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10 Years|Feeding The Wolves

Feeding The Wolves

10 Years

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10 Years managed to chalk up three albums and one big modern rock hit -- 2005’s modern rock chart-topper “Wasteland” -- without quite making a name for themselves. They remained stuck in the middle of the pack, selling enough discs and tickets to stick around but not grabbing attention. 2010’s Feeding the Wolves is designed to change that. Teaming with producer Howard Benson, who shepherded hits by My Chemical Romance and Papa Roach and is not adverse to working with pop acts including such American Idol alumni as Alison Iraheta and DAUGHTRY, 10 Years trims away their excesses, suppressing their Tool-inspired menace, keeping things tight, letting ballads brood and having the harder numbers hit cleanly so they don’t leave much of a mark. The band manages some sleek anthems -- the not-quite-a-power ballad “Fix Me” hooks in -- and the digital distortion provides loudness if not weight, so Feeding the Wolves winds up fulfilling the goal of being a potential active rock crossover.

© Stephen Thomas Erlewine /TiVo

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Feeding The Wolves

10 Years

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1
Shoot It Out
00:03:19

Howard Benson, Producer - CHRIS LORD-ALGE, Mixer, StudioPersonnel - Mike Plotnikoff, Recording Engineer, StudioPersonnel - Ted Jenson, Mastering Engineer, StudioPersonnel - Ryan Johnson, ComposerLyricist - 10 Years, MainArtist - Jesse Hasek, ComposerLyricist - Brian Vodinh, ComposerLyricist - Lewis Cosby, ComposerLyricist

℗ 2010 Universal Republic Records, a division of UMG Recordings, Inc.

2
The Wicked Ones (Album Version)
00:03:28

Howard Benson, Producer - CHRIS LORD-ALGE, Mixer, StudioPersonnel - Mike Plotnikoff, Recording Engineer, StudioPersonnel - Ted Jenson, Mastering Engineer, StudioPersonnel - Ryan Johnson, ComposerLyricist - 10 Years, MainArtist - Jesse Hasek, ComposerLyricist - Brian Vodinh, ComposerLyricist - Lewis Cosby, ComposerLyricist

℗ 2010 Universal Republic Records, a division of UMG Recordings, Inc.

3
Now Is The Time (Ravenous) (Album Version)
00:03:49

Howard Benson, Producer - CHRIS LORD-ALGE, Mixer, StudioPersonnel - Mike Plotnikoff, Recording Engineer, StudioPersonnel - Ted Jenson, Mastering Engineer, StudioPersonnel - Ryan Johnson, ComposerLyricist - 10 Years, MainArtist - Jesse Hasek, ComposerLyricist - Brian Vodinh, ComposerLyricist - Lewis Cosby, ComposerLyricist

℗ 2010 Universal Republic Records, a division of UMG Recordings, Inc.

4
One More Day (Album Version)
00:04:11

Howard Benson, Producer - CHRIS LORD-ALGE, Mixer, StudioPersonnel - Mike Plotnikoff, Recording Engineer, StudioPersonnel - Ted Jenson, Mastering Engineer, StudioPersonnel - Ryan Johnson, ComposerLyricist - 10 Years, MainArtist - Jesse Hasek, ComposerLyricist - Brian Vodinh, ComposerLyricist - Lewis Cosby, ComposerLyricist

℗ 2010 Universal Republic Records, a division of UMG Recordings, Inc.

5
Fix Me (Album Version)
00:03:35

Howard Benson, Producer - CHRIS LORD-ALGE, Mixer, StudioPersonnel - Mike Plotnikoff, Recording Engineer, StudioPersonnel - Ted Jenson, Mastering Engineer, StudioPersonnel - Ryan Johnson, ComposerLyricist - 10 Years, MainArtist - Jesse Hasek, ComposerLyricist - Brian Vodinh, ComposerLyricist - Lewis Cosby, ComposerLyricist

℗ 2010 Universal Republic Records, a division of UMG Recordings, Inc.

