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Joanne Lunn|Jan Dismas Zelenka:  Missa Votiva

Jan Dismas Zelenka: Missa Votiva

Thomas E. Bauer, Frieder Bernius, Barockorchester Stuttgart, Kammerchor Stuttgart, Joanne Lunn, Daniel Taylor, Johannes Kaleschke

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Each new recording of works by Czech Baroque composer Jan Dismas Zelenka seems to unveil new wonders. The choral music from the end of his career, much of it (including this mass) written with no specific commission in a spirit of thanksgiving following his recovery from a serious illness, is especially impressive. Zelenka, like Vivaldi, stayed up to date on the latest stylistic trends in his old age, and he developed a fusion of operatic language and traditional polyphony that seems, more and more clearly, to be the equal of anything by Vivaldi (whose work he might well have known) or Bach (a personal friend who admired Zelenka's music). The Missa votiva, BWV 18, dating from 1739 and composed in the major operatic center of Dresden, is a substantial work, clocking in at almost 70 minutes. A gorgeous aria given to the alto soloist at the words "Et incarnatus est" is quite somber, but most of the other arias in the large major-key sections of the mass are bright and celebratory, with a clear influence from the new galant style. The most striking passages come in the Credo, where the contrast between polyphonic formality and operatic expression intensifies. The Crucifixus, exceptionally, is set fugally, with the expected appearance of the major key, with trumpets, at the Resurrexit, which then follows the text very closely, pausing at the word "mortuos" and returning to polyphony for the final "Cum sancto spiritu," complete with its own slow introduction. There are many other beautiful expressive details, all taking their places within the expertly handled polyphony, and the cumulative effect is very powerful. Four rather unsung but superb soloists, along with the Stuttgart Chamber Choir and Stuttgart Baroque Orchestra under veteran German conductor Frieder Bernius, capture both the complexity and the warmth of the music, and the Stuttgart label Carus gets wonderful results on its home ground at the Lutheran Church of Reutlingen-Gönningen. A triumphant outing that is going to help rewrite the history books. Booklet notes are in German, English, and French.

© TiVo

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Jan Dismas Zelenka: Missa Votiva

Joanne Lunn

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Missa Votiva, ZWV 18 (Jan Dismas Zelenka)

1
Kyrie I.
Kammerchor Stuttgart
00:03:56

Kammerchor Stuttgart, Choir, MainArtist - Barockorchester Stuttgart, Orchestra, MainArtist - Jan Dismas Zelenka, ComposerLyricist - Frieder Bernius, Conductor, MainArtist

℗ 2010 Carus

2
Christe eleison
Joanne Lunn
00:05:23

Barockorchester Stuttgart, Orchestra, MainArtist - Jan Dismas Zelenka, ComposerLyricist - Joanne Lunn, Soprano, MainArtist, AssociatedPerformer - Frieder Bernius, Conductor, MainArtist

℗ 2010 Carus

3
Kyrie II.
Kammerchor Stuttgart
00:00:40

Kammerchor Stuttgart, Choir, MainArtist - Barockorchester Stuttgart, Orchestra, MainArtist - Jan Dismas Zelenka, ComposerLyricist - Frieder Bernius, Conductor, MainArtist

℗ 2010 Carus

4
Kyrie III.
Kammerchor Stuttgart
00:00:53

Kammerchor Stuttgart, Choir, MainArtist - Barockorchester Stuttgart, Orchestra, MainArtist - Jan Dismas Zelenka, ComposerLyricist - Frieder Bernius, Conductor, MainArtist

℗ 2010 Carus

5
Gloria
Joanne Lunn
00:04:11

Kammerchor Stuttgart, Choir, MainArtist - Barockorchester Stuttgart, Orchestra, MainArtist - Jan Dismas Zelenka, ComposerLyricist - Daniel Taylor, Counter-Tenor, MainArtist, AssociatedPerformer - Joanne Lunn, Soprano, MainArtist, AssociatedPerformer - Frieder Bernius, Conductor, MainArtist - Thomas E. Bauer, MainArtist, AssociatedPerformer, Bass (Vocal) - Johannes Kaleschke, Tenor, MainArtist, AssociatedPerformer

