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Sugar Ray|14:59

14:59

Sugar Ray

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Text in englischer Sprache verfügbar

Sugar Ray lead singer Mark McGrath had proven himself on national television as a walking rock encyclopedia, in a 1998 episode of VH1's Rock and Roll Jeopardy. It was an impressive feat that could explain the divergent styles of Sugar Ray's 1999 album 14:59. Their third album showed an alarming overhaul in their approach, practically moving Sugar Ray into a new genre. 14:59 steered them from their metal shellac toward a calmer, melodious pastiche of songs. The band on 14:59 has versatility nailed down better than your grade-A wedding band: "Every Morning" bounces with the acoustic pop gentility of their 1997 hit "Fly," while "Falls Apart" and "Personal Space Invader" reflect influences from Synchronicity and Men Without Hats. 14:59 also favors the leaner, faster punk of Green Day in "Aim for Me." There's even a frighteningly faithful cover of Steve Miller's "Abracadabra." If there's one criticism of 14:59, it's that if you listen hard enough you'll be playing "sounds like..." for many songs. In that sense it's almost a parody; the inclusion of two comic songs entitled "New Direction" (one death metal, one circus tent) help that assessment. Finally, though, 14:59 has such catchiness and charm that it's a guilty pleasure of high order, and a bigger step than one might have expected from Sugar Ray.

© Paul Pearson /TiVo

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14:59

Sugar Ray

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1
New Direction [Intro]
00:00:47

David Kahne, Producer - Sugar Ray, Composer, Writer, MainArtist - Stan Frazier, Drums - D.J. HOMICIDE, Programmer - Mark McGrath, Vocals - Murphy Karges, Bass Guitar - Rodney Shepard, Guitar

© 1999 RT Industries ℗ 1999 RT Industries

2
Every Morning
00:03:39

David Kahne, Producer, Writer - Sugar Ray, Composer, Writer, MainArtist - Pablo Tellez, Writer - Abel Zarate, Writer - Richard Bean, Writer - Stan Frazier, Drums, Writer - D.J. HOMICIDE, Programmer - Craig Bullock, Writer - Mark McGrath, Vocals, Writer - Murphy Karges, Bass Guitar, Writer - Rodney Sheppard, Writer - Joe Nichol, Writer - Rodney Shepard, Guitar

© 1999 RT Industries ℗ 1999 RT Industries

3
Falls Apart
00:04:15

David Kahne, Producer - Sugar Ray, MainArtist - Stan Frazier, Drums - D, Lyricist - D.J. HOMICIDE, Programmer - Mark McGrath, Vocals - Murphy Karges, Bass Guitar - Rodney Shepard, Guitar - Sugar Ray and Kahne, Lyricist

© 1999 RT Industries ℗ 1999 RT Industries

4
Personal Space Invader
00:03:37

David Kahne, Producer - Sugar Ray, Composer, Writer, MainArtist - Stan Frazier, Drums - D.J. HOMICIDE, Programmer - Mark McGrath, Vocals - Murphy Karges, Bass Guitar - Rodney Shepard, Guitar

© 1999 RT Industries ℗ 1999 RT Industries

5
Live & Direct [Featuring KRS-ONE]
00:04:34

David Kahne, Producer - Sugar Ray, Composer, Writer, MainArtist - Stan Frazier, Drums - D.J. HOMICIDE, Programmer - Mark McGrath, Vocals - Murphy Karges, Bass Guitar - Rodney Shepard, Guitar

© 1999 RT Industries ℗ 1999 RT Industries

6
Someday
00:04:02

David Kahne, Producer, Writer - Sugar Ray, Composer, Writer, MainArtist - Stan Frazier, Drums, Writer - D.J. HOMICIDE, Programmer - Craig Bullock, Writer - Mark McGrath, Vocals, Writer - Murphy Karges, Bass Guitar, Writer - Rodney Sheppard, Writer - Joe Nichol, Writer - Rodney Shepard, Guitar

