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Henry Mancini|Touch of Evil. Orginal Motion Picture Soundtrack

Touch of Evil. Orginal Motion Picture Soundtrack

Henry Mancini

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Fifty years passed between the release of Orson Welles' last Hollywood production Touch of Evil and this 2008 reissue of Henry Mancini's soundtrack to the classic noir film, and the age of the music is apparent in its foggy reproduction. The surface hiss and the fairly compressed audio are the first things one notices, and the flat monaural wall of sound on most of the tracks makes this seem like a direct transfer from tape with minimal enhancements. Still, this is a fairly clean remastering, and despite the occasionally boxy sound, the tracks are pretty boisterous and loud, so most of the instruments clearly come through. There is a pretty even distribution of '50s-era rock & roll, bossa nova, Latin jazz, boogie woogie, and blues styles in Mancini's score, and the sessions conducted by Joseph Gershenson have an authentic feeling for the time and are quite energetic and spontaneous for being studio recordings. Except for the opening bars and the last four tracks, there is little orchestral music in this soundtrack, and Mancini's use of low brass and percussion for ominous effect is sparing; the bulk of this album comes across as a vintage popular collection rather than as sinister mood music for one of the greatest B movies of all time.
© TiVo

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Touch of Evil. Orginal Motion Picture Soundtrack

Henry Mancini

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1
Main Title
00:03:31

Henry Mancini, Composer, MainArtist - Instrumental, Lyricist

1958 Fresh Sound Records

2
Borderline Montuna
00:02:04

Henry Mancini, Composer, MainArtist - Instrumental, Lyricist

1958 Fresh Sound Records

3
Strollin' Blues
00:02:41

Henry Mancini, Composer, MainArtist - Instrumental, Lyricist

1958 Fresh Sound Records

4
Orson Around
00:02:48

Henry Mancini, Composer, MainArtist - Instrumental, Lyricist

1958 Fresh Sound Records

5
Reflection
00:03:02

Henry Mancini, Composer, MainArtist - Instrumental, Lyricist

1958 Fresh Sound Records

6
Tana's Theme
00:02:27

Henry Mancini, Composer, MainArtist - Instrumental, Lyricist

1958 Fresh Sound Records

7
Flashing Nuisance
00:01:38

Henry Mancini, Composer, MainArtist - Instrumental, Lyricist

1958 Fresh Sound Records

8
Something for Susan
00:00:56

Henry Mancini, Composer, MainArtist - Instrumental, Lyricist

1958 Fresh Sound Records

9
The Boss
00:01:06

Henry Mancini, Composer, MainArtist - Instrumental, Lyricist

1958 Fresh Sound Records

10
Rock Me to Sleep
00:02:40

Henry Mancini, Composer, MainArtist - Instrumental, Lyricist

1958 Fresh Sound Records

11
The Big Drag
00:02:22

Henry Mancini, Composer, MainArtist - Instrumental, Lyricist

1958 Fresh Sound Records

12
Ku Ku
00:02:44

Henry Mancini, Composer, MainArtist - Instrumental, Lyricist

1958 Fresh Sound Records

13
Son of Raunchy
00:03:02

Henry Mancini, Composer, MainArtist - Instrumental, Lyricist

1958 Fresh Sound Records

14
Lease Breaker
00:02:46

Henry Mancini, Composer, MainArtist - Instrumental, Lyricist

1958 Fresh Sound Records

15
Background for Murder
00:07:18

Henry Mancini, Composer, MainArtist - Instrumental, Lyricist

1958 Fresh Sound Records

16
Barrom Rock
00:01:17

Henry Mancini, Composer, MainArtist - Instrumental, Lyricist

1958 Fresh Sound Records

17
Pigeon Caged
00:01:39

Henry Mancini, Composer, MainArtist - Instrumental, Lyricist

1958 Fresh Sound Records

18
Blue Pianola
00:03:11

Henry Mancini, Composer, MainArtist - Instrumental, Lyricist

1958 Fresh Sound Records

19
The Chase
00:00:58

Henry Mancini, Composer, MainArtist - Instrumental, Lyricist

1958 Fresh Sound Records

Albumbeschreibung

Fifty years passed between the release of Orson Welles' last Hollywood production Touch of Evil and this 2008 reissue of Henry Mancini's soundtrack to the classic noir film, and the age of the music is apparent in its foggy reproduction. The surface hiss and the fairly compressed audio are the first things one notices, and the flat monaural wall of sound on most of the tracks makes this seem like a direct transfer from tape with minimal enhancements. Still, this is a fairly clean remastering, and despite the occasionally boxy sound, the tracks are pretty boisterous and loud, so most of the instruments clearly come through. There is a pretty even distribution of '50s-era rock & roll, bossa nova, Latin jazz, boogie woogie, and blues styles in Mancini's score, and the sessions conducted by Joseph Gershenson have an authentic feeling for the time and are quite energetic and spontaneous for being studio recordings. Except for the opening bars and the last four tracks, there is little orchestral music in this soundtrack, and Mancini's use of low brass and percussion for ominous effect is sparing; the bulk of this album comes across as a vintage popular collection rather than as sinister mood music for one of the greatest B movies of all time.
© TiVo

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