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Judit Rajk|Stolen Time

Stolen Time

Judit Rajk

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Text in englischer Sprache verfügbar

This album features a small part of Judit Rajk’s rich repertoire, Hungarian compositions of the 20th and 21st centuries, starting with Zoltán Kodály’s folksong arrangements, through Barnabás Dukay’s large-scale monody, Zoltán Jeney’s brief, resigned lament, to the sensitive song on the death of children by Máté Balogh. Although the bases of the works in this recording differ, they share one point in common: they use a small slice of the past in a daring and unique manner, whether it is actually used or merely as an element of inspiration. The challenge for the performer is to decide how to enrich this “past”, this time of tradition, with her own tempo. © Hungaroton

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Stolen Time

Judit Rajk

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Funeral Rite (Zoltán Jeney)

1
My Adored Fallen to the Foot of the Crucifix
00:02:25

Zoltan Jeney, Composer - Judit Rajk, Artist, MainArtist

(C) 2020 Hungaroton (P) 2020 Hungaroton

Anna Mónár, K. 121 (Zoltán Kodály)

2
Anna Mónár, K. 121
00:08:37

Zoltan Kodály, Composer - Budapest Strings, Orchestra, MainArtist - Alessandro Cedrone, Conductor, MainArtist - Judit Rajk, Artist, MainArtist

(C) 2020 Hungaroton (P) 2020 Hungaroton

My Heart Hurts, K. 26 No. 4 (Arr. for Mixed Chamber Ensemble) (Zoltán Kodály)

3
My Heart Hurts, K. 26 No. 4 (Arr. for Mixed Chamber Ensemble)
00:07:13

Zoltan Kodály, Composer - Budapest Strings, Orchestra, MainArtist - Alessandro Cedrone, Conductor, MainArtist - Marcell Vamos, Artist, MainArtist - Horia Dumitrache, Artist, MainArtist - Judit Rajk, Artist, MainArtist - András Szalai, Artist, MainArtist - Oszkár Varga, Artist, MainArtist

(C) 2020 Hungaroton (P) 2020 Hungaroton

Kádár Kata, K. 127 (Zoltán Kodály)

4
Kádár Kata, K. 127
00:12:04

Zoltan Kodály, Composer - Budapest Strings, Orchestra, MainArtist - Alessandro Cedrone, Conductor, MainArtist - Judit Rajk, Artist, MainArtist

(C) 2020 Hungaroton (P) 2020 Hungaroton

When Your Mother (Balogh Máté)

5
When Your Mother
00:04:37

Maté Balogh, Composer - Horia Dumitrache, Artist, MainArtist - Judit Rajk, Artist, MainArtist

(C) 2020 Hungaroton (P) 2020 Hungaroton

Came a Bird Aflying, K. 154 No. 3 (Arr. P. Angerer for Voice & Orchestra) (Zoltán Kodály)

6
Came a Bird Aflying, K. 154 No. 3 (Arr. P. Angerer for Voice & Orchestra)
00:03:30

Zoltan Kodály, Composer - Budapest Strings, Orchestra, MainArtist - Alessandro Cedrone, Conductor, MainArtist - Judit Rajk, Artist, MainArtist

(C) 2020 Hungaroton (P) 2020 Hungaroton

The Cricket's Wedding (Arr. P. Angerer for Voice & Orchestra) (Zoltán Kodály)

7
The Cricket's Wedding (Arr. P. Angerer for Voice & Orchestra)
00:02:55

Zoltan Kodály, Composer - Budapest Strings, Orchestra, MainArtist - Alessandro Cedrone, Conductor, MainArtist - Judit Rajk, Artist, MainArtist

(C) 2020 Hungaroton (P) 2020 Hungaroton

In the Forest, K. 98 No. 7 (Arr. P. Angerer for Voice & Orchestra) (Zoltán Kodály)

8
In the Forest, K. 98 No. 7 (Arr. P. Angerer for Voice & Orchestra)
00:02:43

Zoltan Kodály, Composer - Budapest Strings, Orchestra, MainArtist - Alessandro Cedrone, Conductor, MainArtist - Judit Rajk, Artist, MainArtist

(C) 2020 Hungaroton (P) 2020 Hungaroton

Piper-Johnny (Arr. P. Angerer for Voice & Orchestra) (Zoltán Kodály)

9
Piper-Johnny (Arr. P. Angerer for Voice & Orchestra)
00:02:52

Zoltan Kodály, Composer - Budapest Strings, Orchestra, MainArtist - Alessandro Cedrone, Conductor, MainArtist - Judit Rajk, Artist, MainArtist

(C) 2020 Hungaroton (P) 2020 Hungaroton

Karşılıklı konuşma (Balogh Máté)

10
Karşılıklı konuşma
00:12:18

Maté Balogh, Composer, Artist, MainArtist - Horia Dumitrache, Artist, MainArtist - Judit Rajk, Artist, MainArtist - Oszkár Varga, Artist, MainArtist

(C) 2020 Hungaroton (P) 2020 Hungaroton

It's Mine and It's for Me (Barnabás Dukay)

11
It's Mine and It's for Me
00:10:05

Barnabás Dukay, Composer - Judit Rajk, Artist, MainArtist

(C) 2020 Hungaroton (P) 2020 Hungaroton

Albumbeschreibung

This album features a small part of Judit Rajk’s rich repertoire, Hungarian compositions of the 20th and 21st centuries, starting with Zoltán Kodály’s folksong arrangements, through Barnabás Dukay’s large-scale monody, Zoltán Jeney’s brief, resigned lament, to the sensitive song on the death of children by Máté Balogh. Although the bases of the works in this recording differ, they share one point in common: they use a small slice of the past in a daring and unique manner, whether it is actually used or merely as an element of inspiration. The challenge for the performer is to decide how to enrich this “past”, this time of tradition, with her own tempo. © Hungaroton

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