Qobuz Store wallpaper
Kategorie:
Warenkorb 0

Ihr Warenkorb ist leer

The Moody Blues|Days Of Future Passed (Expanded Edition)

Days Of Future Passed (Expanded Edition)

The Moody Blues

Verfügbar in
16-Bit/44.1 kHz Stereo

Musik-Streaming

Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität

Testen Sie Qobuz kostenlos und hören Sie sich das Album an

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Abonnement abschließen

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Download

Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.

Text in englischer Sprache verfügbar

This album marked the formal debut of the psychedelic-era Moody Blues; though they'd made a pair of singles featuring new (as of 1966) members Justin Hayward and John Lodge, Days of Future Passed was a lot bolder and more ambitious. What surprises first-time listeners -- and delighted them at the time -- is the degree to which the group shares the spotlight with the London Festival Orchestra without compromising their sound or getting lost in the lush mix of sounds. That's mostly because they came to this album with the strongest, most cohesive body of songs in their history, having spent the previous year working up a new stage act and a new body of material (and working the bugs out of it on-stage), the best of which ended up here. Decca Records had wanted a rock version of Dvorak's "New World Symphony" to showcase its enhanced stereo-sound technology, but at the behest of the band, producer Tony Clarke (with engineer Derek Varnals aiding and abetting) hijacked the project and instead cut the group's new repertory, with conductor/arranger Peter Knight adding the orchestral accompaniment and devising the bridge sections between the songs' and the album's grandiose opening and closing sections. The record company didn't know what to do with the resulting album, which was neither classical nor pop, but following its release in December of 1967, audiences found their way to it as one of the first pieces of heavily orchestrated, album-length psychedelic rock to come out of England in the wake of the Beatles' Sgt. Pepper's and Magical Mystery Tour albums. What's more, it was refreshingly original, rather than an attempt to mimic the Beatles; sandwiched among the playful lyricism of "Another Morning" and the mysticism of "The Sunset," songs like "Tuesday Afternoon" and "Twilight Time" (which remained in their concert repertory for three years) were pounding rockers within the British psychedelic milieu, and the harmony singing (another new attribute for the group) made the band's sound unique. With "Tuesday Afternoon" and "Nights in White Satin" to drive sales, Days of Future Passed became one of the defining documents of the blossoming psychedelic era, and one of the most enduringly popular albums of its era.

© Bruce Eder /TiVo

Weitere Informationen

Days Of Future Passed (Expanded Edition)

The Moody Blues

launch qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS bereits heruntergeladen Öffnen

download qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen Downloaden Sie die Qobuz App

Sie hören derzeit Ausschnitte der Musik.

Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements

Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements

Ab 12,49€/Monat

1
The Day Begins (Incl. Morning Glory)
00:05:51

Peter Knight, Conductor, ComposerLyricist - London Festival Orchestra, Orchestra - MIKE PINDER, Spoken Word, AssociatedPerformer - Graeme Edge, ComposerLyricist - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

℗ 1967 Universal Music Operations Limited

2
Dawn: Dawn Is A Feeling
00:03:49

Peter Knight, Conductor - London Festival Orchestra, Orchestra - MIKE PINDER, Piano, Vocals, Mellotron, AssociatedPerformer - John Lodge, Bass Guitar, AssociatedPerformer - Ray Thomas, Percussion, AssociatedPerformer - Justin Hayward, Guitar, Vocals, AssociatedPerformer - Graeme Edge, Drums, Percussion, AssociatedPerformer - Michael Pinder, ComposerLyricist - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

℗ 1967 Universal Music Operations Limited

3
The Morning: Another Morning
00:03:56

Peter Knight, Conductor - London Festival Orchestra, Orchestra - MIKE PINDER, Mellotron, Background Vocalist, AssociatedPerformer - John Lodge, Bass Guitar, Background Vocalist, AssociatedPerformer - Ray Thomas, Flute, Percussion, Vocals, AssociatedPerformer, ComposerLyricist - Justin Hayward, Guitar, Background Vocalist, AssociatedPerformer - Graeme Edge, Drums, Percussion, AssociatedPerformer - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

℗ 1967 Universal Music Operations Limited

4
Lunch Break: Peak Hour
00:05:29

Peter Knight, Conductor - London Festival Orchestra, Orchestra - MIKE PINDER, Mellotron, Background Vocalist, AssociatedPerformer - John Lodge, Bass Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Ray Thomas, Flute, Percussion, Background Vocalist, AssociatedPerformer - Justin Hayward, Guitar, Background Vocalist, AssociatedPerformer - Graeme Edge, Drums, Percussion, AssociatedPerformer - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

