Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
The connections between Martha Argerich and Daniel Barenboim run deeper than the fact that they are both Argentines; Argerich studied with Vincenzo Scaramuzza, who also taught Barenboim's father, and the pianists both have Russian-Jewish-Argentine ancestry. They have the kind of instinctive understanding, coming from shared experiences, that makes for successful duo piano work, and that sets this live recording apart from the majority of superstar pairings. An additional bonus is what the booklet notes claim as "an intellectual standard that was uncompromising and unreliant on dramatic effect." You might think this means that the interpretations as a whole are a bit cool, and you'd be right. But Argerich and Barenboim bring a fairly rare work, Schumann's Six Studies in Canon Form, Op. 56, and they do it justice. These little pieces were originally written for organ or the now obsolete pedal piano (which ought to be revived by historical specialists); they were arranged for two pianos by none other than Debussy. Argerich and Barenboim bring a smooth clockwork feel to the music that's quite hypnotic; sample any one of the six as a way into this album. Debussy's En blanc et noir is also elegantly finished, and the Deutsche Grammophon live sound from the famed Teatro Colón is remarkably detailed. The Bartók Sonata for two pianos and percussion, Sz 110, doesn't stand out, but this is recommended for fans of these two defining artists of our time.
© TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
6 Studien in kanonischer Form, Op. 56 - Arr. 2 Pianos (Robert Schumann)
Claude Debussy, Arranger, Work Arranger - Robert Schumann, Composer - Martha Argerich, Piano, MainArtist, AssociatedPerformer - Daniel Barenboim, Piano, MainArtist, AssociatedPerformer - Julian Schwenkner, Recording Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Federico Guastella, Asst. Recording Engineer, StudioPersonnel
℗ 2015 Peral Music
Claude Debussy, Arranger, Work Arranger - Robert Schumann, Composer - Martha Argerich, Piano, MainArtist, AssociatedPerformer - Daniel Barenboim, Piano, MainArtist, AssociatedPerformer - Julian Schwenkner, Recording Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Federico Guastella, Asst. Recording Engineer, StudioPersonnel
℗ 2015 Peral Music
Claude Debussy, Arranger, Work Arranger - Robert Schumann, Composer - Martha Argerich, Piano, MainArtist, AssociatedPerformer - Daniel Barenboim, Piano, MainArtist, AssociatedPerformer - Julian Schwenkner, Recording Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Federico Guastella, Asst. Recording Engineer, StudioPersonnel
℗ 2015 Peral Music
Claude Debussy, Arranger, Work Arranger - Robert Schumann, Composer - Martha Argerich, Piano, MainArtist, AssociatedPerformer - Daniel Barenboim, Piano, MainArtist, AssociatedPerformer - Julian Schwenkner, Recording Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Federico Guastella, Asst. Recording Engineer, StudioPersonnel
℗ 2015 Peral Music
Claude Debussy, Arranger, Work Arranger - Robert Schumann, Composer - Martha Argerich, Piano, MainArtist, AssociatedPerformer - Daniel Barenboim, Piano, MainArtist, AssociatedPerformer - Julian Schwenkner, Recording Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Federico Guastella, Asst. Recording Engineer, StudioPersonnel
℗ 2015 Peral Music
Claude Debussy, Arranger, Work Arranger - Robert Schumann, Composer - Martha Argerich, Piano, MainArtist, AssociatedPerformer - Daniel Barenboim, Piano, MainArtist, AssociatedPerformer - Julian Schwenkner, Recording Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Federico Guastella, Asst. Recording Engineer, StudioPersonnel
℗ 2015 Peral Music
En blanc et noir, L.134 - for 2 pianos (Claude Debussy)
Claude Debussy, Composer - Martha Argerich, Piano, MainArtist, AssociatedPerformer - Daniel Barenboim, Piano, MainArtist, AssociatedPerformer - Julian Schwenkner, Recording Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Federico Guastella, Asst. Recording Engineer, StudioPersonnel
