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Ensemble Aedes|Poulenc: Stabat Mater, Litanies à la Vierge noire

Poulenc: Stabat Mater, Litanies à la Vierge noire

Ensemble Aedes, Les Siècles, Mathieu Romano, Marianne Croux, Louis-Noël Bestion de Camboulas

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The Stabat Mater of Francis Poulenc, completed in 1951, may be the latest work ever performed on historical instruments, but they do make a difference in this rendition by the instrumental group Les Siècles, with the vocal Ensemble Aedes (no mosquito repellent needed) under director Mathieu Romano. He forges a sharp, incisive vocal style to go with the penetrating sounds of the winds and brass in a sensitive performance that runs crosswise to rather than emphasizing the neo-Romantic sentimentality of this late Poulenc work. It makes a good pairing with the earlier Litanies à la Vierge noire, for both works were inspired by the figure of the Black Madonna of Rocamadour, and both involved the composer's responses to the deaths of friends. The Litanies are less commonly heard, and they are performed here in their original version for a three-part female choir and organ. It is a transparent piece with stark dissonances, and it makes a stronger impression than the later orchestral version. In between is a chanson by Clément Janequin, which is claimed by Romano to show "the same mastery of the art of choral composition and of harmony, and the same 'apparent simplicity' favouring the expression of pure emotion." With the album clocking in at just over 41 minutes, the inclusion of a few more works by Janequin or another Renaissance composer might have allowed a fuller evaluation of this idea, but the performances, as usual with these groups, are compelling, and they are augmented by the rich sounds of soprano soloist Marianne Croux and of the Cavaillé-Coll organ played by Louis-Noël Bestion de Camboulas in the Litanies. There is much here to attract Poulenc lovers.

© James Manheim /TiVo

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Poulenc: Stabat Mater, Litanies à la Vierge noire

Ensemble Aedes

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1
Litanies à la Vierge noire, FP 82
Ensemble Aedes
00:08:30

Francis Poulenc, Composer - Mathieu Romano, Conductor, MainArtist - Ensemble Aedes, MainArtist, MusicalEnsemble - Louis-Noël Bestion de Camboulas, Organ, MainArtist

2023 Aparté, a label of Little Tribeca 2023 Little Tribeca · Ensemble Aedes

2
O doulx regard, o parler gratieux
Ensemble Aedes
00:03:02

Clément Janequin, Composer - Mathieu Romano, Conductor, MainArtist - Ensemble Aedes, MainArtist, MusicalEnsemble

2023 Aparté, a label of Little Tribeca 2023 Little Tribeca · Ensemble Aedes

3
Stabat Mater, FP 148: I. Stabat Mater dolorosa
Ensemble Aedes
00:03:40

Francis Poulenc, Composer - Les Siècles, Orchestra, MainArtist - Mathieu Romano, Conductor, MainArtist - Ensemble Aedes, MainArtist, MusicalEnsemble

2023 Aparté, a label of Little Tribeca 2023 Little Tribeca · Ensemble Aedes

4
Stabat Mater, FP 148: II. Cujus animam gementem
Ensemble Aedes
00:01:05

Francis Poulenc, Composer - Les Siècles, Orchestra, MainArtist - Mathieu Romano, Conductor, MainArtist - Ensemble Aedes, MainArtist, MusicalEnsemble

2023 Aparté, a label of Little Tribeca 2023 Little Tribeca · Ensemble Aedes

5
Stabat Mater, FP 148: III. O quam tristis
Ensemble Aedes
00:02:49

Francis Poulenc, Composer - Les Siècles, Orchestra, MainArtist - Mathieu Romano, Conductor, MainArtist - Ensemble Aedes, MainArtist, MusicalEnsemble

2023 Aparté, a label of Little Tribeca 2023 Little Tribeca · Ensemble Aedes

6
Stabat Mater, FP 148: IV. Quae moerebat
Ensemble Aedes
00:01:31

Francis Poulenc, Composer - Les Siècles, Orchestra, MainArtist - Mathieu Romano, Conductor, MainArtist - Ensemble Aedes, MainArtist, MusicalEnsemble

2023 Aparté, a label of Little Tribeca 2023 Little Tribeca · Ensemble Aedes

7
Stabat Mater, FP 148: V. Quis est homo
Ensemble Aedes
00:01:26

Francis Poulenc, Composer - Les Siècles, Orchestra, MainArtist - Mathieu Romano, Conductor, MainArtist - Ensemble Aedes, MainArtist, MusicalEnsemble

