Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Released in 1955, when Tony Bennett was only 30 years old, Cloud 7 was the record he fought and earned the right to make. He'd already had a string of hits for the label and was regarded as a major talent. (In 1951 alone he charted seven times.) Bennett was looking to the then new long-playing 33-rpm format LP to bring a record to the public that showcased his voice in a more intimate, mood-setting environment. The cover says it all: it features a slightly out of focus black-and-white photograph of a woman, eyes closed, head thrown back, snapping her fingers with the words "Cloud 7" cursively written in hot pink to frame her face. Produced by Mitch Miller, Bennett surrounded himself with a smallish jazz group and recorded ten standards. The mood is nocturnal, elegant, amorous, hip. The opener is "I Fall in Love Too Easily." Arranged by Chuck Wayne, it was originally used in the soundtrack to the MGM film Anchors Aweigh. A spare, ghostly guitar ushers in Bennett's hum of the intro before the band enters slowly and when that slippery, smoky tenor enters in full, the entire night opens into oblivion. When he ups it a bit for the swinging "My Baby Just Cares for Me," with its muted yet finger-popping guitar swing, the seduction is complete. There is genuine emotion in Bennett's voice as he sings "My Heart Tells Me (Should I Believe My Heart?)," the sultry "Old Devil Moon," "I Can't Believe That You're in Love With Me," and the incredible closer, "Darn That Dream." His delivery throughout is unhurried, focused, purposeful. The music found here is more akin to that of Sinatra's In the Wee Small Hours than it is to lounge mood music -- though that may have been the desired intent of the marketing department at Columbia at the time. Cloud 7 is the album on which Bennett himself realized the full potential of his gift; the album elevated him from being a great pop singer to a bona fide artist. This disc -- part of The Tony Bennett Master Series on Legacy -- may be short, but it is devastatingly beautiful and loses none of its effect nearly 50 years after its original issue.
© Thom Jurek /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Tony Bennett, Vocal - Tony Bennett, Performer - Mitch Miller, Producer - S. Cahn, Composer - S. Cahn, Lyricist - Jule Styne, Composer - Jule Styne, Lyricist
Originally released 1955. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Dave Schildkraut, Alto Saxophone - Tony Bennett, Vocal - Tony Bennett, Performer - Chuck Wayne, Guitar - Mitch Miller, Producer - Walter Donaldson, Composer - Walter Donaldson, Lyricist - Charles Panely, Trumpet - Gus Kahn, Composer - Gus Kahn, Lyricist - Harvey Leonard, Piano - Clyde Lombardi, Bass - Ed Shaughnessy, Drums
Originally released 1955. All rights reserved by Columbia Records, a division of Sony Music Entertainment
H. Warren, Composer - H. Warren, Lyricist - Tony Bennett, Vocal - Tony Bennett, Performer - Mitch Miller, Producer - M. Gordon, Composer - M. Gordon, Lyricist
Originally released 1955. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Tony Bennett, Vocal - Tony Bennett, Performer - Mitch Miller, Producer - E.Y. Harburg, Composer - E.Y. Harburg, Lyricist - B. Lane, Composer - B. Lane, Lyricist
Originally released 1955. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Tony Bennett, Vocal - Tony Bennett, Performer - Mitch Miller, Producer - V. Young, Composer - V. Young, Lyricist - E. Heyman, Composer - E. Heyman, Lyricist
Originally released 1955. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Tony Bennett, Vocal - Tony Bennett, Performer - Mitch Miller, Producer - L. Clinton, Composer - L. Clinton, Lyricist
Originally released 1955. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Tony Bennett, Vocal - Tony Bennett, Performer - Mitch Miller, Producer - R. Bloom, Composer - R. Bloom, Lyricist - H. Ruby, Composer - H. Ruby, Lyricist
Originally released 1955. All rights reserved by Columbia Records, a division of Sony Music Entertainment
L. Fein, Composer - L. Fein, Lyricist - Tony Bennett, Vocal - Tony Bennett, Performer - Mitch Miller, Producer - I. Mills, Composer - I. Mills, Lyricist - E. Heim, Composer - E. Heim, Lyricist
Originally released 1955. All rights reserved by Columbia Records, a division of Sony Music Entertainment
J. McHugh, Composer - J. McHugh, Lyricist - Tony Bennett, Vocal - Tony Bennett, Performer - Mitch Miller, Producer - C. Gaskill, Composer - C. Gaskill, Lyricist
Originally released 1955. All rights reserved by Columbia Records, a division of Sony Music Entertainment
E. DeLange, Composer - E. DeLange, Lyricist - J. Van Heusen, Composer - J. Van Heusen, Lyricist - Tony Bennett, Vocal - Tony Bennett, Performer - Mitch Miller, Producer
Originally released 1955. All rights reserved by Columbia Records, a division of Sony Music Entertainment
Albumbeschreibung
Released in 1955, when Tony Bennett was only 30 years old, Cloud 7 was the record he fought and earned the right to make. He'd already had a string of hits for the label and was regarded as a major talent. (In 1951 alone he charted seven times.) Bennett was looking to the then new long-playing 33-rpm format LP to bring a record to the public that showcased his voice in a more intimate, mood-setting environment. The cover says it all: it features a slightly out of focus black-and-white photograph of a woman, eyes closed, head thrown back, snapping her fingers with the words "Cloud 7" cursively written in hot pink to frame her face. Produced by Mitch Miller, Bennett surrounded himself with a smallish jazz group and recorded ten standards. The mood is nocturnal, elegant, amorous, hip. The opener is "I Fall in Love Too Easily." Arranged by Chuck Wayne, it was originally used in the soundtrack to the MGM film Anchors Aweigh. A spare, ghostly guitar ushers in Bennett's hum of the intro before the band enters slowly and when that slippery, smoky tenor enters in full, the entire night opens into oblivion. When he ups it a bit for the swinging "My Baby Just Cares for Me," with its muted yet finger-popping guitar swing, the seduction is complete. There is genuine emotion in Bennett's voice as he sings "My Heart Tells Me (Should I Believe My Heart?)," the sultry "Old Devil Moon," "I Can't Believe That You're in Love With Me," and the incredible closer, "Darn That Dream." His delivery throughout is unhurried, focused, purposeful. The music found here is more akin to that of Sinatra's In the Wee Small Hours than it is to lounge mood music -- though that may have been the desired intent of the marketing department at Columbia at the time. Cloud 7 is the album on which Bennett himself realized the full potential of his gift; the album elevated him from being a great pop singer to a bona fide artist. This disc -- part of The Tony Bennett Master Series on Legacy -- may be short, but it is devastatingly beautiful and loses none of its effect nearly 50 years after its original issue.
© Thom Jurek /TiVo
Informationen zu dem Album
- 1 Disc(s) - 10 Track(s)
- Gesamte Laufzeit: 00:32:38
- Künstler: Tony Bennett
- Komponist: Various Composers
- Label: Columbia - Legacy
- Genre: Pop/Rock Internationaler Pop Crooner
Originally released 1955. All rights reserved by Columbia Reocrds, a division of Sony Music Entertainment
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.