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Dando Shaft|Lantaloon

Lantaloon

Dando Shaft

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Dando Shaft's third album wasn't all that different from its predecessor, Dando Shaft: rollicking folk-rock tunes that were more folk than rock, heavy on rhythmic interplay among mandolin, guitar, and violin. Nor was it at times all that different from Pentangle, particularly on one of the best tracks, "Road Song," which sounded quite a bit like some of the more up-tempo Pentangle tunes on which Bert Jansch took lead vocals; "The Black Prince of Paradise" trod pretty far into Pentangle territory too. And as with Pentangle, the woman singer, Polly Bolton, was the best of the vocalists, though the male singers weren't bad and served as good counterpoints. Perhaps their songwriting and instrumental approach broadened just a bit to take in more pop and rock influences, with occasional flute (and, on "The Magnetic Beggar," harpsichord). In all, though it's not as original as the best British folk-rock of the period, it's very well played and fairly well written, guaranteed to appeal to fans of bands like Pentangle, to restate the inevitable comparison.

© Richie Unterberger /TiVo

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Lantaloon

Dando Shaft

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1
Road Song
00:03:32

Martin Jenkins, Composer - Kevin Dempsey, Composer - Dave Cooper, Composer - Dando Shaft, MainArtist - Edward Kay, Composer - Roger Bullen, Composer - Polly Bolton, Composer

© 1972 Cherry Red Records Ltd ℗ 1972 Cherry Red Records Ltd Cherry Red Records Ltd

2
Is It Me?
00:03:51

Martin Jenkins, Composer - Kevin Dempsey, Composer - Dave Cooper, Composer - Dando Shaft, MainArtist - Edward Kay, Composer - Roger Bullen, Composer - Polly Bolton, Composer

© 1972 Cherry Red Records Ltd ℗ 1972 Cherry Red Records Ltd Cherry Red Records Ltd

3
Down To You, Up To Me
00:03:06

Martin Jenkins, Composer - Kevin Dempsey, Composer - Dave Cooper, Composer - Dando Shaft, MainArtist - Edward Kay, Composer - Roger Bullen, Composer - Polly Bolton, Composer

© 1972 Cherry Red Records Ltd ℗ 1972 Cherry Red Records Ltd Cherry Red Records Ltd

4
Melancholic Fervour (It's Only Us)
00:03:35

Martin Jenkins, Composer - Kevin Dempsey, Composer - Dave Cooper, Composer - Dando Shaft, MainArtist - Edward Kay, Composer - Roger Bullen, Composer - Polly Bolton, Composer

© 1972 Cherry Red Records Ltd ℗ 1972 Cherry Red Records Ltd Cherry Red Records Ltd

5
It Was Good
00:02:20

Martin Jenkins, Composer - Kevin Dempsey, Composer - Dave Cooper, Composer - Dando Shaft, MainArtist - Edward Kay, Composer - Roger Bullen, Composer - Polly Bolton, Composer

© 1972 Cherry Red Records Ltd ℗ 1972 Cherry Red Records Ltd Cherry Red Records Ltd

6
The Harp Lady I Bombed
00:04:37

Martin Jenkins, Composer - Kevin Dempsey, Composer - Dave Cooper, Composer - Dando Shaft, MainArtist - Edward Kay, Composer - Roger Bullen, Composer - Polly Bolton, Composer

© 1972 Cherry Red Records Ltd ℗ 1972 Cherry Red Records Ltd Cherry Red Records Ltd

7
The Black Prince Of Paradise
00:02:41

Martin Jenkins, Composer - Kevin Dempsey, Composer - Dave Cooper, Composer - Dando Shaft, MainArtist - Edward Kay, Composer - Roger Bullen, Composer - Polly Bolton, Composer

© 1972 Cherry Red Records Ltd ℗ 1972 Cherry Red Records Ltd Cherry Red Records Ltd

8
When I'm Weary
00:03:34

Martin Jenkins, Composer - Kevin Dempsey, Composer - Dave Cooper, Composer - Dando Shaft, MainArtist - Edward Kay, Composer - Roger Bullen, Composer - Polly Bolton, Composer

© 1972 Cherry Red Records Ltd ℗ 1972 Cherry Red Records Ltd Cherry Red Records Ltd

9
I Heard Somewhere
00:02:36

Martin Jenkins, Composer - Kevin Dempsey, Composer - Dave Cooper, Composer - Dando Shaft, MainArtist - Edward Kay, Composer - Roger Bullen, Composer - Polly Bolton, Composer

© 1972 Cherry Red Records Ltd ℗ 1972 Cherry Red Records Ltd Cherry Red Records Ltd

10
Magnetic Beggar
00:04:19

Martin Jenkins, Composer - Kevin Dempsey, Composer - Dave Cooper, Composer - Dando Shaft, MainArtist - Edward Kay, Composer - Roger Bullen, Composer - Polly Bolton, Composer

© 1972 Cherry Red Records Ltd ℗ 1972 Cherry Red Records Ltd Cherry Red Records Ltd

Albumbeschreibung

Dando Shaft's third album wasn't all that different from its predecessor, Dando Shaft: rollicking folk-rock tunes that were more folk than rock, heavy on rhythmic interplay among mandolin, guitar, and violin. Nor was it at times all that different from Pentangle, particularly on one of the best tracks, "Road Song," which sounded quite a bit like some of the more up-tempo Pentangle tunes on which Bert Jansch took lead vocals; "The Black Prince of Paradise" trod pretty far into Pentangle territory too. And as with Pentangle, the woman singer, Polly Bolton, was the best of the vocalists, though the male singers weren't bad and served as good counterpoints. Perhaps their songwriting and instrumental approach broadened just a bit to take in more pop and rock influences, with occasional flute (and, on "The Magnetic Beggar," harpsichord). In all, though it's not as original as the best British folk-rock of the period, it's very well played and fairly well written, guaranteed to appeal to fans of bands like Pentangle, to restate the inevitable comparison.

© Richie Unterberger /TiVo

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