Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Though Yann Tiersen's music is no stranger to electronics, they've never been the focus of his music quite the way they are on 11 5 18 2 5 18. Created while preparing for his late 2021 live set at Superbooth, a Berlin festival celebrating synthesizers and modular gear, the album is both a continuation and a departure for Tiersen. His previous album Kerber fused delicate piano melodies with ambient washes and textures, a direction he embellishes on with the softly drifting "11 5 18 12 1 14 14," but more often than not, 11 5 18 2 5 18 provides new perspectives on Tiersen's time-tested strengths. The heartrending melody of "16 15 21 12 12. 2 15 10 5 18" harks back to early works like Le Valse des Monstres, but the John Carpenter-like arpeggiated synths and syncopated beats that surround it sound unlike anything else in his body of work. Just how propulsive 11 5 18 2 5 18 is may come as a shock to longtime fans: the album's title track combines tones that flicker like rainbows refracted through cracked glass with a heavy, thrusting beat that borders on industrial, while the joyous anticipation and momentum "11 5 18. 1 12. 12 15 3 8" builds wouldn't be out of place at a rave. Though the move to the dance floor is the most surprising thing about the album, it's not necessarily the most interesting. At times, the insistent rhythms hinder the swift, subtle shifts in melody and mood that make Tiersen's music so compelling, and the way many of the tracks inevitably build to a four-on-the-floor beat becomes repetitive, robbing otherwise intriguing pieces like "1 18. 13 1 14 5 18. 11 15 26 8" of some of their impact. Nevertheless, 11 5 18 2 5 18 has some genuinely unexpected moments. The tracks with vocals -- which haven't featured prominently in Tiersen's work since 2019's ALL -- are among the highlights, with the ethereal female vocals on "13 1 18 25 (6 5 1 20. 17 21 9 14 17 21 9 19)" adding a graceful complement to its driving pulse and the darkwave leanings of "3 8 1 16 20 5 18. 14 9 14 5 20 5 5 14" suggesting that a collaboration between Tiersen and TR/ST could be magic. While the new approaches he uses on 11 5 18 2 5 18 aren't always as distinctive as his previous work, it's still worth hearing for fans of his compositional skills, which remain strong despite the album's changes.
© Heather Phares /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 14.99 CHF/Monat
Yann Tiersen, Composer, Producer, MainArtist, MixingEngineer
2022 Everything's Calm under exclusive license to Mute Artists Ltd. 2022 Everything's Calm under exclusive license to Mute Artists Ltd.
Yann Tiersen, Composer, Producer, MainArtist, MixingEngineer
2022 Everything's Calm under exclusive license to Mute Artists Ltd. 2022 Everything's Calm under exclusive license to Mute Artists Ltd.
Yann Tiersen, Composer, Producer, MainArtist, MixingEngineer
2022 Everything's Calm under exclusive license to Mute Artists Ltd. 2022 Everything's Calm under exclusive license to Mute Artists Ltd.
Yann Tiersen, Composer, Producer, MainArtist, MixingEngineer
2022 Everything's Calm under exclusive license to Mute Artists Ltd. 2022 Everything's Calm under exclusive license to Mute Artists Ltd.
Yann Tiersen, Composer, Producer, MainArtist, MixingEngineer
2022 Everything's Calm under exclusive license to Mute Artists Ltd. 2022 Everything's Calm under exclusive license to Mute Artists Ltd.
Yann Tiersen, Composer, Producer, MainArtist, MixingEngineer
2022 Everything's Calm under exclusive license to Mute Artists Ltd. 2022 Everything's Calm under exclusive license to Mute Artists Ltd.
Yann Tiersen, Composer, Producer, MainArtist, MixingEngineer
2022 Everything's Calm under exclusive license to Mute Artists Ltd. 2022 Everything's Calm under exclusive license to Mute Artists Ltd.
Yann Tiersen, Composer, Producer, MainArtist, MixingEngineer
2022 Everything's Calm under exclusive license to Mute Artists Ltd. 2022 Everything's Calm under exclusive license to Mute Artists Ltd.
Yann Tiersen, Composer, Producer, MainArtist, MixingEngineer - Quinquis, MainArtist
2022 Everything's Calm under exclusive license to Mute Artists Ltd. 2022 Everything's Calm under exclusive license to Mute Artists Ltd.
Albumbeschreibung
Though Yann Tiersen's music is no stranger to electronics, they've never been the focus of his music quite the way they are on 11 5 18 2 5 18. Created while preparing for his late 2021 live set at Superbooth, a Berlin festival celebrating synthesizers and modular gear, the album is both a continuation and a departure for Tiersen. His previous album Kerber fused delicate piano melodies with ambient washes and textures, a direction he embellishes on with the softly drifting "11 5 18 12 1 14 14," but more often than not, 11 5 18 2 5 18 provides new perspectives on Tiersen's time-tested strengths. The heartrending melody of "16 15 21 12 12. 2 15 10 5 18" harks back to early works like Le Valse des Monstres, but the John Carpenter-like arpeggiated synths and syncopated beats that surround it sound unlike anything else in his body of work. Just how propulsive 11 5 18 2 5 18 is may come as a shock to longtime fans: the album's title track combines tones that flicker like rainbows refracted through cracked glass with a heavy, thrusting beat that borders on industrial, while the joyous anticipation and momentum "11 5 18. 1 12. 12 15 3 8" builds wouldn't be out of place at a rave. Though the move to the dance floor is the most surprising thing about the album, it's not necessarily the most interesting. At times, the insistent rhythms hinder the swift, subtle shifts in melody and mood that make Tiersen's music so compelling, and the way many of the tracks inevitably build to a four-on-the-floor beat becomes repetitive, robbing otherwise intriguing pieces like "1 18. 13 1 14 5 18. 11 15 26 8" of some of their impact. Nevertheless, 11 5 18 2 5 18 has some genuinely unexpected moments. The tracks with vocals -- which haven't featured prominently in Tiersen's work since 2019's ALL -- are among the highlights, with the ethereal female vocals on "13 1 18 25 (6 5 1 20. 17 21 9 14 17 21 9 19)" adding a graceful complement to its driving pulse and the darkwave leanings of "3 8 1 16 20 5 18. 14 9 14 5 20 5 5 14" suggesting that a collaboration between Tiersen and TR/ST could be magic. While the new approaches he uses on 11 5 18 2 5 18 aren't always as distinctive as his previous work, it's still worth hearing for fans of his compositional skills, which remain strong despite the album's changes.
© Heather Phares /TiVo
Informationen zu dem Album
- 1 Disc(s) - 9 Track(s)
- Gesamte Laufzeit: 00:50:02
- Künstler: Yann Tiersen
- Komponist: Yann Tiersen
- Label: Mute
- Genre: Electronic
2022 Everything's Calm under exclusive license to Mute Artists Ltd. 2022 Everything's Calm under exclusive license to Mute Artists Ltd.
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.