℗ 2010 Carus

6
Gratias agimus tibi
Joanne Lunn
00:03:07

Kammerchor Stuttgart, Choir, MainArtist - Barockorchester Stuttgart, Orchestra, MainArtist - Jan Dismas Zelenka, ComposerLyricist - Daniel Taylor, Counter-Tenor, MainArtist, AssociatedPerformer - Joanne Lunn, Soprano, MainArtist, AssociatedPerformer - Frieder Bernius, Conductor, MainArtist - Thomas E. Bauer, Bass, MainArtist, AssociatedPerformer - Johannes Kaleschke, Tenor, MainArtist, AssociatedPerformer

℗ 2010 Carus

7
Quo tollis
Joanne Lunn
00:04:36

Barockorchester Stuttgart, Orchestra, MainArtist - Jan Dismas Zelenka, ComposerLyricist - Joanne Lunn, Soprano, MainArtist, AssociatedPerformer - Frieder Bernius, Conductor, MainArtist

℗ 2010 Carus

8
Qui sedes
Kammerchor Stuttgart
00:01:27

Kammerchor Stuttgart, Choir, MainArtist - Barockorchester Stuttgart, Orchestra, MainArtist - Jan Dismas Zelenka, ComposerLyricist - Frieder Bernius, Conductor, MainArtist

℗ 2010 Carus

9
Quoniam tu solos sanctus
Thomas E. Bauer
00:03:39

Barockorchester Stuttgart, Orchestra, MainArtist - Jan Dismas Zelenka, ComposerLyricist - Frieder Bernius, Conductor, MainArtist - Thomas E. Bauer, MainArtist, AssociatedPerformer, Bass (Vocal)

℗ 2010 Carus

10
Cum Sancto Spiritu I.
Kammerchor Stuttgart
00:00:40

Kammerchor Stuttgart, Choir, MainArtist - Barockorchester Stuttgart, Orchestra, MainArtist - Jan Dismas Zelenka, ComposerLyricist - Frieder Bernius, Conductor, MainArtist

℗ 2010 Carus

11
Cum Sancto Spiritu II.
Kammerchor Stuttgart
00:03:58

Kammerchor Stuttgart, Choir, MainArtist - Barockorchester Stuttgart, Orchestra, MainArtist - Jan Dismas Zelenka, ComposerLyricist - Frieder Bernius, Conductor, MainArtist

℗ 2010 Carus

12
Credo
Kammerchor Stuttgart
00:04:40

Kammerchor Stuttgart, Choir, MainArtist - Barockorchester Stuttgart, Orchestra, MainArtist - Jan Dismas Zelenka, ComposerLyricist - Frieder Bernius, Conductor, MainArtist

℗ 2010 Carus

13
Et incarnatus est
Daniel Taylor
00:06:03

Barockorchester Stuttgart, Orchestra, MainArtist - Jan Dismas Zelenka, ComposerLyricist - Daniel Taylor, Counter-Tenor, MainArtist, AssociatedPerformer - Frieder Bernius, Conductor, MainArtist

℗ 2010 Carus

14
Crucifixus
Kammerchor Stuttgart
00:03:07

Kammerchor Stuttgart, Choir, MainArtist - Barockorchester Stuttgart, Orchestra, MainArtist - Jan Dismas Zelenka, ComposerLyricist - Frieder Bernius, Conductor, MainArtist

℗ 2010 Carus

15
Et resurrexit
Joanne Lunn
00:07:41

Kammerchor Stuttgart, Choir, MainArtist - Barockorchester Stuttgart, Orchestra, MainArtist - Jan Dismas Zelenka, ComposerLyricist - Daniel Taylor, Counter-Tenor, MainArtist, AssociatedPerformer - Joanne Lunn, Soprano, MainArtist, AssociatedPerformer - Frieder Bernius, Conductor, MainArtist - Thomas E. Bauer, MainArtist, AssociatedPerformer, Bass (Vocal) - Johannes Kaleschke, Tenor, MainArtist, AssociatedPerformer

