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John Eliot Gardiner - Bach : Easter Oratorio - Actus tragicus

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Bach : Easter Oratorio - Actus tragicus

Monteverdi Choir, English Baroque Soloists, Gardiner

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After the completion of the magisterial touring sequence of Bach cantatas from conductor John Eliot Gardiner and his Monteverdi Choir and English Baroque Soloists, it seems that the prolific music-making will continue with non-cantata works. This strong recording of Bach's Easter Oratorio, BWV 249, was released just in time for the 2014 Easter holiday and should find the same demand as the rest of Gardiner's output. The Easter Oratorio is more an oversized cantata than a full-scale treatment with narrator, chorus, and soloists in the manner of Bach's other large religious works; it has no narrating Evangelist, consists mostly of solos in dialogue with each other, and apparently was actually adapted from an earlier pastoral birthday cantata. The performance here has the positives typical of Gardiner's Bach recordings: warmth, deep familiarity with the texts, and smooth ensemble work born of long acquaintance among the musicians. The choir of 23 is perfectly sized for the work, and the sound, with Gardiner's engineers no longer constrained by the requirements of the churches where the ensemble appeared on tour, is unusually clear. The soloists are drawn from the choir, a slight negative given that the Easter Oratorio stands or falls on its solos; they actually do better in the intimate funeral Cantata No. 106, BWV 106 ("Actus Tragicus"), that opens the program. In general, though, this is a release that Gardiner fans will be glad to have.
© TiVo

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Bach : Easter Oratorio - Actus tragicus

John Eliot Gardiner

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Gottes Zeit ist die allerbeste Zeit, BWV 106, "Actus tragicus" (Johann Sebastian Bach)

1
Sonatina
John Eliot Gardiner
00:02:42

John Eliot Gardiner, Conductor - English Baroque Soloists, Ensemble - Martin Luther, Lyricist - Johann Sebastian Bach, Composer - Bible, Lyricist - Adam Reusner, Lyricist - Johann Leon, Lyricist

(C) 2014 SDG (P) 2014 SDG

2
Gottes Zeit ist die allerbeste Zeit (Chorus)
John Eliot Gardiner
00:01:34

John Eliot Gardiner, Conductor - Monteverdi Choir, Choir - English Baroque Soloists, Ensemble - Martin Luther, Lyricist - Johann Sebastian Bach, Composer - Bible, Lyricist - Adam Reusner, Lyricist - Johann Leon, Lyricist

(C) 2014 SDG (P) 2014 SDG

3
Arioso: Ach Herr, lehre uns bedenken (Tenor)
John Eliot Gardiner
00:02:13

John Eliot Gardiner, Conductor - Nicholas Mulroy, Performer - English Baroque Soloists, Ensemble - Martin Luther, Lyricist - Johann Sebastian Bach, Composer - Bible, Lyricist - Adam Reusner, Lyricist - Johann Leon, Lyricist

(C) 2014 SDG (P) 2014 SDG

4
Arioso: Bestelle dein Haus (Bass)
John Eliot Gardiner
00:01:03

John Eliot Gardiner, Conductor - Peter Harvey, Performer - English Baroque Soloists, Ensemble - Martin Luther, Lyricist - Johann Sebastian Bach, Composer - Bible, Lyricist - Adam Reusner, Lyricist - Johann Leon, Lyricist

(C) 2014 SDG (P) 2014 SDG

5
Arioso: Es ist der alte Bund (Soprano, Chorus)
Hannah Morrison
00:03:32

John Eliot Gardiner, Conductor - Hannah Morrison, Performer - Monteverdi Choir, Choir - English Baroque Soloists, Ensemble - Martin Luther, Lyricist - Johann Sebastian Bach, Composer - Bible, Lyricist - Adam Reusner, Lyricist - Johann Leon, Lyricist

(C) 2014 SDG (P) 2014 SDG

6
Aria: In deinen hande befehle ich meinen Geist (Alto)
John Eliot Gardiner
00:01:51

John Eliot Gardiner, Conductor - Meg Bragle, Performer - English Baroque Soloists, Ensemble - Martin Luther, Lyricist - Johann Sebastian Bach, Composer - Bible, Lyricist - Adam Reusner, Lyricist - Johann Leon, Lyricist

(C) 2014 SDG (P) 2014 SDG

7
Arioso: Heute wirst du mit mir im Paradies sein (Bass, Chorus)
John Eliot Gardiner
00:03:43

John Eliot Gardiner, Conductor - Peter Harvey, Performer - Monteverdi Choir, Choir - English Baroque Soloists, Ensemble - Martin Luther, Lyricist - Johann Sebastian Bach, Composer - Bible, Lyricist - Adam Reusner, Lyricist - Johann Leon, Lyricist

(C) 2014 SDG (P) 2014 SDG

8
Glorie, Lob, Ehr und Herrlichkeit (Chorus)
John Eliot Gardiner
00:02:27

John Eliot Gardiner, Conductor - Monteverdi Choir, Choir - English Baroque Soloists, Ensemble - Martin Luther, Lyricist - Johann Sebastian Bach, Composer - Bible, Lyricist - Adam Reusner, Lyricist - Johann Leon, Lyricist