© 1999 RT Industries ℗ 1999 RT Industries

7
Aim For Me
00:02:19

David Kahne, Producer - Sugar Ray, Composer, Writer, MainArtist - Stan Frazier, Drums - D.J. HOMICIDE, Programmer - Mark McGrath, Vocals - Murphy Karges, Bass Guitar - Rodney Shepard, Guitar

© 1999 RT Industries ℗ 1999 RT Industries

8
Ode To The Lonely Hearted
00:03:12

David Kahne, Producer - Sugar Ray, Composer, Writer, MainArtist - Stan Frazier, Drums - D.J. HOMICIDE, Programmer - Mark McGrath, Vocals - Murphy Karges, Bass Guitar - Rodney Shepard, Guitar

© 1999 RT Industries ℗ 1999 RT Industries

9
Burning Dog
00:03:01

David Kahne, Producer - Sugar Ray, Composer, Writer, MainArtist - Stan Frazier, Drums - D.J. HOMICIDE, Programmer - Mark McGrath, Vocals - Murphy Karges, Bass Guitar - Rodney Shepard, Guitar

© 1999 RT Industries ℗ 1999 RT Industries

10
Even Though
00:02:34

David Kahne, Producer - Sugar Ray, Composer, Writer, MainArtist - Stan Frazier, Drums - D.J. HOMICIDE, Programmer - Mark McGrath, Vocals - Murphy Karges, Bass Guitar - Rodney Shepard, Guitar

© 1999 RT Industries ℗ 1999 RT Industries

11
Abracadabra
00:03:42

David Kahne, Producer - Sugar Ray, Composer, Writer, MainArtist - Stan Frazier, Drums - D.J. HOMICIDE, Programmer - Mark McGrath, Vocals - Murphy Karges, Bass Guitar - Rodney Shepard, Guitar

© 1999 RT Industries ℗ 1999 RT Industries

12
Glory
00:03:26

David Kahne, Producer - Sugar Ray, Composer, Writer, MainArtist - Stan Frazier, Drums - D.J. HOMICIDE, Programmer - Mark McGrath, Vocals - Murphy Karges, Bass Guitar - Rodney Shepard, Guitar

© 1999 RT Industries ℗ 1999 RT Industries

13
New Direction [Outro]
00:01:17

David Kahne, Producer - Sugar Ray, Composer, Writer, MainArtist - Stan Frazier, Drums - D.J. HOMICIDE, Programmer - Mark McGrath, Vocals - Murphy Karges, Bass Guitar - Rodney Shepard, Guitar

© 1999 RT Industries ℗ 1999 RT Industries

Albumbeschreibung

Sugar Ray lead singer Mark McGrath had proven himself on national television as a walking rock encyclopedia, in a 1998 episode of VH1's Rock and Roll Jeopardy. It was an impressive feat that could explain the divergent styles of Sugar Ray's 1999 album 14:59. Their third album showed an alarming overhaul in their approach, practically moving Sugar Ray into a new genre. 14:59 steered them from their metal shellac toward a calmer, melodious pastiche of songs. The band on 14:59 has versatility nailed down better than your grade-A wedding band: "Every Morning" bounces with the acoustic pop gentility of their 1997 hit "Fly," while "Falls Apart" and "Personal Space Invader" reflect influences from Synchronicity and Men Without Hats. 14:59 also favors the leaner, faster punk of Green Day in "Aim for Me." There's even a frighteningly faithful cover of Steve Miller's "Abracadabra." If there's one criticism of 14:59, it's that if you listen hard enough you'll be playing "sounds like..." for many songs. In that sense it's almost a parody; the inclusion of two comic songs entitled "New Direction" (one death metal, one circus tent) help that assessment. Finally, though, 14:59 has such catchiness and charm that it's a guilty pleasure of high order, and a bigger step than one might have expected from Sugar Ray.

© Paul Pearson /TiVo

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