6
Chasing The Rapture (Album Version)
00:03:24

Howard Benson, Producer - CHRIS LORD-ALGE, Mixer, StudioPersonnel - Mike Plotnikoff, Recording Engineer, StudioPersonnel - Ted Jenson, Mastering Engineer, StudioPersonnel - Ryan Johnson, ComposerLyricist - 10 Years, MainArtist - Jesse Hasek, ComposerLyricist - Brian Vodinh, ComposerLyricist - Lewis Cosby, ComposerLyricist

℗ 2010 Universal Republic Records, a division of UMG Recordings, Inc.

7
Dead In The Water (Album Version)
00:03:30

Howard Benson, Producer - CHRIS LORD-ALGE, Mixer, StudioPersonnel - Mike Plotnikoff, Recording Engineer, StudioPersonnel - Ted Jenson, Mastering Engineer, StudioPersonnel - Ryan Johnson, ComposerLyricist - 10 Years, MainArtist - Jesse Hasek, ComposerLyricist - Brian Vodinh, ComposerLyricist - Lewis Cosby, ComposerLyricist

℗ 2010 Universal Republic Records, a division of UMG Recordings, Inc.

8
Don't Fight It (Album Version)
00:03:40

Howard Benson, Producer - CHRIS LORD-ALGE, Mixer, StudioPersonnel - Mike Plotnikoff, Recording Engineer, StudioPersonnel - Ted Jenson, Mastering Engineer, StudioPersonnel - Ryan Johnson, ComposerLyricist - 10 Years, MainArtist - Jesse Hasek, ComposerLyricist - Brian Vodinh, ComposerLyricist - Lewis Cosby, ComposerLyricist

℗ 2010 Universal Republic Records, a division of UMG Recordings, Inc.

9
Waking Up The Ghost (Album Version)
00:02:56

Howard Benson, Producer - CHRIS LORD-ALGE, Mixer, StudioPersonnel - Mike Plotnikoff, Recording Engineer, StudioPersonnel - Ted Jenson, Mastering Engineer, StudioPersonnel - Ryan Johnson, ComposerLyricist - 10 Years, MainArtist - Jesse Hasek, ComposerLyricist - Brian Vodinh, ComposerLyricist - Lewis Cosby, ComposerLyricist

℗ 2010 Universal Republic Records, a division of UMG Recordings, Inc.

10
Fade Into (The Ocean) (Album Version)
00:05:43

Howard Benson, Producer - CHRIS LORD-ALGE, Mixer, StudioPersonnel - Mike Plotnikoff, Recording Engineer, StudioPersonnel - Ted Jenson, Mastering Engineer, StudioPersonnel - Ryan Johnson, ComposerLyricist - 10 Years, MainArtist - Jesse Hasek, ComposerLyricist - Brian Vodinh, ComposerLyricist - Lewis Cosby, ComposerLyricist

℗ 2010 Universal Republic Records, a division of UMG Recordings, Inc.

Albumbeschreibung

10 Years managed to chalk up three albums and one big modern rock hit -- 2005’s modern rock chart-topper “Wasteland” -- without quite making a name for themselves. They remained stuck in the middle of the pack, selling enough discs and tickets to stick around but not grabbing attention. 2010’s Feeding the Wolves is designed to change that. Teaming with producer Howard Benson, who shepherded hits by My Chemical Romance and Papa Roach and is not adverse to working with pop acts including such American Idol alumni as Alison Iraheta and DAUGHTRY, 10 Years trims away their excesses, suppressing their Tool-inspired menace, keeping things tight, letting ballads brood and having the harder numbers hit cleanly so they don’t leave much of a mark. The band manages some sleek anthems -- the not-quite-a-power ballad “Fix Me” hooks in -- and the digital distortion provides loudness if not weight, so Feeding the Wolves winds up fulfilling the goal of being a potential active rock crossover.

© Stephen Thomas Erlewine /TiVo

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