Al Johnson
The career of soul singer, songwriter, producer, arranger, and keyboardist Al Johnson crosses six decades. It dates back to the '60s, when he cut a promo-only solo single for the South Camp label and, while attending Howard University in Washington, D.C., formed the group that became the Unifics. Discovered by Guy Draper and signed to Kapp, the Unifics' first two charting singles, "Court of Love" (arranged by Donny Hathaway) and "The Beginning of My End," hit Billboard's R&B chart in 1968 and peaked within the Top Ten. After the Unifics released an album and split, Johnson worked with Tata Vega, Special Delivery, Positive Change, and Deniece Williams, among others. He thrived during the tail-end of the '70s and the early '80s, a period that involved a pair of solo albums, Peaceful (1978) and Back for More (1980), along with a Top 30 R&B hit (a duet with Jean Carn, the title cut from the latter album), and contributions to Norman Connors' Take It to the Limit, highlighted by his work on a cover of Lou Courtney's "I Don't Need Nobody Else." Later in the '80s, the likes of Carn, the Whispers, and a handful of Prelude label sessions benefited from Johnson's involvement. During the 2000s, the Unifics reunited and recorded a second album. In 2013, Johnson died suddenly. Him or Me, a collection of previously unreleased material recorded with Derrick "Doc" Pearson, was released the following year.
© Andy Kellman /TiVo
Diskografie
10 Album, -en • Geordnet nach Bestseller
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Back for More
R&B - Erschienen bei Columbia - Legacy am 01.06.1980
16-Bit CD Quality 44.1 kHz - Stereo -
Peaceful (Digitally Remastered)
Soul - Erschienen bei Essential Media Group am 02.07.2013
16-Bit CD Quality 44.1 kHz - Stereo -
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The Morning After
Soul - Erschienen bei Luder Music am 08.01.2016
16-Bit CD Quality 44.1 kHz - Stereo -
Come Check out This Love
Soul - Erschienen bei Essential Media Group am 09.07.2013
16-Bit CD Quality 44.1 kHz - Stereo -
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Carnival Time Too
Soul - Erschienen bei 2791667 Records DK2 am 12.02.2021
16-Bit CD Quality 44.1 kHz - Stereo -
When You Were Sweet Sixteen
Blues - Erschienen bei Redwood Records am 21.03.2014
16-Bit CD Quality 44.1 kHz - Stereo -
It's Real
R&B - Erschienen bei CLOUT Recording Company am 12.07.2011
16-Bit CD Quality 44.1 kHz - Stereo -
Maybe the Fire Isn't Out
Verschiedenes - Erschienen bei Clout Entertainment am 09.09.2014
16-Bit CD Quality 44.1 kHz - Stereo