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The Temptations|Cloud Nine

Cloud Nine

The Temptations

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Best known for their silky soul vocals and smooth-stepping routines, the Temptations were firmly entrenched as the undisputed kings of Barry Gordy's Motown stable when cutting-edge producer Norman Whitfield walked into the studio and announced that it was time to shake things up. The resulting freakout became the first half of the stellar Cloud Nine, an album that would become one of the defining early funk sets, with songs that not only took Motown in a new direction, but helped to shape a genre as well. On one side and across three jams, Whitfield and the Temptations would give '70s-era funk musicians a broad palette from which to draw inspiration. The title track, with its funky soul bordering on psychedelic frenzy, was an audacious album opener, and surely gave older fans a moment's pause. Only two more songs rounded out side one: an incredibly fresh take on "I Heard It Through the Grapevine," which jazzed up the vocals, brought compelling percussion to the fore, and relegated the piano well into the wings, and "Run Away Child, Running Wild," an extravagant nine-minute groove where the sonics easily surpassed the vocals. After shaking up the record-buying public with these three masterpieces, the Temptations brought things back to form for side two. Here, their gorgeous vocals dominated slick arrangements across seven tracks which included "Hey Girl" and the masterful "I Need Your Lovin'." Funk continued to percolate -- albeit subtly -- but compared to side one, it was Temptations business as usual. It was this return to the classic sound, however, which ultimately gave Cloud Nine its odd dynamic. The dichotomy of form between old and new between sides doesn't allow for a continuous gel. But the brash experimentation away from traditional Motown on the three seminal tracks which open the disc shattered the doorway between past and present as surely as the decade itself imploded and smooth soul gave way to blistering funk.

© Amy Hanson /TiVo

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Cloud Nine

The Temptations

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1
Cloud Nine (Album Version)
00:03:31

The Temptations, MainArtist - Barrett Strong, ComposerLyricist - Norman Whitfield, Producer, ComposerLyricist

℗ 1968 Motown Records, a Division of UMG Recordings, Inc.

2
I Heard It Through The Grapevine (Album Version)
00:03:03

The Temptations, MainArtist - Barrett Strong, ComposerLyricist - Norman Whitfield, Producer, ComposerLyricist

℗ 1968 Motown Records, a Division of UMG Recordings, Inc.

3
Runaway Child, Running Wild (Album Version)
00:09:35

The Temptations, MainArtist - Barrett Strong, ComposerLyricist - Norman Whitfield, Producer, ComposerLyricist

℗ 1968 Motown Records, a Division of UMG Recordings, Inc.

4
Love Is A Hurtin' Thing (Album Version)
00:02:29

Ben Raleigh, ComposerLyricist - The Temptations, MainArtist - Norman Whitfield, Producer - David Linden, ComposerLyricist

℗ 1968 Motown Records, a Division of UMG Recordings, Inc.

5
Hey Girl (Album Version)
00:02:40

Carole King, ComposerLyricist - Gerry Goffin, ComposerLyricist - The Temptations, MainArtist - Norman Whitfield, Producer

℗ 1968 Motown Records, a Division of UMG Recordings, Inc.

6
Why Did She Have To Leave Me (Why Did She Have To Go) (Album Version)
00:02:58

The Temptations, MainArtist - Barrett Strong, ComposerLyricist - Norman Whitfield, Producer, ComposerLyricist

℗ 1968 Motown Records, a Division of UMG Recordings, Inc.

7
I Need Your Lovin' (Album Version)
00:02:39

The Temptations, MainArtist - Barrett Strong, ComposerLyricist - Norman Whitfield, Producer, ComposerLyricist

℗ 1968 Motown Records, a Division of UMG Recordings, Inc.

8
Don't Let Him Take Your Love From Me (Album Version)
00:02:31

The Temptations, MainArtist - Barrett Strong, ComposerLyricist - Norman Whitfield, Producer, ComposerLyricist

℗ 1968 Motown Records, a Division of UMG Recordings, Inc.

9
I Gotta Find A Way (To Get You Back) (Album Version)
00:03:00

The Temptations, MainArtist - Eddie Holland, ComposerLyricist - Eddie Kendricks, ComposerLyricist - Norman Whitfield, Producer, ComposerLyricist - Cornelius Grant, ComposerLyricist

℗ 1968 Motown Records, a Division of UMG Recordings, Inc.

10
Gonna Keep On Tryin' Till I Win Your Love (Album Version)
00:02:31

The Temptations, MainArtist - Barrett Strong, ComposerLyricist - Norman Whitfield, Producer, ComposerLyricist

℗ 1968 Motown Records, a Division of UMG Recordings, Inc.

Albumbeschreibung

Best known for their silky soul vocals and smooth-stepping routines, the Temptations were firmly entrenched as the undisputed kings of Barry Gordy's Motown stable when cutting-edge producer Norman Whitfield walked into the studio and announced that it was time to shake things up. The resulting freakout became the first half of the stellar Cloud Nine, an album that would become one of the defining early funk sets, with songs that not only took Motown in a new direction, but helped to shape a genre as well. On one side and across three jams, Whitfield and the Temptations would give '70s-era funk musicians a broad palette from which to draw inspiration. The title track, with its funky soul bordering on psychedelic frenzy, was an audacious album opener, and surely gave older fans a moment's pause. Only two more songs rounded out side one: an incredibly fresh take on "I Heard It Through the Grapevine," which jazzed up the vocals, brought compelling percussion to the fore, and relegated the piano well into the wings, and "Run Away Child, Running Wild," an extravagant nine-minute groove where the sonics easily surpassed the vocals. After shaking up the record-buying public with these three masterpieces, the Temptations brought things back to form for side two. Here, their gorgeous vocals dominated slick arrangements across seven tracks which included "Hey Girl" and the masterful "I Need Your Lovin'." Funk continued to percolate -- albeit subtly -- but compared to side one, it was Temptations business as usual. It was this return to the classic sound, however, which ultimately gave Cloud Nine its odd dynamic. The dichotomy of form between old and new between sides doesn't allow for a continuous gel. But the brash experimentation away from traditional Motown on the three seminal tracks which open the disc shattered the doorway between past and present as surely as the decade itself imploded and smooth soul gave way to blistering funk.

© Amy Hanson /TiVo

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