℗ 1967 Universal Music Operations Limited

5
The Afternoon
00:08:23

Peter Knight, Conductor - London Festival Orchestra, Orchestra - MIKE PINDER, Piano, Mellotron, Background Vocalist, AssociatedPerformer - John Lodge, Bass Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Ray Thomas, Flute, Percussion, Background Vocalist, AssociatedPerformer - Justin Hayward, Guitar, Vocals, Background Vocalist, AssociatedPerformer, ComposerLyricist - Graeme Edge, Drums, AssociatedPerformer - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

℗ 1967 Universal Music Operations Limited

6
Evening
00:06:40

Peter Knight, Conductor - London Festival Orchestra, Orchestra - MIKE PINDER, Piano, Vocals, Mellotron, Background Vocalist, AssociatedPerformer - John Lodge, Bass Guitar, Background Vocalist, AssociatedPerformer - Ray Thomas, Flute, Percussion, Vocals, AssociatedPerformer, ComposerLyricist - Justin Hayward, Guitar, Background Vocalist, AssociatedPerformer - Graeme Edge, Drums, Percussion, AssociatedPerformer - Michael Pinder, ComposerLyricist - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

℗ 1967 Universal Music Operations Limited

7
The Night (Album Version / Incl. "Late Lament")
00:07:26

Peter Knight, Conductor - London Festival Orchestra, Orchestra - MIKE PINDER, Mellotron, Background Vocalist, Spoken Word, AssociatedPerformer - John Lodge, Bass Guitar, Background Vocalist, AssociatedPerformer - Ray Thomas, Flute, Background Vocalist, AssociatedPerformer - Justin Hayward, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Graeme Edge, Drums, Percussion, AssociatedPerformer, ComposerLyricist - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

℗ 1967 Universal Music Operations Limited

8
Don't Let Me Be Misunderstood (BBC Session: Saturday Club)
00:02:21

Gloria Caldwell, ComposerLyricist - BENNIE BENJAMIN, ComposerLyricist - Sol Marcus, ComposerLyricist - The Moody Blues, MainArtist

℗ 2005 BBC

9
Fly Me High (Mono Mix)
00:02:52

MIKE PINDER, Piano, Background Vocalist, AssociatedPerformer - John Lodge, Bass Guitar, AssociatedPerformer - Ray Thomas, Tambourine, Background Vocalist, AssociatedPerformer - Justin Hayward, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Graeme Edge, Drums, AssociatedPerformer - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

℗ 1967 Universal Music Operations Limited

10
I Really Haven't Got The Time (Mono Mix)
00:03:07

Michael Pinder, ComposerLyricist - The Moody Blues, MainArtist - Tony Clarke, Producer

℗ 1967 Universal Music Operations Limited

11
Love And Beauty (Mono Mix)
00:02:22

Peter Knight, Conductor - London Festival Orchestra, Orchestra - MIKE PINDER, Piano, Vocals, Mellotron, AssociatedPerformer - John Lodge, Bass Guitar, Background Vocalist, AssociatedPerformer - Ray Thomas, Tambourine, Background Vocalist, AssociatedPerformer - Justin Hayward, Guitar, Background Vocalist, AssociatedPerformer - Graeme Edge, Drums, AssociatedPerformer - Michael Pinder, ComposerLyricist - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

℗ 1967 Universal Music Operations Limited

12
Leave This Man Alone (Mono Mix)
00:02:58

MIKE PINDER, Piano, Background Vocalist, AssociatedPerformer - John Lodge, Bass Guitar, Background Vocalist, AssociatedPerformer - Ray Thomas, Tambourine, Background Vocalist, AssociatedPerformer - Justin Hayward, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Graeme Edge, Drums, AssociatedPerformer - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

℗ 1967 Universal Music Operations Limited

13
Cities (Mono Mix)
00:02:23

Peter Knight, Conductor - London Festival Orchestra, Orchestra - MIKE PINDER, Piano, Vocals, Mellotron, AssociatedPerformer - John Lodge, Bass Guitar, AssociatedPerformer - Ray Thomas, Percussion, AssociatedPerformer - Justin Hayward, Composer, Guitar, Vocals, AssociatedPerformer - Graeme Edge, Drums, Percussion, AssociatedPerformer - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

℗ 1967 Universal Music Operations Limited

14
Tuesday Afternoon (Alternate Mix)
00:04:18

Peter Knight, Conductor - London Festival Orchestra, Orchestra - MIKE PINDER, Piano, Mellotron, Background Vocalist, AssociatedPerformer - John Lodge, Bass Guitar, AssociatedPerformer - Ray Thomas, Flute, AssociatedPerformer - Justin Hayward, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Graeme Edge, Drums, AssociatedPerformer - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

℗ 2005 Universal Music Operations Limited

15
Dawn: Dawn Is A Feeling (Alternate Version)
00:02:19

Peter Knight, Conductor - London Festival Orchestra, Orchestra - MIKE PINDER, Piano, Vocals, Mellotron, AssociatedPerformer - John Lodge, Bass Guitar, AssociatedPerformer - Ray Thomas, Percussion, AssociatedPerformer - Justin Hayward, Guitar, Vocals, AssociatedPerformer - Graeme Edge, Drums, Percussion, AssociatedPerformer - Michael Pinder, ComposerLyricist - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

