Kategorie:
Warenkorb 0

Ihr Warenkorb ist leer

Diana Ross - Everything Is Everything

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

Everything Is Everything

Diana Ross

Verfügbar in
16-Bit CD Quality 44.1 kHz - Stereo

Musik-Streaming

Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität

Testen Sie Qobuz kostenlos und hören Sie sich das Album an

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Abonnement abschließen

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Download

Wählen Sie die Audio-Qualität

Um das Album zu diesem Preis zu kaufen, abonnieren Sie Sublime+

Text in englischer Sprache verfügbar

Fresh from her career-defining role in the Supremes, Motown issued Diana Ross' Everything Is Everything in 1970, within months of her self-titled solo debut of earlier the same year. This time, veteran Motown multitasker Deke Richards was brought in with hopes of equaling the unqualified success that the staff team of Nickolas Ashford and Valerie Simpson had with Diana Ross -- particularly the songs "Reach Out and Touch (Somebody's Hand)" and "Ain't No Mountain High Enough." Rather than drawing exclusively from their stable of in-house writers, Richards split the duties between himself and a variety of Hitsville U.S.A. stalwarts -- including Berry Gordy and Marvin Gaye -- as well as significant outside input from the likes of John Lennon-Paul McCartney, Burt Bacharach-Hal David, and fellow Motor City soul stirrer Aretha Franklin. The upbeat opener, "My Place," swings steadily behind the frisky rhythm section -- replete with Jack Ashford's signature timekeeping on tambourine. Sprightly strings underscore Ross' similarly agile and inviting lead vocals. In deference to the pink glamour shot adorning the front, Ross reveals an earthier image on the funky "Ain't No Sad Song." It is a perfect example of producer Hal Davis' ability to capture the essence of the singer's sensuality, a feat he repeated to even greater effect a few years later on his production of the R&B/pop crossover chart-topper "Love Hangover." The infectiously cheery "Everything Is Everything" has the slightly quirky feel of a Laura Nyro composition, although it was actually written by a female friend of Berry Gordy. The Marvin Gaye-Anna Gaye co-penned "Baby It's Love" is one of several outstanding deep cuts flawlessly blending the unmistakably vintage Motown sound with a comparatively modern arrangement. The Beatles remakes show contrasting sides to Ross' talents: "Come Together" pulls no punches with an extended brassy and sassy reading, directly contrasted by the empathetic and heartfelt take of "The Long and Winding Road." Ross and Richards' sultry collaboration on Aretha Franklin's "I Love You (Call Me)" make for the finest contribution here from either participant. Although Everything Is Everything failed to exceed -- or even meet -- the chart achievements of its long-playing predecessor, many enthusiasts consider it to be a worthy companion.
© Lindsay Planer /TiVo

Weitere Informationen

Everything Is Everything

Diana Ross

launch qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS bereits heruntergeladen Öffnen

download qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen Downloaden Sie die Qobuz App

Kopieren Sie den folgenden Link, um das Album zu teilen

Sie hören derzeit Ausschnitte der Musik.

Hören Sie mehr als 60 Millionen Titel mit unseren Streaming-Abonnements

Hören Sie dieses Album und mehr als 60 Millionen weitere Titel im Rahmen Ihres Streaming-Abonnements mit unseren Apps.

1
My Place
00:02:45

Deke Richards, Producer - Diana Ross, MainArtist - Hal Davis, Producer, ComposerLyricist - JERRY MARCELLINO, ComposerLyricist - Mel Larson, ComposerLyricist

A Motown Records Release; ℗ 1970 UMG Recordings, Inc.

2
Ain't No Sad Song
00:02:40

Deke Richards, Producer - Diana Ross, MainArtist - Hal Davis, Producer, ComposerLyricist - Chico Ross, ComposerLyricist - The Bear, ComposerLyricist

A Motown Records Release; ℗ 1970 UMG Recordings, Inc.

3
Everything Is Everything
00:02:26

Deke Richards, Producer - Diana Ross, MainArtist - Hal Davis, Producer - Margaret Gordy, ComposerLyricist

A Motown Records Release; ℗ 1970 UMG Recordings, Inc.

4
Baby It's Love
00:03:10

Anna Gordy Gaye, ComposerLyricist - Deke Richards, Producer - Marvin Gaye, ComposerLyricist - Diana Ross, MainArtist - Hal Davis, Producer - Charles Laskey, ComposerLyricist

A Motown Records Release; ℗ 1970 UMG Recordings, Inc.

5
I'm Still Waiting
00:03:45

Deke Richards, Producer, ComposerLyricist - Diana Ross, Vocals, MainArtist, AssociatedPerformer

A Motown Records Release; ℗ 1970 UMG Recordings, Inc.

6
DoobeDood'nDoobe, DoobeDood'nDoobe, DoobeDood'nDoo
00:04:51

Deke Richards, Producer, ComposerLyricist - Diana Ross, MainArtist - Hal Davis, Producer

A Motown Records Release; ℗ 1970 UMG Recordings, Inc.

7
Come Together
00:05:35

Deke Richards, Producer - John Lennon, ComposerLyricist - Paul Mccartney, ComposerLyricist - Diana Ross, MainArtist - Hal Davis, Producer

; ℗ 1970 Motown Records, a Division of UMG Recordings, Inc.

8
The Long And Winding Road
00:03:25

Deke Richards, Producer - John Lennon, ComposerLyricist - Paul Mccartney, ComposerLyricist - Diana Ross, MainArtist - Hal Davis, Producer

; ℗ 1970 Motown Records, a Division of UMG Recordings, Inc.

