stuff it because they happened to have enough songs. And the length doesn't smack of a massive collective ego; it smacks more of a group too excited to be making music together to ever stop. There are too many ideas floating throughout and there are too many extended passages to warrant major pruning. If a disc held 100 minutes, this would probably be 99 minutes long. Besides, who wants to put a stop to fun? "Long Dark" crosses Stereolab with Duane Eddy; it even throws some "Peter Gunn" into its nine minutes, along with some feverish keyboard licks that mimic Hot Butter's "Popcorn." "Gabriel" is probably the best Cliff's Notes summation of the record, beginning with a mournful lurch that explodes into a frenzy of blasting, racing instruments and those wild keyboards featured earlier. Imagine a funeral procession turning into a chase scene that passes through a desert, only to end abruptly with a pileup. Those barking dogs mentioned earlier remind one of Pink Floyd's "Dogs," but that's laid to rest when a contorted voice intones "I wanna be your dog." Ahh, the dogs are a Stooges reference -- of course.
© Andy Kellman /TiVo

Informationen zu dem Album

Verbesserung der Albuminformationen

Qobuz logo Warum Musik bei Qobuz kaufen?

Aktuelle Sonderangebote...

The Studio Albums 2009 – 2018

Mark Knopfler

Money For Nothing

Dire Straits

Money For Nothing Dire Straits

Brothers In Arms

Dire Straits

Brothers In Arms Dire Straits

Live 1978 - 1992

Dire Straits

Live 1978 - 1992 Dire Straits
Mehr auf Qobuz
Von Electrelane

The Power Out

Electrelane

The Power Out Electrelane

Axes

Electrelane

Axes Electrelane

Singles, B-sides & Live

Electrelane

No Shouts, No Calls

Electrelane

No Shouts, No Calls Electrelane

To The East

Electrelane

To The East Electrelane
Das könnte Ihnen auch gefallen...

Wall Of Eyes

The Smile

Wall Of Eyes The Smile

All Born Screaming

St. Vincent

All Born Screaming St. Vincent

Born To Die

Lana Del Rey

Born To Die Lana Del Rey

In Times New Roman...

Queens Of The Stone Age

In Times New Roman... Queens Of The Stone Age

WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?

Billie Eilish