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Louis Lortie|Louis Lortie Plays Chopin, Vol. 1

Louis Lortie Plays Chopin, Vol. 1

Louis Lortie

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This first volume of Chandos' series of the piano music of Frédéric Chopin offers an interesting arrangement of works, pairing selected Nocturnes with each of the four Scherzos, which are then followed by the Sonata No. 2 in B flat minor as a closer. At first blush, pianist Louis Lortie appears to have chosen the pieces primarily for their obvious key relationships -- E minor, B minor; E flat major, B flat minor; E major, C sharp minor; B major, E major -- yet as transparent as these correspondences may be to a theoretician, and as pleasing to the ear as they undoubtedly are, the match-ups actually have more to do with the substance of the music. Each of the Scherzos is passionate, expansive, and intense in expression, so placing shorter Nocturnes of contrasting character before them, rather like preludes, necessitates some kind of organizational logic. Lortie has wisely chosen pieces that complement each other in content and expressions, but he has also created a broader grouping that has a natural tonal arc, beginning and ending on E. Theoretically, then, the Sonata No. 2 in B flat minor should stand apart from the first part of the program, because its key is as far removed from E as possible. Yet the contrasting moods and keys that are established in the Nocturnes and Scherzos prepare the ear for similar contrasts in the sonata. Lortie's Chopin is by turns reflective and flamboyant, dark and dazzling, and this emotional balance is underscored throughout the recital by the alternation of moods, which Lortie carefully establishes from the beginning. Chandos' sound is clear and vibrant, and the 24-bit/96 kHz recording gives the music an almost palpable presence.

© TiVo

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Louis Lortie Plays Chopin, Vol. 1

Louis Lortie

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Nocturne No. 19 in E minor, Op. 72, No. 1 (Frédéric Chopin)

1
Nocturne No. 19 in E Minor, Op. 72, No. 1
00:04:31

Louis Lortie, piano

(C) 2010 Chandos (P) 2010 Chandos

Scherzo No. 1 in B minor, Op. 20 (Frédéric Chopin)

2
Scherzo No. 1 in B Minor, Op. 20
00:09:33

Louis Lortie, piano

(C) 2010 Chandos (P) 2010 Chandos

Nocturne No. 15 in F minor, Op. 55, No. 1 (Frédéric Chopin)

3
Nocturne No. 16 in E-Flat Major, Op. 55, No. 2
00:04:43

Louis Lortie, piano

(C) 2010 Chandos (P) 2010 Chandos

Scherzo No. 2 in B-Flat Minor, Op. 31 (Frédéric Chopin)

4
Scherzo No. 2 in B-Flat Minor, Op. 31
00:09:27

Louis Lortie, piano

(C) 2010 Chandos (P) 2010 Chandos

Nocturne in E major, Op. 62 No. 2 (Frédéric Chopin)

5
Nocturne No. 18 in E Major, Op. 62, No. 2
00:05:37

Louis Lortie, piano

(C) 2010 Chandos (P) 2010 Chandos

Scherzo No. 3 in C-Sharp Minor, Op. 39 (Frédéric Chopin)

6
Scherzo No. 3 in C-Sharp Minor, Op. 39
00:07:03

Louis Lortie, piano

(C) 2010 Chandos (P) 2010 Chandos

Nocturne No. 17 in B major, Op. 62, No. 1 (Frédéric Chopin)

7
Nocturne No. 17 in B Major, Op. 62, No. 1
00:06:36

Louis Lortie, piano

(C) 2010 Chandos (P) 2010 Chandos

Scherzo No. 4 in E major, Op. 54 (Frédéric Chopin)

8
Scherzo No. 4 in E Major, Op. 54
00:10:26

Louis Lortie, piano

(C) 2010 Chandos (P) 2010 Chandos

Piano Sonata No. 2 in B-Flat Minor, Op. 35 "Funeral March" (Frédéric Chopin)

9
I. Grave - Doppio movimento
00:07:16

Louis Lortie, piano

(C) 2010 Chandos (P) 2010 Chandos

10
II. Scherzo
00:05:37

Louis Lortie, piano

(C) 2010 Chandos (P) 2010 Chandos

11
III. Marche funebre: Lento
00:07:08

Louis Lortie, piano

(C) 2010 Chandos (P) 2010 Chandos

12
IV. Finale. Presto
00:01:28

Louis Lortie, piano

(C) 2010 Chandos (P) 2010 Chandos

Albumbeschreibung

This first volume of Chandos' series of the piano music of Frédéric Chopin offers an interesting arrangement of works, pairing selected Nocturnes with each of the four Scherzos, which are then followed by the Sonata No. 2 in B flat minor as a closer. At first blush, pianist Louis Lortie appears to have chosen the pieces primarily for their obvious key relationships -- E minor, B minor; E flat major, B flat minor; E major, C sharp minor; B major, E major -- yet as transparent as these correspondences may be to a theoretician, and as pleasing to the ear as they undoubtedly are, the match-ups actually have more to do with the substance of the music. Each of the Scherzos is passionate, expansive, and intense in expression, so placing shorter Nocturnes of contrasting character before them, rather like preludes, necessitates some kind of organizational logic. Lortie has wisely chosen pieces that complement each other in content and expressions, but he has also created a broader grouping that has a natural tonal arc, beginning and ending on E. Theoretically, then, the Sonata No. 2 in B flat minor should stand apart from the first part of the program, because its key is as far removed from E as possible. Yet the contrasting moods and keys that are established in the Nocturnes and Scherzos prepare the ear for similar contrasts in the sonata. Lortie's Chopin is by turns reflective and flamboyant, dark and dazzling, and this emotional balance is underscored throughout the recital by the alternation of moods, which Lortie carefully establishes from the beginning. Chandos' sound is clear and vibrant, and the 24-bit/96 kHz recording gives the music an almost palpable presence.

© TiVo

Informationen zur Originalaufnahme : 79:32 - DDD - Enregistré les 9 et 10 décembre 2009 au Britten Studio, Hoffmann Building, Snape Maltings, Suffolk - Notes en français, anglais et allemand

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