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Derek Bailey|Wireforks

Wireforks

Derek Bailey and Henry Kaiser

Disponible en
16-Bit/44.1 kHz Stereo

Musique illimitée

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Langue disponible : anglais

Derek Bailey's music was the original reason Henry Kaiser picked up the guitar, so one can imagine how pleased Kaiser was when Bailey agreed to record a duo performance with him, his first with another guitarist. Kaiser's own output had been wildly inconsistent both in genres covered (everything from Grateful Dead tunes to Vietnamese music to free improv) and in quality, so the listener may have approached this project with misgivings on one of two accounts: 1) Kaiser's tendency toward a slick, rockish sound might not mesh well with Bailey's or 2) Conversely, Kaiser might suffer the fate of other collaborators and overly defer to one of the reigning demigods of contemporary improvised music. Happily, neither occurs.
Throughout the album, the playing is nuanced and sensitive, with each player clearly listening to one another. While each guitarist is instantly recognizable (Kaiser somewhat more melodic and "traditional," Bailey, of course, sounding only like Bailey), both play off of each other's leads, neither being deferential nor domineering. The disc progresses from very soft, delicate opening pieces to somewhat denser, more angular constructions as more live electronic processing is introduced. At the beginning of the final track, one can hear Kaiser alerting the engineer that the ensuing piece is "going to be loud. Watch out." The duo then lets loose with a mini-maelstrom of raging electronics, screeching guitar feedback, and stuttering clicks, bringing the proceedings to a rich, satisfying conclusion.

© Brian Olewnick /TiVo

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Wireforks

Derek Bailey

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1
Quick Math
00:05:57

Derek Bailey, Composer, MainArtist - Henry Kaiser, Composer, MainArtist - Fractal Music BMI, MusicPublisher

1995 Henry Kaiser 1995 Henry Kaiser

2
Flights
00:04:50

Derek Bailey, Composer, MainArtist - Henry Kaiser, Composer, MainArtist - Fractal Music BMI, MusicPublisher

1995 Henry Kaiser 1995 Henry Kaiser

3
Red Flash
00:03:27

Derek Bailey, Composer, MainArtist - Henry Kaiser, Composer, MainArtist - Fractal Music BMI, MusicPublisher

1995 Henry Kaiser 1995 Henry Kaiser

4
Silver Tails
00:08:51

Derek Bailey, Composer, MainArtist - Henry Kaiser, Composer, MainArtist - Fractal Music BMI, MusicPublisher

1995 Henry Kaiser 1995 Henry Kaiser

5
Chrysanthemums
00:06:59

Derek Bailey, Composer, MainArtist - Henry Kaiser, Composer, MainArtist - Fractal Music BMI, MusicPublisher

1995 Henry Kaiser 1995 Henry Kaiser

6
Hanabi
00:07:29

Derek Bailey, Composer, MainArtist - Henry Kaiser, Composer, MainArtist - Fractal Music BMI, MusicPublisher

1995 Henry Kaiser 1995 Henry Kaiser

7
Flair
00:04:12

Derek Bailey, Composer, MainArtist - Henry Kaiser, Composer, MainArtist - Fractal Music BMI, MusicPublisher

1995 Henry Kaiser 1995 Henry Kaiser

8
Flare
00:02:31

Derek Bailey, Composer, MainArtist - Henry Kaiser, Composer, MainArtist - Fractal Music BMI, MusicPublisher

1995 Henry Kaiser 1995 Henry Kaiser

9
Ring Starmines
00:06:41

Derek Bailey, Composer, MainArtist - Henry Kaiser, Composer, MainArtist - Fractal Music BMI, MusicPublisher

1995 Henry Kaiser 1995 Henry Kaiser

10
Dark Fire
00:05:06

Derek Bailey, Composer, MainArtist - Henry Kaiser, Composer, MainArtist - Fractal Music BMI, MusicPublisher

1995 Henry Kaiser 1995 Henry Kaiser

11
Snake in the Grass
00:07:43

Derek Bailey, Composer, MainArtist - Henry Kaiser, Composer, MainArtist - Fractal Music BMI, MusicPublisher

1995 Henry Kaiser 1995 Henry Kaiser

12
Battle in the Clouds
00:07:02

Derek Bailey, Composer, MainArtist - Henry Kaiser, Composer, MainArtist - Fractal Music BMI, MusicPublisher

1995 Henry Kaiser 1995 Henry Kaiser

13
Safe and Sane
00:02:51

Derek Bailey, Composer, MainArtist - Henry Kaiser, Composer, MainArtist - Fractal Music BMI, MusicPublisher

1995 Henry Kaiser 1995 Henry Kaiser

Chronique

Derek Bailey's music was the original reason Henry Kaiser picked up the guitar, so one can imagine how pleased Kaiser was when Bailey agreed to record a duo performance with him, his first with another guitarist. Kaiser's own output had been wildly inconsistent both in genres covered (everything from Grateful Dead tunes to Vietnamese music to free improv) and in quality, so the listener may have approached this project with misgivings on one of two accounts: 1) Kaiser's tendency toward a slick, rockish sound might not mesh well with Bailey's or 2) Conversely, Kaiser might suffer the fate of other collaborators and overly defer to one of the reigning demigods of contemporary improvised music. Happily, neither occurs.
Throughout the album, the playing is nuanced and sensitive, with each player clearly listening to one another. While each guitarist is instantly recognizable (Kaiser somewhat more melodic and "traditional," Bailey, of course, sounding only like Bailey), both play off of each other's leads, neither being deferential nor domineering. The disc progresses from very soft, delicate opening pieces to somewhat denser, more angular constructions as more live electronic processing is introduced. At the beginning of the final track, one can hear Kaiser alerting the engineer that the ensuing piece is "going to be loud. Watch out." The duo then lets loose with a mini-maelstrom of raging electronics, screeching guitar feedback, and stuttering clicks, bringing the proceedings to a rich, satisfying conclusion.

© Brian Olewnick /TiVo

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