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Fabio Bonizzoni|Geminiani : Pièces de clavecin, H. 200-213

Geminiani : Pièces de clavecin, H. 200-213

Fabio Bonizzoni

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Text in englischer Sprache verfügbar

« While Geminiani’s fame as a violinist and composer remains undimmed‚ his fame as a guitarist is almost forgotten‚ and his reputation as a harpsichordist has rested on his didactic works though‚ as this recording indicates‚ he must have been a very accomplished performer. His lack of interest in opera and melodrama in a country where these were keys to fame and fortune may have led him to emigrate to London in 1714. There he had considerable success in the concert halls. It was his intellectual drive‚ rather than his performing fingers‚ that prompted him to rework some of his Sonatas Op 4 for violin and thoroughbass as the Pièces de Clavecin (1743). The predominant influence is announced in the French­language titles and emphasised by the warm sound of Fabio Bonizzoni’s Pascal Taskin instrument of 1788. […] Bonizzoni’s sure­fingered and stylish performances and superb recording make this a rewarding issue.» (Gramophone)

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Geminiani : Pièces de clavecin, H. 200-213

Fabio Bonizzoni

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Pièces de clavecin (Francesco Geminiani)

1
No. 1, Prélude. Lentement, H. 200
00:03:45

Fabio Bonizzoni, harpsichord (Pascal Taskin, Paris, 1788) - Francesco Geminiani, Composer

(C) 2020 Glossa (P) 2020 Glossa

2
No. 2, Gayment, H. 201
00:04:10

Fabio Bonizzoni, harpsichord (Pascal Taskin, Paris, 1788) - Francesco Geminiani, Composer

(C) 2020 Glossa (P) 2020 Glossa

3
No. 3, Vivement, H. 202
00:02:29

Fabio Bonizzoni, harpsichord (Pascal Taskin, Paris, 1788) - Francesco Geminiani, Composer

(C) 2020 Glossa (P) 2020 Glossa

4
No. 4, Tendrement, H. 203
00:05:32

Fabio Bonizzoni, harpsichord (Pascal Taskin, Paris, 1788) - Francesco Geminiani, Composer

(C) 2020 Glossa (P) 2020 Glossa

5
No. 5, Vivement, H. 204
00:03:53

Fabio Bonizzoni, harpsichord (Pascal Taskin, Paris, 1788) - Francesco Geminiani, Composer

(C) 2020 Glossa (P) 2020 Glossa

6
No. 6, Gracieusement, H. 205 - No. 7, Tendrement, H. 206
00:05:22

Fabio Bonizzoni, harpsichord (Pascal Taskin, Paris, 1788) - Francesco Geminiani, Composer

(C) 2020 Glossa (P) 2020 Glossa

7
No. 8, Amoureusement, H. 207
00:05:38

Fabio Bonizzoni, harpsichord (Pascal Taskin, Paris, 1788) - Francesco Geminiani, Composer

(C) 2020 Glossa (P) 2020 Glossa

8
No. 9, Vivement, H. 208
00:02:10

Fabio Bonizzoni, harpsichord (Pascal Taskin, Paris, 1788) - Francesco Geminiani, Composer

(C) 2020 Glossa (P) 2020 Glossa

9
No. 10, Moderement, H. 209
00:05:31

Fabio Bonizzoni, harpsichord (Pascal Taskin, Paris, 1788) - Francesco Geminiani, Composer

(C) 2020 Glossa (P) 2020 Glossa

10
No. 11, Tendrement, H. 210
00:03:50

Fabio Bonizzoni, harpsichord (Pascal Taskin, Paris, 1788) - Francesco Geminiani, Composer

(C) 2020 Glossa (P) 2020 Glossa

11
No. 12, Vivement, H. 211
00:02:54

Fabio Bonizzoni, harpsichord (Pascal Taskin, Paris, 1788) - Francesco Geminiani, Composer

(C) 2020 Glossa (P) 2020 Glossa

12
No. 13, Minuet, H. 212
00:08:12

Fabio Bonizzoni, harpsichord (Pascal Taskin, Paris, 1788) - Francesco Geminiani, Composer

(C) 2020 Glossa (P) 2020 Glossa

13
No. 14, Minuet, H. 213
00:08:21

Fabio Bonizzoni, harpsichord (Pascal Taskin, Paris, 1788) - Francesco Geminiani, Composer

(C) 2020 Glossa (P) 2020 Glossa

Albumbeschreibung

« While Geminiani’s fame as a violinist and composer remains undimmed‚ his fame as a guitarist is almost forgotten‚ and his reputation as a harpsichordist has rested on his didactic works though‚ as this recording indicates‚ he must have been a very accomplished performer. His lack of interest in opera and melodrama in a country where these were keys to fame and fortune may have led him to emigrate to London in 1714. There he had considerable success in the concert halls. It was his intellectual drive‚ rather than his performing fingers‚ that prompted him to rework some of his Sonatas Op 4 for violin and thoroughbass as the Pièces de Clavecin (1743). The predominant influence is announced in the French­language titles and emphasised by the warm sound of Fabio Bonizzoni’s Pascal Taskin instrument of 1788. […] Bonizzoni’s sure­fingered and stylish performances and superb recording make this a rewarding issue.» (Gramophone)

Informationen zur Originalaufnahme : Recorded at the Castello Sforzesco, Milano, Italy, in November 2000. Released in Spain in 2001, and February/March 2002. Reissued in July 2020

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(C) 2020 Glossa (P) 2020 Glossa

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