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Teodor Currentzis|Chostakovitch : Symphonie n°14

Chostakovitch : Symphonie n°14

Korpacheva, Migunov, MusicAeterna, Currentzis

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Shostakovich wrote his Fourteenth Symphony, one of his most relentlessly dark-hued works, in 1969 at a point when he felt he had essentially wasted his life and was "a dull and mediocre" composer. The symphony, scored for soprano, bass, strings, and percussion, is a devastating reflection of his bleak and hopeless state of mind. The texts he uses for its 11 movements dwell largely on either the dreaded finality of death or the misery of life, which is little better than death. Shostakovich seems indifferent to making the work symphonic in any conventional sense, and fully embraces the formal eccentricity that its grim texts dictate. Its effect is that of an orchestral song cycle, with some movements lasting as long as 10 minutes and others (the abrupt finale) as short as a minute. The performance is the second release on the Alpha label featuring Greek conductor Teodor Currentzis leading Musica Aeterna, the chamber orchestra of the Opera of Novosibirsk, Siberia, the first being an astonishing, revelatory 2008 performance of Purcell's Dido and Aeneas. This recording demonstrates that the earlier disc was no fluke, that these are performers with a distinctive point of view, and the passion and finesse to effectively put it across. The symphony here frequently sounds like chamber music and has an intimacy that makes its depictions of grief, depression, and bitter irony especially poignant and personal. The soloists, soprano Julia Korpacheva and Petr Migunov are fully expressive, but their performances are understated rather than grandly dramatic, as is appropriate, making the moments when they do cut loose -- Korpacheva in the sixth movement and Migunov in the eighth -- all the more effective. Their voices are full and pure but not especially large, and they make a good fit with Currentzis' understated and supple reading. This dark symphony is not the kind of piece that tends to inspire warm affection, but its emotional and musical honesty make it a work that can draw listeners back again and again, and this is a performance that bears close and repeated attention. Alpha's sound is clean, present, and atmospheric.

© TiVo

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Chostakovitch : Symphonie n°14

Teodor Currentzis

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Symphony No. 14 in G Minor, Op. 135 (Dimitri Chostakovitch)

1
I. De profundis
MusicAeterna
00:05:15

Petr Migunov, Baritone - MusicAeterna - Teodor Currentzis, Conductor - Dmitri Shostakovich, Composer - Federico Garcia Lorca, Lyrics

2010 Alpha 2009 Alpha

2
II. Malagueña
MusicAeterna
00:02:39

Julia Korpacheva, Soprano - MusicAeterna - Teodor Currentzis, Conductor - Dmitri Shostakovich, Composer - Federico Garcia Lorca, Lyrics

2010 Alpha 2009 Alpha

3
III. La Loreley
MusicAeterna
00:08:34

Julia Korpacheva, Soprano - Petr Migunov, Baritone - MusicAeterna - Teodor Currentzis, Conductor - Dmitri Shostakovich, Composer - Guillaume Apollinaire, Lyrics

2010 Alpha 2009 Alpha

4
IV. Le suicidé
MusicAeterna
00:07:56

Julia Korpacheva, Soprano - MusicAeterna - Teodor Currentzis, Conductor - Dmitri Shostakovich, Composer - Guillaume Apollinaire, Lyrics

2010 Alpha 2009 Alpha

5
V. Les Attentives I
MusicAeterna
00:03:09

Julia Korpacheva, Soprano - MusicAeterna - Teodor Currentzis, Conductor - Dmitri Shostakovich, Composer - Guillaume Apollinaire, Lyrics

2010 Alpha 2009 Alpha

6
VI. Les Attentives II
MusicAeterna
00:02:08

Julia Korpacheva, Soprano - Petr Migunov, Baritone - MusicAeterna - Teodor Currentzis, Conductor - Dmitri Shostakovich, Composer - Guillaume Apollinaire, Lyrics

2010 Alpha 2009 Alpha

7
VII. À la Santé
MusicAeterna
00:09:22

Petr Migunov, Baritone - MusicAeterna - Teodor Currentzis, Conductor - Dmitri Shostakovich, Composer - Guillaume Apollinaire, Lyrics

2010 Alpha 2009 Alpha

8
VIII. Réponse des Cosaques zaporogues au Sultan de Constantinople
MusicAeterna
00:01:55

Petr Migunov, Baritone - MusicAeterna - Teodor Currentzis, Conductor - Dmitri Shostakovich, Composer - Guillaume Apollinaire, Lyrics

2010 Alpha 2009 Alpha

9
IX. O Del'vig, Del'vig
MusicAeterna
00:04:46

Julia Korpacheva, Soprano - Petr Migunov, Baritone - MusicAeterna - Teodor Currentzis, Conductor - Dmitri Shostakovich, Composer - Wilhelm Kückelbecker, Lyrics

2010 Alpha 2009 Alpha

10
X. Der Tod des Dichters
MusicAeterna
00:05:17

Julia Korpacheva, Soprano - MusicAeterna - Teodor Currentzis, Conductor - Dmitri Shostakovich, Composer - Rainer Maria Rilke, Lyrics

2010 Alpha 2009 Alpha

11
XI. Schlußstück
MusicAeterna
00:01:13

Duo Julia Korpacheva, Soprano & Petr Migunov, Baritone - MusicAeterna - Teodor Currentzis, Conductor - Dmitri Shostakovich, Composer - Rainer Maria Rilke, Lyrics

2010 Alpha 2009 Alpha

Albumbeschreibung

Shostakovich wrote his Fourteenth Symphony, one of his most relentlessly dark-hued works, in 1969 at a point when he felt he had essentially wasted his life and was "a dull and mediocre" composer. The symphony, scored for soprano, bass, strings, and percussion, is a devastating reflection of his bleak and hopeless state of mind. The texts he uses for its 11 movements dwell largely on either the dreaded finality of death or the misery of life, which is little better than death. Shostakovich seems indifferent to making the work symphonic in any conventional sense, and fully embraces the formal eccentricity that its grim texts dictate. Its effect is that of an orchestral song cycle, with some movements lasting as long as 10 minutes and others (the abrupt finale) as short as a minute. The performance is the second release on the Alpha label featuring Greek conductor Teodor Currentzis leading Musica Aeterna, the chamber orchestra of the Opera of Novosibirsk, Siberia, the first being an astonishing, revelatory 2008 performance of Purcell's Dido and Aeneas. This recording demonstrates that the earlier disc was no fluke, that these are performers with a distinctive point of view, and the passion and finesse to effectively put it across. The symphony here frequently sounds like chamber music and has an intimacy that makes its depictions of grief, depression, and bitter irony especially poignant and personal. The soloists, soprano Julia Korpacheva and Petr Migunov are fully expressive, but their performances are understated rather than grandly dramatic, as is appropriate, making the moments when they do cut loose -- Korpacheva in the sixth movement and Migunov in the eighth -- all the more effective. Their voices are full and pure but not especially large, and they make a good fit with Currentzis' understated and supple reading. This dark symphony is not the kind of piece that tends to inspire warm affection, but its emotional and musical honesty make it a work that can draw listeners back again and again, and this is a performance that bears close and repeated attention. Alpha's sound is clean, present, and atmospheric.

© TiVo

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