℗ 2015 Peral Music
Claude Debussy, Composer - Martha Argerich, Piano, MainArtist, AssociatedPerformer - Daniel Barenboim, Piano, MainArtist, AssociatedPerformer - Julian Schwenkner, Recording Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Federico Guastella, Asst. Recording Engineer, StudioPersonnel
℗ 2015 Peral Music
Claude Debussy, Composer - Martha Argerich, Piano, MainArtist, AssociatedPerformer - Daniel Barenboim, Piano, MainArtist, AssociatedPerformer - Julian Schwenkner, Recording Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Federico Guastella, Asst. Recording Engineer, StudioPersonnel
℗ 2015 Peral Music
Sonata for 2 Pianos and Percussion, Sz. 110 (Béla Bartók)
Bela Bartok, Composer - Martha Argerich, Piano, MainArtist, AssociatedPerformer - Daniel Barenboim, Piano, MainArtist, AssociatedPerformer - Julian Schwenkner, Recording Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Federico Guastella, Asst. Recording Engineer, StudioPersonnel - Pedro Manuel Torrejón González, Percussion, MainArtist, AssociatedPerformer - Lev Loftus, Percussion, MainArtist, AssociatedPerformer
℗ 2015 Peral Music
Bela Bartok, Composer - Martha Argerich, Piano, MainArtist, AssociatedPerformer - Daniel Barenboim, Piano, MainArtist, AssociatedPerformer - Julian Schwenkner, Recording Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Federico Guastella, Asst. Recording Engineer, StudioPersonnel - Pedro Manuel Torrejón González, Percussion, MainArtist, AssociatedPerformer - Lev Loftus, Percussion, MainArtist, AssociatedPerformer
℗ 2015 Peral Music
Bela Bartok, Composer - Martha Argerich, Piano, MainArtist, AssociatedPerformer - Daniel Barenboim, Piano, MainArtist, AssociatedPerformer - Julian Schwenkner, Recording Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Federico Guastella, Asst. Recording Engineer, StudioPersonnel - Pedro Manuel Torrejón González, Percussion, MainArtist, AssociatedPerformer - Lev Loftus, Percussion, MainArtist, AssociatedPerformer
℗ 2015 Peral Music
Albumbeschreibung
The connections between Martha Argerich and Daniel Barenboim run deeper than the fact that they are both Argentines; Argerich studied with Vincenzo Scaramuzza, who also taught Barenboim's father, and the pianists both have Russian-Jewish-Argentine ancestry. They have the kind of instinctive understanding, coming from shared experiences, that makes for successful duo piano work, and that sets this live recording apart from the majority of superstar pairings. An additional bonus is what the booklet notes claim as "an intellectual standard that was uncompromising and unreliant on dramatic effect." You might think this means that the interpretations as a whole are a bit cool, and you'd be right. But Argerich and Barenboim bring a fairly rare work, Schumann's Six Studies in Canon Form, Op. 56, and they do it justice. These little pieces were originally written for organ or the now obsolete pedal piano (which ought to be revived by historical specialists); they were arranged for two pianos by none other than Debussy. Argerich and Barenboim bring a smooth clockwork feel to the music that's quite hypnotic; sample any one of the six as a way into this album. Debussy's En blanc et noir is also elegantly finished, and the Deutsche Grammophon live sound from the famed Teatro Colón is remarkably detailed. The Bartók Sonata for two pianos and percussion, Sz 110, doesn't stand out, but this is recommended for fans of these two defining artists of our time.
© TiVo
Informationen zu dem Album
- 1 Disc(s) - 12 Track(s)
- Gesamte Laufzeit: 00:59:02
- Künstler: Daniel Barenboim Martha Argerich
- Komponist: Various Composers
- Label: Universal Music Group International
- Genre: Klassik
© 2015 Peral Music ℗ 2015 Peral Music
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.