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Good Morning|Barnyard

Barnyard

Good Morning

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A prolific indie rock outfit from Australia, Good Morning present a curious mixture of '90s slacker ennui and heart that is occasionally at odds with itself. The Melbourne duo of Stefan Blair and Liam Parsons began releasing music in 2014 and quickly racked up a tidy catalog of singles and EPs in advance of the 2018 full-length Prize // Reward. Two more albums followed and, after signing on with Sub Pop's publishing arm, the duo now offer up 2021's Barnyard, their fourth album overall and first for American indie Polyvinyl. Recorded in Chicago at Wilco's Loft studio, Barnyard continues to explore Good Morning's various musical facets from introspective ballads like "Too Young to Quit" and "Green Skies" to scuzzy, low-key guitar pop like "Wahlberg" and "Matthew Newton." At first blush, the group's apparent affection for old-school lo-fi indie rock seems to place them squarely among the many '90s revivalists dusting off a previous generation's four-track recorders, but lurking behind Blair's affected mumble is a rather crafty band with some solid songwriting chops. The eerie murk of "I've Been Waiting" and the laid-back piano pop of "Burning" are easy standouts on a record that tends to shed its more obvious influences with repeated listens. Good Morning are at their best when pushing their own boundaries and building subtle layers to support their surprisingly punchy rock missives.

© Timothy Monger /TiVo

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Barnyard

Good Morning

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1
Too Young To Quit
00:03:36

Good Morning, MainArtist

2021 Polyvinyl Record Co. 2021 Polyvinyl Record Co.

2
Depends On What I Know
00:02:52

Good Morning, MainArtist

2021 Polyvinyl Record Co. 2021 Polyvinyl Record Co.

3
Wahlberg
00:02:11

Good Morning, MainArtist

2021 Polyvinyl Record Co. 2021 Polyvinyl Record Co.

4
Yng_Shldn
00:03:32

Good Morning, MainArtist

2021 Polyvinyl Record Co. 2021 Polyvinyl Record Co.

5
Matthew Newton
00:02:20

Good Morning, MainArtist

2021 Polyvinyl Record Co. 2021 Polyvinyl Record Co.

6
Tree
00:02:19

Good Morning, MainArtist

2021 Polyvinyl Record Co. 2021 Polyvinyl Record Co.

7
I’ve Been Waiting
00:04:26

Good Morning, MainArtist

2021 Polyvinyl Record Co. 2021 Polyvinyl Record Co.

8
Burning
00:02:17

Good Morning, MainArtist

2021 Polyvinyl Record Co. 2021 Polyvinyl Record Co.

9
Big Wig // Small Dog
00:02:27

Good Morning, MainArtist

2021 Polyvinyl Record Co. 2021 Polyvinyl Record Co.

10
Never Enough
00:02:13

Good Morning, MainArtist

2021 Polyvinyl Record Co. 2021 Polyvinyl Record Co.

11
Green Skies
00:02:08

Good Morning, MainArtist

2021 Polyvinyl Record Co. 2021 Polyvinyl Record Co.

12
Country
00:04:00

Good Morning, MainArtist

2021 Polyvinyl Record Co. 2021 Polyvinyl Record Co.

Albumbeschreibung

A prolific indie rock outfit from Australia, Good Morning present a curious mixture of '90s slacker ennui and heart that is occasionally at odds with itself. The Melbourne duo of Stefan Blair and Liam Parsons began releasing music in 2014 and quickly racked up a tidy catalog of singles and EPs in advance of the 2018 full-length Prize // Reward. Two more albums followed and, after signing on with Sub Pop's publishing arm, the duo now offer up 2021's Barnyard, their fourth album overall and first for American indie Polyvinyl. Recorded in Chicago at Wilco's Loft studio, Barnyard continues to explore Good Morning's various musical facets from introspective ballads like "Too Young to Quit" and "Green Skies" to scuzzy, low-key guitar pop like "Wahlberg" and "Matthew Newton." At first blush, the group's apparent affection for old-school lo-fi indie rock seems to place them squarely among the many '90s revivalists dusting off a previous generation's four-track recorders, but lurking behind Blair's affected mumble is a rather crafty band with some solid songwriting chops. The eerie murk of "I've Been Waiting" and the laid-back piano pop of "Burning" are easy standouts on a record that tends to shed its more obvious influences with repeated listens. Good Morning are at their best when pushing their own boundaries and building subtle layers to support their surprisingly punchy rock missives.

© Timothy Monger /TiVo

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