9
I Love You (Call Me)
00:03:23

Deke Richards, Producer - Aretha Franklin, ComposerLyricist - Diana Ross, MainArtist - Hal Davis, Producer

A Motown Records Release; ℗ 1970 UMG Recordings, Inc.

10
How About You
00:02:47

Deke Richards, Producer, ComposerLyricist - Diana Ross, MainArtist - Hal Davis, Producer - Sandra Sanders, ComposerLyricist - David Joseph Van De Pitte, ComposerLyricist

A Motown Records Release; ℗ 1970 UMG Recordings, Inc.

11
(They Long To Be) Close To You Extended Version
00:04:01

Deke Richards, Producer - Burt Bacharach, ComposerLyricist - Hal David, ComposerLyricist - Diana Ross, MainArtist - Hal Davis, Producer

; ℗ 1970 Motown Records, a Division of UMG Recordings, Inc.

Albumbeschreibung

Fresh from her career-defining role in the Supremes, Motown issued Diana Ross' Everything Is Everything in 1970, within months of her self-titled solo debut of earlier the same year. This time, veteran Motown multitasker Deke Richards was brought in with hopes of equaling the unqualified success that the staff team of Nickolas Ashford and Valerie Simpson had with Diana Ross -- particularly the songs "Reach Out and Touch (Somebody's Hand)" and "Ain't No Mountain High Enough." Rather than drawing exclusively from their stable of in-house writers, Richards split the duties between himself and a variety of Hitsville U.S.A. stalwarts -- including Berry Gordy and Marvin Gaye -- as well as significant outside input from the likes of John Lennon-Paul McCartney, Burt Bacharach-Hal David, and fellow Motor City soul stirrer Aretha Franklin. The upbeat opener, "My Place," swings steadily behind the frisky rhythm section -- replete with Jack Ashford's signature timekeeping on tambourine. Sprightly strings underscore Ross' similarly agile and inviting lead vocals. In deference to the pink glamour shot adorning the front, Ross reveals an earthier image on the funky "Ain't No Sad Song." It is a perfect example of producer Hal Davis' ability to capture the essence of the singer's sensuality, a feat he repeated to even greater effect a few years later on his production of the R&B/pop crossover chart-topper "Love Hangover." The infectiously cheery "Everything Is Everything" has the slightly quirky feel of a Laura Nyro composition, although it was actually written by a female friend of Berry Gordy. The Marvin Gaye-Anna Gaye co-penned "Baby It's Love" is one of several outstanding deep cuts flawlessly blending the unmistakably vintage Motown sound with a comparatively modern arrangement. The Beatles remakes show contrasting sides to Ross' talents: "Come Together" pulls no punches with an extended brassy and sassy reading, directly contrasted by the empathetic and heartfelt take of "The Long and Winding Road." Ross and Richards' sultry collaboration on Aretha Franklin's "I Love You (Call Me)" make for the finest contribution here from either participant. Although Everything Is Everything failed to exceed -- or even meet -- the chart achievements of its long-playing predecessor, many enthusiasts consider it to be a worthy companion.
© Lindsay Planer /TiVo

Informationen zu dem Album

Verbessern Sie diese Seite

Qobuz logo Warum Musik bei Qobuz kaufen?

Aktuelle Sonderangebote...
Mehr auf Qobuz
Von Diana Ross

Playlists

Das könnte Ihnen auch gefallen...
Point Yello
Thanks for the Dance Leonard Cohen
Meryem Meryem Aboulouafa
Panorama-Artikel...
Neo-Soul in 10 Alben

Mitte der 90er Jahre, als der Hip-Hop sein goldenes Zeitalter erlebte, begann auch der Soul seine Revolution. Mit Erykah Badu, D'Angelo, Jill Scott und einigen anderen gewinnt das Genre die Klasse, Nüchternheit und Raffinesse zurück, die die Alben von Marvin Gaye, Curtis Mayfield oder Roberta Flack belebt haben. Nach den Jahren der ultrakommerziellen sirupartigen R&B-Herrschaft belebt der Neo-Soul (oder auch Nu-Soul), der viel mehr Underground war, die Flamme des ursprünglichen Soul, in seinen Arrangements wie in seinen Texten. Eine kleine aber sehr einflussreiche Bewegung.

Britpop in 10 Alben

“Wenn das Ziel des Punk war, die Hippies loszuwerden, dann ist unseres, dem Grunge ein Ende zu bereiten.” Als Damon Albarn mit diesem Satz 1993 ganz England einen kräftigen Schlag versetzt, nimmt es wieder seinen Platz auf dem musikalischen Spielfeld ein, das von Seattle mit dem Grunge und Nirvana besetzt war. Der britische Pop, der eng mit dem politischen Geschehen verbunden ist, entdeckt das Tageslicht genau zu der Zeit, als Tony Blair und seine New Labour Party die Bühne betreten. Die englische Romantik wird gegenüber der amerikanischen wieder attraktiv, da diese häufig als zu hohl bezeichnet wird. Bühne frei für “Cool Britannia”.

Motown, der Sound des jungen Amerika

Das von Berry Gordy gegründete Label feiert bald seinen 60. Geburtstag und ist nach wie vor für Pop und Soul die Referenz schlechthin. Eine Hitfabrik mit Arbeitern wie Diana Ross, Marvin Gaye, Smokey Robinson, Stevie Wonder, Michael Jackson, Rick James oder den Temptations…

Aktuelles...