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Kelly Harland|Long Ago and Far Away - Kelly Harland Sings Jerome Kern

Long Ago and Far Away - Kelly Harland Sings Jerome Kern

Kelly Harland

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With a full album dedicated to Jerome Kern's contributions to the Great American Songbook, it's not terribly surprising that Kelly Harland should come across as a bit of a torch singer. Luckily though, Harland's got stronger abilities than the average torch singer. Where so many female jazz singers try to spice up the songbook with a little power and show, or try to vamp up the songbook like Eartha Kitt followers, Harland simply sings with a straightforward approach and a sweet voice. Of course, the compositions themselves are all first-class, as one would expect with this kind of focus. The rhythm section (pianist Bill Mays and bassist Chuck Deardorf) provides able accompaniment, with a streak of outstanding exploration here and there (just wait for the solos from both in "The Song Is You"). For fans of female jazz vocalists who are just a bit tired of the standard lounge-based torch singer, Kelly Harland should provide an excellent reprieve, with more sensitivity to the lyrics and the music itself. Paying proper respect to the music rather than strong-arming the songs just to show off pays off beautifully.

© Adam Greenberg /TiVo

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Long Ago and Far Away - Kelly Harland Sings Jerome Kern

Kelly Harland

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1
I'm Old-Fashioned
00:03:43

Johnny Mercer, Composer - Jerome Kern, Composer - Warner Chappel, MusicPublisher - Johnny Mercer Foundation, MusicPublisher - Kelly Harland, MainArtist

(C) 2008 Origin Records (P) 2008 Kelly Harland

2
Look For The Silver Lining
00:03:54

Jerome Kern, Composer - Universal Polygram International, MusicPublisher - Kelly Harland, MainArtist - Kern / DeSylva, Composer

(C) 2008 Origin Records (P) 2008 Kelly Harland

3
The Folks Who Live On The Hill
00:05:08

Jerome Kern, Composer - Universal Polygram International, MusicPublisher - Kern / Hammerstein, Composer - Kelly Harland, MainArtist

(C) 2008 Origin Records (P) 2008 Kelly Harland

4
Yesterdays
00:05:39

Jerome Kern, Composer - Universal Polygram International, MusicPublisher - Kern / Harbach, Composer - Kelly Harland, MainArtist

(C) 2008 Origin Records (P) 2008 Kelly Harland

5
Long Ago - And Far Away
00:04:17

Jerome Kern, Composer - Universal Polygram International, MusicPublisher - Kern / Gershwin, Composer - Kelly Harland, MainArtist

(C) 2008 Origin Records (P) 2008 Kelly Harland

6
Don't Ever Leave Me
00:03:11

Jerome Kern, Composer - Universal Polygram International, MusicPublisher - Kern / Hammerstein, Composer - Kelly Harland, MainArtist

(C) 2008 Origin Records (P) 2008 Kelly Harland

7
The Song Is You
00:03:57

Jerome Kern, Composer - Universal Polygram International, MusicPublisher - Kern / Hammerstein, Composer - Kelly Harland, MainArtist

(C) 2008 Origin Records (P) 2008 Kelly Harland

8
Can I Forget You - Smoke Gets In Your Eyes
00:06:04

Jerome Kern, Composer - Universal Polygram, MusicPublisher - Universal Polygram International, MusicPublisher - Kern / Hammerstein, Composer - Kern / Harbach, Composer - Kelly Harland, MainArtist

(C) 2008 Origin Records (P) 2008 Kelly Harland

9
Make Believe
00:04:30

Jerome Kern, Composer - Universal Polygram International, MusicPublisher - Kern / Hammerstein, Composer - Kelly Harland, MainArtist

(C) 2008 Origin Records (P) 2008 Kelly Harland

10
All The Things You Are
00:04:45

Jerome Kern, Composer - Universal Polygram International, MusicPublisher - Kern / Hammerstein, Composer - Kelly Harland, MainArtist

(C) 2008 Origin Records (P) 2008 Kelly Harland

Albumbeschreibung

With a full album dedicated to Jerome Kern's contributions to the Great American Songbook, it's not terribly surprising that Kelly Harland should come across as a bit of a torch singer. Luckily though, Harland's got stronger abilities than the average torch singer. Where so many female jazz singers try to spice up the songbook with a little power and show, or try to vamp up the songbook like Eartha Kitt followers, Harland simply sings with a straightforward approach and a sweet voice. Of course, the compositions themselves are all first-class, as one would expect with this kind of focus. The rhythm section (pianist Bill Mays and bassist Chuck Deardorf) provides able accompaniment, with a streak of outstanding exploration here and there (just wait for the solos from both in "The Song Is You"). For fans of female jazz vocalists who are just a bit tired of the standard lounge-based torch singer, Kelly Harland should provide an excellent reprieve, with more sensitivity to the lyrics and the music itself. Paying proper respect to the music rather than strong-arming the songs just to show off pays off beautifully.

© Adam Greenberg /TiVo

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