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Julie London|Latin In A Satin Mood

Latin In A Satin Mood

Julie London

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Exotic and Latin albums were big deals in the 1950s and early '60s, and singers as diverse as Dean Martin, Lena Horne, and Peggy Lee were recording with castanets and bongo drums. Peggy Lee was so successful at the style that she cut two albums of light pseudo-Latin jazz in 1960. Like Peggy Lee, Julie London combined a restrained vocal approach with jazz phrasing and a cool attitude with icy sex appeal. But while London had Lee's stripped-down musical approach, she just didn't share her unrelenting rhythmic vocal drive or her innate feeling for exotic rhythms. It doesn't help that London is paired with arranger Ernie Freeman, who was usually better at crafting Nashville and soft rock style charts than Latin jazz arrangements. This isn't a bad album -- London sounds casual and confident throughout -- but it is a rather bland one, and isn't blandness what these types of exotica albums are supposed to be fighting against? Latin in a Satin Mood ends up sounding exactly like what it was intended to be -- an aid to put a little vanilla Latin sparkle in suburban American bedrooms. If you want your London in the Latin style, then try her excellent Getz/Gilberto-style tribute to Cole Porter, All Through the Night. Julie London's affinity for West Coast jazz and her melancholy emotional pull were much better suited to bossa nova than to Caribbean Latin music.

© Nick Dedina /TiVo

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Latin In A Satin Mood

Julie London

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1
Frenesi
00:02:29

Leonard Whitcup, Translator - Alberto Domínguez, ComposerLyricist - SNUFF GARRETT, Producer - Julie London, MainArtist

℗ 1963 Capitol Records, LLC

2
Be Mine Tonight
00:02:37

Sunny Skylar, Translator - María Teresa Lara, ComposerLyricist - SNUFF GARRETT, Producer - Julie London, MainArtist

℗ 1963 Capitol Records, LLC

3
Yours
00:02:43

Jack Sherr, Author - SNUFF GARRETT, Producer - Julie London, MainArtist - Gonzalo Roig, ComposerLyricist - Albert Gamse, Author

℗ 1963 Capitol Records, LLC

4
Besame Mucho
00:02:12

Sunny Skylar, Translator - Consuelo Velázquez, ComposerLyricist - SNUFF GARRETT, Producer - Julie London, MainArtist

℗ 1963 Capitol Records, LLC

5
Adios
00:02:35

Eddie Woods, Author - ERNIE FREEMAN, Conductor - SNUFF GARRETT, Producer - Julie London, MainArtist - Enric Madriguera, ComposerLyricist

℗ 1963 Capitol Records, LLC

6
Sway
00:02:38

Norman Gimbel, Author - SNUFF GARRETT, Producer - Julie London, MainArtist - Pablo Beltrán Ruiz, ComposerLyricist

℗ 1963 Capitol Records, LLC

7
Perfidia
00:02:33

Alberto Domínguez, ComposerLyricist - SNUFF GARRETT, Producer - Julie London, MainArtist - Milton Leeds, Translator

℗ 1963 Capitol Records, LLC

8
Come Closer To Me
00:01:59

ERNIE FREEMAN, Conductor - Osvaldo Farrés, ComposerLyricist - SNUFF GARRETT, Producer - Julie London, MainArtist - Al Stewart, Translator

℗ 1963 Capitol Records, LLC

9
Amor
00:02:46

Sunny Skylar, Author - Ricardo López Méndez, Author - ERNIE FREEMAN, Conductor - Gabriel Ruíz, Composer - SNUFF GARRETT, Producer - Julie London, MainArtist

℗ 1963 Capitol Records, LLC

10
Magic Is The Moonlight
00:02:26

ERNIE FREEMAN, Conductor - SNUFF GARRETT, Producer - Julie London, MainArtist - Maria Grever, ComposerLyricist - Charlie Pasquale, Author

℗ 1963 Capitol Records, LLC

11
You Belong To My Heart
00:02:52

AGUSTIN LARA, ComposerLyricist - RAY GILBERT, Translator - SNUFF GARRETT, Producer - Julie London, MainArtist

℗ 1963 Capitol Records, LLC

12
Vaya Con Dios
00:02:42

Jack Russell, ComposerLyricist - SNUFF GARRETT, Producer - Julie London, MainArtist - Buddy Pepper, ComposerLyricist - Inez James, ComposerLyricist

℗ 1963 Capitol Records, LLC

Albumbeschreibung

Exotic and Latin albums were big deals in the 1950s and early '60s, and singers as diverse as Dean Martin, Lena Horne, and Peggy Lee were recording with castanets and bongo drums. Peggy Lee was so successful at the style that she cut two albums of light pseudo-Latin jazz in 1960. Like Peggy Lee, Julie London combined a restrained vocal approach with jazz phrasing and a cool attitude with icy sex appeal. But while London had Lee's stripped-down musical approach, she just didn't share her unrelenting rhythmic vocal drive or her innate feeling for exotic rhythms. It doesn't help that London is paired with arranger Ernie Freeman, who was usually better at crafting Nashville and soft rock style charts than Latin jazz arrangements. This isn't a bad album -- London sounds casual and confident throughout -- but it is a rather bland one, and isn't blandness what these types of exotica albums are supposed to be fighting against? Latin in a Satin Mood ends up sounding exactly like what it was intended to be -- an aid to put a little vanilla Latin sparkle in suburban American bedrooms. If you want your London in the Latin style, then try her excellent Getz/Gilberto-style tribute to Cole Porter, All Through the Night. Julie London's affinity for West Coast jazz and her melancholy emotional pull were much better suited to bossa nova than to Caribbean Latin music.

© Nick Dedina /TiVo

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