2023 Aparté, a label of Little Tribeca 2023 Little Tribeca · Ensemble Aedes

8
Stabat Mater, FP 148: VI. Vidit suum
Marianne Croux
00:03:13

Francis Poulenc, Composer - Les Siècles, Orchestra, MainArtist - Ensemble Aedes, MainArtist, MusicalEnsemble - Marianne Croux, MainArtist, SopranoSolo

2023 Aparté, a label of Little Tribeca 2023 Little Tribeca · Ensemble Aedes

9
Stabat Mater, FP 148: VII. Eja mater
Ensemble Aedes
00:01:07

Francis Poulenc, Composer - Les Siècles, Orchestra, MainArtist - Mathieu Romano, Conductor, MainArtist - Ensemble Aedes, MainArtist, MusicalEnsemble

2023 Aparté, a label of Little Tribeca 2023 Little Tribeca · Ensemble Aedes

10
Stabat Mater, FP 148: VIII. Fac ut ardeat
Ensemble Aedes
00:02:22

Francis Poulenc, Composer - Les Siècles, Orchestra, MainArtist - Mathieu Romano, Conductor, MainArtist - Ensemble Aedes, MainArtist, MusicalEnsemble

2023 Aparté, a label of Little Tribeca 2023 Little Tribeca · Ensemble Aedes

11
Stabat Mater, FP 148: IX. Sancta mater
Ensemble Aedes
00:02:55

Francis Poulenc, Composer - Les Siècles, Orchestra, MainArtist - Mathieu Romano, Conductor, MainArtist - Ensemble Aedes, MainArtist, MusicalEnsemble

2023 Aparté, a label of Little Tribeca 2023 Little Tribeca · Ensemble Aedes

12
Stabat Mater, FP 148: X. Fac ut portem
Marianne Croux
00:03:29

Francis Poulenc, Composer - Les Siècles, Orchestra, MainArtist - Ensemble Aedes, MainArtist, MusicalEnsemble - Marianne Croux, MainArtist, SopranoSolo

2023 Aparté, a label of Little Tribeca 2023 Little Tribeca · Ensemble Aedes

13
Stabat Mater, FP 148: XI. Inflammatus et accensus
Ensemble Aedes
00:02:03

Francis Poulenc, Composer - Les Siècles, Orchestra, MainArtist - Mathieu Romano, Conductor, MainArtist - Ensemble Aedes, MainArtist, MusicalEnsemble

2023 Aparté, a label of Little Tribeca 2023 Little Tribeca · Ensemble Aedes

14
Stabat Mater, FP 148: XII. Quando corpus
Marianne Croux
00:04:05

Francis Poulenc, Composer - Les Siècles, Orchestra, MainArtist - Ensemble Aedes, MainArtist, MusicalEnsemble - Marianne Croux, MainArtist, SopranoSolo

2023 Aparté, a label of Little Tribeca 2023 Little Tribeca · Ensemble Aedes

Albumbeschreibung

The Stabat Mater of Francis Poulenc, completed in 1951, may be the latest work ever performed on historical instruments, but they do make a difference in this rendition by the instrumental group Les Siècles, with the vocal Ensemble Aedes (no mosquito repellent needed) under director Mathieu Romano. He forges a sharp, incisive vocal style to go with the penetrating sounds of the winds and brass in a sensitive performance that runs crosswise to rather than emphasizing the neo-Romantic sentimentality of this late Poulenc work. It makes a good pairing with the earlier Litanies à la Vierge noire, for both works were inspired by the figure of the Black Madonna of Rocamadour, and both involved the composer's responses to the deaths of friends. The Litanies are less commonly heard, and they are performed here in their original version for a three-part female choir and organ. It is a transparent piece with stark dissonances, and it makes a stronger impression than the later orchestral version. In between is a chanson by Clément Janequin, which is claimed by Romano to show "the same mastery of the art of choral composition and of harmony, and the same 'apparent simplicity' favouring the expression of pure emotion." With the album clocking in at just over 41 minutes, the inclusion of a few more works by Janequin or another Renaissance composer might have allowed a fuller evaluation of this idea, but the performances, as usual with these groups, are compelling, and they are augmented by the rich sounds of soprano soloist Marianne Croux and of the Cavaillé-Coll organ played by Louis-Noël Bestion de Camboulas in the Litanies. There is much here to attract Poulenc lovers.

© James Manheim /TiVo

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