℗ 2005 Universal Music Operations Limited

16
The Sun Set (Alternate Version With No Orchestra)
00:02:48

MIKE PINDER, Piano, Vocals, Mellotron, AssociatedPerformer - John Lodge, Bass Guitar, Background Vocalist, AssociatedPerformer - Ray Thomas, Flute, Percussion, AssociatedPerformer - Justin Hayward, Guitar, Background Vocalist, AssociatedPerformer - Graeme Edge, Drums, Percussion, AssociatedPerformer - Michael Pinder, ComposerLyricist - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

℗ 2005 Universal Music Operations Limited

17
Twilight Time (Alternate Vocal Mix)
00:02:27

Peter Knight, Conductor - London Festival Orchestra, Orchestra - MIKE PINDER, Piano, Mellotron, Background Vocalist, AssociatedPerformer - John Lodge, Bass Guitar, Background Vocalist, AssociatedPerformer - Ray Thomas, Flute, Percussion, Vocals, AssociatedPerformer, ComposerLyricist - Justin Hayward, Guitar, Background Vocalist, AssociatedPerformer - Graeme Edge, Drums, Percussion, AssociatedPerformer - The Moody Blues, MainArtist - Tony Clarke, Producer - Derek Varnals, Engineer, StudioPersonnel

℗ 2005 Universal Music Operations Limited

Albumbeschreibung

This album marked the formal debut of the psychedelic-era Moody Blues; though they'd made a pair of singles featuring new (as of 1966) members Justin Hayward and John Lodge, Days of Future Passed was a lot bolder and more ambitious. What surprises first-time listeners -- and delighted them at the time -- is the degree to which the group shares the spotlight with the London Festival Orchestra without compromising their sound or getting lost in the lush mix of sounds. That's mostly because they came to this album with the strongest, most cohesive body of songs in their history, having spent the previous year working up a new stage act and a new body of material (and working the bugs out of it on-stage), the best of which ended up here. Decca Records had wanted a rock version of Dvorak's "New World Symphony" to showcase its enhanced stereo-sound technology, but at the behest of the band, producer Tony Clarke (with engineer Derek Varnals aiding and abetting) hijacked the project and instead cut the group's new repertory, with conductor/arranger Peter Knight adding the orchestral accompaniment and devising the bridge sections between the songs' and the album's grandiose opening and closing sections. The record company didn't know what to do with the resulting album, which was neither classical nor pop, but following its release in December of 1967, audiences found their way to it as one of the first pieces of heavily orchestrated, album-length psychedelic rock to come out of England in the wake of the Beatles' Sgt. Pepper's and Magical Mystery Tour albums. What's more, it was refreshingly original, rather than an attempt to mimic the Beatles; sandwiched among the playful lyricism of "Another Morning" and the mysticism of "The Sunset," songs like "Tuesday Afternoon" and "Twilight Time" (which remained in their concert repertory for three years) were pounding rockers within the British psychedelic milieu, and the harmony singing (another new attribute for the group) made the band's sound unique. With "Tuesday Afternoon" and "Nights in White Satin" to drive sales, Days of Future Passed became one of the defining documents of the blossoming psychedelic era, and one of the most enduringly popular albums of its era.

© Bruce Eder /TiVo

Informationen zu dem Album

Auszeichnungen:

Verbesserung der Albuminformationen

Qobuz logo Warum Musik bei Qobuz kaufen?

Aktuelle Sonderangebote...

It's Time

Michael Bublé

It's Time Michael Bublé

Sultans Of Swing - The Very Best Of Dire Straits

Dire Straits

Sailing To Philadelphia

Mark Knopfler

Sailing To Philadelphia Mark Knopfler

Live 1978 - 1992

Dire Straits

Live 1978 - 1992 Dire Straits
Mehr auf Qobuz
Von The Moody Blues

Days Of Future Passed (Remastered 2017)

The Moody Blues

To Our Children’s Children’s Children

The Moody Blues

Days Of Future Passed

The Moody Blues

Days Of Future Passed The Moody Blues

Nights In White Satin

The Moody Blues

Nights In White Satin The Moody Blues

Ce Soir on Danse, Paris 1968 (Live)

The Moody Blues

Playlists

Das könnte Ihnen auch gefallen...

Come Away With Me

Norah Jones

Come Away With Me Norah Jones

Crime Of The Century [2014 - HD Remaster]

Supertramp

Tubular Bells

Mike Oldfield

Tubular Bells Mike Oldfield

30

Adele

30 Adele

THE TORTURED POETS DEPARTMENT: THE ANTHOLOGY

Taylor Swift