Prokofiev – The Decca Masters

Sir Adrian Boult, Jean Martinon, Eric Tuxen, Nikolai Malko

Erschienen am 06.03.20 bei Decca
Künstler: Sir Adrian Boult Jean Martinon Eric Tuxen Nikolai Malko
Genre: Symphonieorchester

Verfügbar in

16-Bit/44.1 kHz Stereo

Musik-Streaming

Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität

Testen Sie Qobuz kostenlos und hören Sie sich das Album an

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Abonnement abschließen

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Download

Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.

Text in englischer Sprache verfügbar

A kaleidoscopic collection of orchestral Prokofiev in the 1950s, as recorded by Decca engineers in London, Paris and Copenhagen, featuring both rarities and classics.
Once upon a time Peter and the Wolf was the best known of them, with six recordings to its credit in the days before LP. On this Kingsway Hall recording from 1949, the BBC announcer Frank Phillips told the story, with the experienced Prokofiev conductor Nikolai Malko making a rare appearance on Decca. Nowadays the Fifth Symphony is far more frequently heard in concert; this taut and thrilling 1952 account is the work of the Danish conductor Erik Tuxen, a legendary interpreter of Sibelius and his fellow countryman Nielsen.
Three years later in June 1955, Sir Adrian Boult made his first stereo recording, of the Love for Three Oranges Suite with the Paris Conservatoire Orchestra. This was originally issued in mono with the Lieutenant Kijé Suite played by the Philharmonia Orchestra because the latter recording was mono only – whereas the present reissue now presents Oranges in its stereo version. Boult’s dry wit points up the sardonic qualities of both suites.
Despite its title, Russian Overture from 1936 does not straightforwardly conform to principles of Soviet nationalism in music with its abrupt cuts from comic capers to sweeping Russian melody. Written like so much of Prokofiev’s music with tongue in cheek, it makes an apt companion on disc for his final symphony, the Seventh. These were recorded in November 1957 (and originally issued on the RCA ‘Living Stereo’ label) by the Paris Conservatoire Orchestra conducted by Jean Martinon, who had done much to promote the conductor’s music outside his Russian homeland. The Seventh is a deceptively simple work, imbued with a melancholy and nostalgia somewhat obscured by the ‘fake’ ending contrived to the symphony for it to win official approval (and which is played here). (© Decca Music Group Limited / Universal Music Australia Pty Ltd.)

Weitere Informationen

Prokofiev – The Decca Masters

Sir Adrian Boult

Sie hören derzeit Ausschnitte der Musik.

Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements

Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements

Ab 14.99 CHF/Monat

Peter and the Wolf, Op. 67 (Sergei Prokofiev)

Peter and the Wolf, Op. 67

Frank Phillips