℗ 2010 Carus

16
Sanctus
Kammerchor Stuttgart
00:01:39

Kammerchor Stuttgart, Choir, MainArtist - Barockorchester Stuttgart, Orchestra, MainArtist - Jan Dismas Zelenka, ComposerLyricist - Frieder Bernius, Conductor, MainArtist

℗ 2010 Carus

17
Benedictus
Joanne Lunn
00:05:35

Barockorchester Stuttgart, Orchestra, MainArtist - Jan Dismas Zelenka, ComposerLyricist - Joanne Lunn, Soprano, MainArtist, AssociatedPerformer - Frieder Bernius, Conductor, MainArtist

℗ 2010 Carus

18
Osanna in excelsis
Kammerchor Stuttgart
00:01:36

Kammerchor Stuttgart, Choir, MainArtist - Barockorchester Stuttgart, Orchestra, MainArtist - Jan Dismas Zelenka, ComposerLyricist - Frieder Bernius, Conductor, MainArtist

℗ 2010 Carus

19
Agnus Dei
Joanne Lunn
00:02:15

Kammerchor Stuttgart, Choir, MainArtist - Barockorchester Stuttgart, Orchestra, MainArtist - Jan Dismas Zelenka, ComposerLyricist - Daniel Taylor, Counter-Tenor, MainArtist, AssociatedPerformer - Joanne Lunn, Soprano, MainArtist, AssociatedPerformer - Frieder Bernius, Conductor, MainArtist - Thomas E. Bauer, MainArtist, AssociatedPerformer, Bass (Vocal) - Johannes Kaleschke, Tenor, MainArtist, AssociatedPerformer

℗ 2010 Carus

20
Dona nobis pacem
Kammerchor Stuttgart
00:04:00

Kammerchor Stuttgart, Choir, MainArtist - Barockorchester Stuttgart, Orchestra, MainArtist - Jan Dismas Zelenka, ComposerLyricist - Frieder Bernius, Conductor, MainArtist

℗ 2010 Carus

Albumbeschreibung

Each new recording of works by Czech Baroque composer Jan Dismas Zelenka seems to unveil new wonders. The choral music from the end of his career, much of it (including this mass) written with no specific commission in a spirit of thanksgiving following his recovery from a serious illness, is especially impressive. Zelenka, like Vivaldi, stayed up to date on the latest stylistic trends in his old age, and he developed a fusion of operatic language and traditional polyphony that seems, more and more clearly, to be the equal of anything by Vivaldi (whose work he might well have known) or Bach (a personal friend who admired Zelenka's music). The Missa votiva, BWV 18, dating from 1739 and composed in the major operatic center of Dresden, is a substantial work, clocking in at almost 70 minutes. A gorgeous aria given to the alto soloist at the words "Et incarnatus est" is quite somber, but most of the other arias in the large major-key sections of the mass are bright and celebratory, with a clear influence from the new galant style. The most striking passages come in the Credo, where the contrast between polyphonic formality and operatic expression intensifies. The Crucifixus, exceptionally, is set fugally, with the expected appearance of the major key, with trumpets, at the Resurrexit, which then follows the text very closely, pausing at the word "mortuos" and returning to polyphony for the final "Cum sancto spiritu," complete with its own slow introduction. There are many other beautiful expressive details, all taking their places within the expertly handled polyphony, and the cumulative effect is very powerful. Four rather unsung but superb soloists, along with the Stuttgart Chamber Choir and Stuttgart Baroque Orchestra under veteran German conductor Frieder Bernius, capture both the complexity and the warmth of the music, and the Stuttgart label Carus gets wonderful results on its home ground at the Lutheran Church of Reutlingen-Gönningen. A triumphant outing that is going to help rewrite the history books. Booklet notes are in German, English, and French.

© TiVo

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