(C) 2014 SDG (P) 2014 SDG

Easter Oratorio, BWV 249 (Johann Sebastian Bach)

9
Sinfonia
John Eliot Gardiner
00:03:46

John Eliot Gardiner, Conductor - English Baroque Soloists, Ensemble - Anonymous, Lyricist - Johann Sebastian Bach, Composer

(C) 2014 SDG (P) 2014 SDG

10
Adagio
John Eliot Gardiner
00:03:51

John Eliot Gardiner, Conductor - English Baroque Soloists, Ensemble - Anonymous, Lyricist - Johann Sebastian Bach, Composer

(C) 2014 SDG (P) 2014 SDG

11
Kommt, eilet und laufet (Chorus)
John Eliot Gardiner
00:04:31

John Eliot Gardiner, Conductor - Monteverdi Choir, Choir - English Baroque Soloists, Ensemble - Anonymous, Lyricist - Johann Sebastian Bach, Composer

(C) 2014 SDG (P) 2014 SDG

12
Recitative: O kalter Manner Sinn! (Soprano, Alto, Tenor, Bass)
John Eliot Gardiner
00:00:58

John Eliot Gardiner, Conductor - Hannah Morrison, Performer - Meg Bragle, Performer - Nicholas Mulroy, Performer - Peter Harvey, Performer - English Baroque Soloists, Ensemble - Anonymous, Lyricist - Johann Sebastian Bach, Composer

(C) 2014 SDG (P) 2014 SDG

13
Aria: Seele, deine Spezereien (Soprano)
Hannah Morrison
00:10:53

Hannah Morrison, Performer - John Eliot Gardiner, Conductor - English Baroque Soloists, Ensemble - Anonymous, Lyricist - Johann Sebastian Bach, Composer

(C) 2014 SDG (P) 2014 SDG

14
Recitative: Hier ist die Gruft (Alto, Tenor, Bass)
John Eliot Gardiner
00:00:44

John Eliot Gardiner, Conductor - Meg Bragle, Performer - Nicholas Mulroy, Performer - Peter Harvey, Performer - English Baroque Soloists, Ensemble - Anonymous, Lyricist - Johann Sebastian Bach, Composer

(C) 2014 SDG (P) 2014 SDG

15
Aria: Sanfte soll mein Todeskummer (Tenor)
John Eliot Gardiner
00:07:07

John Eliot Gardiner, Conductor - Nicholas Mulroy, Performer - English Baroque Soloists, Ensemble - Anonymous, Lyricist - Johann Sebastian Bach, Composer

(C) 2014 SDG (P) 2014 SDG

16
Recitative: Indessen seufzen wir (Soprano, Alto)
John Eliot Gardiner
00:00:57

Hannah Morrison, Performer - John Eliot Gardiner, Conductor - Meg Bragle, Performer - English Baroque Soloists, Ensemble - Anonymous, Lyricist - Johann Sebastian Bach, Composer

(C) 2014 SDG (P) 2014 SDG

17
Aria: Saget, saget mit geschwinde (Alto)
John Eliot Gardiner
00:05:27

John Eliot Gardiner, Conductor - Meg Bragle, Performer - English Baroque Soloists, Ensemble - Anonymous, Lyricist - Johann Sebastian Bach, Composer

(C) 2014 SDG (P) 2014 SDG

18
Recitative: Wir sind erfreut (Bass)
John Eliot Gardiner
00:00:34

John Eliot Gardiner, Conductor - Peter Harvey, Performer - English Baroque Soloists, Ensemble - Anonymous, Lyricist - Johann Sebastian Bach, Composer

(C) 2014 SDG (P) 2014 SDG

19
Preis und Dank (Chorus)
John Eliot Gardiner
00:02:14

John Eliot Gardiner, Conductor - Monteverdi Choir, Choir - English Baroque Soloists, Ensemble - Anonymous, Lyricist - Johann Sebastian Bach, Composer

(C) 2014 SDG (P) 2014 SDG

Albumbeschreibung

After the completion of the magisterial touring sequence of Bach cantatas from conductor John Eliot Gardiner and his Monteverdi Choir and English Baroque Soloists, it seems that the prolific music-making will continue with non-cantata works. This strong recording of Bach's Easter Oratorio, BWV 249, was released just in time for the 2014 Easter holiday and should find the same demand as the rest of Gardiner's output. The Easter Oratorio is more an oversized cantata than a full-scale treatment with narrator, chorus, and soloists in the manner of Bach's other large religious works; it has no narrating Evangelist, consists mostly of solos in dialogue with each other, and apparently was actually adapted from an earlier pastoral birthday cantata. The performance here has the positives typical of Gardiner's Bach recordings: warmth, deep familiarity with the texts, and smooth ensemble work born of long acquaintance among the musicians. The choir of 23 is perfectly sized for the work, and the sound, with Gardiner's engineers no longer constrained by the requirements of the churches where the ensemble appeared on tour, is unusually clear. The soloists are drawn from the choir, a slight negative given that the Easter Oratorio stands or falls on its solos; they actually do better in the intimate funeral Cantata No. 106, BWV 106 ("Actus Tragicus"), that opens the program. In general, though, this is a release that Gardiner fans will be glad to have.
© TiVo

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