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Edmund Finnis|Edmund Finnis: The Air, Turning

Edmund Finnis: The Air, Turning

Edmund Finnis

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The music of Oxford-based British composer Edmund Finnis (b. 1984) will be new to many, and this NMC release is in the nature of a sampler, with several different ensembles performing. Finnis' music is sparse but not minimalist, always in motion but made up of glassy, hypnotic surfaces. His language can be inflected toward representations of nature (the title work is inspired by a poem about wind) or toward more abstract patterns, but a common personality is clear throughout. The seven-movement Parallel Colour, performed here by the Birmingham Contemporary Music Group, exploits the possibilities of two groups of instruments and offers the listener the chance to sample Finnis' structural thinking in small chunks. Try the sparkling fifth movement, and you will want to hear more. Finnis' work is not tonally organized, but it is going to have considerable audience appeal: these works are instrumental showpieces. The hushed, gracefully moving The Air, Turning will certainly gain in live performances (and it is to be hoped that the recording stimulates some of these). You might wonder what the Vienna Philharmonic strings could do with it, but the BBC Scottish Symphony Orchestra under Ilan Volkov is more than adequate. Highly recommended for those interested in new British music.

© TiVo

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Edmund Finnis: The Air, Turning

Edmund Finnis

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1
The Air, Turning
BBC Scottish Symphony Orchestra
00:09:07

BBC Scottish Symphony Orchestra, Orchestra, MainArtist - Edmund Finnis, Composer - Ilan Volkov, Conductor, MainArtist

2019 NMC Recordings 2019 (P) NMC Recordings

2
Elsewhere
Eloisa-Fleur Thom
00:08:05

Edmund Finnis, Composer - Eloisa-Fleur Thom, MainArtist, AssociatedPerformer

2019 NMC Recordings 2019 (P) NMC Recordings

Parallel Colour (Edmund Finnis)

3
I. —
Birmingham Contemporary Music Group
00:01:57

richard baker, Conductor, MainArtist - Birmingham Contemporary Music Group, Ensemble, MainArtist - Edmund Finnis, Composer

2019 NMC Recordings 2019 (P) NMC Recordings

4
II. —
Birmingham Contemporary Music Group
00:01:49

richard baker, Conductor, MainArtist - Birmingham Contemporary Music Group, Ensemble, MainArtist - Edmund Finnis, Composer

2019 NMC Recordings 2019 (P) NMC Recordings

5
III. —
Birmingham Contemporary Music Group
00:01:50

richard baker, Conductor, MainArtist - Birmingham Contemporary Music Group, Ensemble, MainArtist - Edmund Finnis, Composer

2019 NMC Recordings 2019 (P) NMC Recordings

6
IV. —
Birmingham Contemporary Music Group
00:04:15

richard baker, Conductor, MainArtist - Birmingham Contemporary Music Group, Ensemble, MainArtist - Edmund Finnis, Composer

2019 NMC Recordings 2019 (P) NMC Recordings

7
V. —
Birmingham Contemporary Music Group
00:01:42

richard baker, Conductor, MainArtist - Birmingham Contemporary Music Group, Ensemble, MainArtist - Edmund Finnis, Composer

2019 NMC Recordings 2019 (P) NMC Recordings

8
VI. —
Birmingham Contemporary Music Group
00:02:42

richard baker, Conductor, MainArtist - Birmingham Contemporary Music Group, Ensemble, MainArtist - Edmund Finnis, Composer

2019 NMC Recordings 2019 (P) NMC Recordings

9
VII. —
Birmingham Contemporary Music Group
00:02:02

richard baker, Conductor, MainArtist - Birmingham Contemporary Music Group, Ensemble, MainArtist - Edmund Finnis, Composer

2019 NMC Recordings 2019 (P) NMC Recordings

10
Between Rain
London Contemporary Orchestra
00:12:31

Edmund Finnis, Composer - Robert Ames, Conductor, MainArtist - London Contemporary Orchestra, Orchestra, MainArtist

2019 NMC Recordings 2019 (P) NMC Recordings

4 Duets (Edmund Finnis)

11
No. 1, —
Mark Simpson
00:01:57

Edmund Finnis, Composer - Mark Simpson, MainArtist, AssociatedPerformer - Víkingur Ólafsson, MainArtist, AssociatedPerformer

2019 NMC Recordings 2019 (P) NMC Recordings

12
No. 2, —
Mark Simpson
00:02:21

Edmund Finnis, Composer - Mark Simpson, MainArtist, AssociatedPerformer - Víkingur Ólafsson, MainArtist, AssociatedPerformer

2019 NMC Recordings 2019 (P) NMC Recordings

13
No. 3, —
Mark Simpson
00:02:36

Edmund Finnis, Composer - Mark Simpson, MainArtist, AssociatedPerformer - Víkingur Ólafsson, MainArtist, AssociatedPerformer

2019 NMC Recordings 2019 (P) NMC Recordings

14
No. 4, —
Mark Simpson
00:02:27

Edmund Finnis, Composer - Mark Simpson, MainArtist, AssociatedPerformer - Víkingur Ólafsson, MainArtist, AssociatedPerformer

2019 NMC Recordings 2019 (P) NMC Recordings

Shades Lengthen (Edmund Finnis)

15
I. —
Benjamin Beilman
00:01:50

Andrew Gourlay, Conductor, MainArtist - Britten Sinfonia, Orchestra, MainArtist - Edmund Finnis, Composer - Benjamin Beilman, MainArtist, AssociatedPerformer

2019 NMC Recordings 2019 (P) NMC Recordings

16
II. —
Benjamin Beilman
00:04:43

Andrew Gourlay, Conductor, MainArtist - Britten Sinfonia, Orchestra, MainArtist - Edmund Finnis, Composer - Benjamin Beilman, MainArtist, AssociatedPerformer

2019 NMC Recordings 2019 (P) NMC Recordings

17
III. —
Benjamin Beilman
00:05:04

Andrew Gourlay, Conductor, MainArtist - Britten Sinfonia, Orchestra, MainArtist - Edmund Finnis, Composer - Benjamin Beilman, MainArtist, AssociatedPerformer

2019 NMC Recordings 2019 (P) NMC Recordings

18
IV. —
Benjamin Beilman
00:03:30

Andrew Gourlay, Conductor, MainArtist - Britten Sinfonia, Orchestra, MainArtist - Edmund Finnis, Composer - Benjamin Beilman, MainArtist, AssociatedPerformer

2019 NMC Recordings 2019 (P) NMC Recordings

Albumbeschreibung

The music of Oxford-based British composer Edmund Finnis (b. 1984) will be new to many, and this NMC release is in the nature of a sampler, with several different ensembles performing. Finnis' music is sparse but not minimalist, always in motion but made up of glassy, hypnotic surfaces. His language can be inflected toward representations of nature (the title work is inspired by a poem about wind) or toward more abstract patterns, but a common personality is clear throughout. The seven-movement Parallel Colour, performed here by the Birmingham Contemporary Music Group, exploits the possibilities of two groups of instruments and offers the listener the chance to sample Finnis' structural thinking in small chunks. Try the sparkling fifth movement, and you will want to hear more. Finnis' work is not tonally organized, but it is going to have considerable audience appeal: these works are instrumental showpieces. The hushed, gracefully moving The Air, Turning will certainly gain in live performances (and it is to be hoped that the recording stimulates some of these). You might wonder what the Vienna Philharmonic strings could do with it, but the BBC Scottish Symphony Orchestra under Ilan Volkov is more than adequate. Highly recommended for those interested in new British music.

© TiVo

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