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Kip Moore|Wild Ones  (Deluxe Edition)

Wild Ones (Deluxe Edition)

Kip Moore

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Kip Moore scored three big bro country hits in the two years surrounding 2012 –- "Somethin' 'Bout a Truck" was the 2011 breakthrough, followed by "Beer Money" in 2012 and "Hey Pretty Girl" in 2013 -- but he struggled on the journey to his second album, delivering two singles that, in his words, "stiffed," leading him to scrap an entire LP and write a new record, presumably one that's more commercial. Wild Ones, delivered three years after Up All Night, is that official second record and, as the neon-speckled album cover indicates, it's an album indebted to the '80s and not the hybrid of Hall & Oates and Paul Young suggested by the art, either. Moore plays up his middle-America bona fides, eager to conjure some of the spirit of fellow Springsteen fan Eric Church, but where Church prefers beefy guitars, Moore favors open-road anthems, songs that feel masculine but retain a vulnerable core. Such an emphasis on ballads and deliberate midtempo rockers gives Wild Ones a soft, even hazy touch when compared to the glossy snap of Up All Night, a shift that neatly punctures whatever lingering bro country affections remain in Moore's music. Instead of living for tomorrow's parties, he's rhapsodizing about good times once had in a style that funnels prime Bon Jovi through John Mellencamp. If Kip's songs aren't as hook-heavy or as sticky as his idols, it is nevertheless admirable that he's completely revamped his sound so he doesn't feel like anybody else in contemporary country -- not his bro country peers, not Church, not a red dirt refugee or macho rocker. He's effectively evoked the feel and aesthetic of mid-'80s heartland rock, and if that doesn't necessarily make him a wild one, it does make him a rebel of sorts.

© Stephen Thomas Erlewine /TiVo

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Wild Ones (Deluxe Edition)

Kip Moore

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1
Wild Ones
00:03:23

Kip Moore, MainArtist

(C) 2015 MCA Nashville, a Division of UMG Recordings, Inc. (P) 2015 MCA Nashville, a Division of UMG Recordings, Inc

2
Come and Get It
00:04:57

Kip Moore, MainArtist

(C) 2015 MCA Nashville, a Division of UMG Recordings, Inc. (P) 2015 MCA Nashville, a Division of UMG Recordings, Inc

3
Girl of the Summer
00:03:58

Kip Moore, MainArtist

(C) 2015 MCA Nashville, a Division of UMG Recordings, Inc. (P) 2015 MCA Nashville, a Division of UMG Recordings, Inc

4
Magic
00:03:37

Kip Moore, MainArtist

(C) 2015 MCA Nashville, a Division of UMG Recordings, Inc. (P) 2015 MCA Nashville, a Division of UMG Recordings, Inc

5
That Was Us
00:04:01

Kip Moore, MainArtist

(C) 2015 MCA Nashville, a Division of UMG Recordings, Inc. (P) 2015 MCA Nashville, a Division of UMG Recordings, Inc

6
Lipstick
00:04:19

Kip Moore, MainArtist

(C) 2015 MCA Nashville, a Division of UMG Recordings, Inc. (P) 2015 MCA Nashville, a Division of UMG Recordings, Inc

7
What Ya Got on Tonight
00:03:01

Kip Moore, MainArtist

(C) 2015 MCA Nashville, a Division of UMG Recordings, Inc. (P) 2015 MCA Nashville, a Division of UMG Recordings, Inc

8
Heart's Desire
00:04:22

Kip Moore, MainArtist

(C) 2015 MCA Nashville, a Division of UMG Recordings, Inc. (P) 2015 MCA Nashville, a Division of UMG Recordings, Inc

9
Complicated
00:03:04

Kip Moore, MainArtist

(C) 2015 MCA Nashville, a Division of UMG Recordings, Inc. (P) 2015 MCA Nashville, a Division of UMG Recordings, Inc

10
I'm to Blame
00:02:21

Kip Moore, MainArtist

(C) 2015 MCA Nashville, a Division of UMG Recordings, Inc. (P) 2015 MCA Nashville, a Division of UMG Recordings, Inc

11
That's Alright With Me
00:03:38

Kip Moore, MainArtist

(C) 2015 MCA Nashville, a Division of UMG Recordings, Inc. (P) 2015 MCA Nashville, a Division of UMG Recordings, Inc

12
Running for You
00:03:34

Kip Moore, MainArtist

(C) 2015 MCA Nashville, a Division of UMG Recordings, Inc. (P) 2015 MCA Nashville, a Division of UMG Recordings, Inc

13
Comeback Kid
00:03:14

Kip Moore, MainArtist

(C) 2015 MCA Nashville, a Division of UMG Recordings, Inc. (P) 2015 MCA Nashville, a Division of UMG Recordings, Inc

14
What I Do (Bonus Track)
00:03:30

Kip Moore, MainArtist

(C) 2015 MCA Nashville, a Division of UMG Recordings, Inc. (P) 2015 MCA Nashville, a Division of UMG Recordings, Inc.

15
Backseat (Bonus Track)
00:03:26

Kip Moore, MainArtist

(C) 2015 MCA Nashville, a Division of UMG Recordings, Inc. (P) 2015 MCA Nashville, a Division of UMG Recordings, Inc.

16
Burn the Whole World Down (Bonus Track)
00:04:03

Kip Moore, MainArtist

(C) 2015 MCA Nashville, a Division of UMG Recordings, Inc. (P) 2015 MCA Nashville, a Division of UMG Recordings, Inc.

Chronique

Kip Moore scored three big bro country hits in the two years surrounding 2012 –- "Somethin' 'Bout a Truck" was the 2011 breakthrough, followed by "Beer Money" in 2012 and "Hey Pretty Girl" in 2013 -- but he struggled on the journey to his second album, delivering two singles that, in his words, "stiffed," leading him to scrap an entire LP and write a new record, presumably one that's more commercial. Wild Ones, delivered three years after Up All Night, is that official second record and, as the neon-speckled album cover indicates, it's an album indebted to the '80s and not the hybrid of Hall & Oates and Paul Young suggested by the art, either. Moore plays up his middle-America bona fides, eager to conjure some of the spirit of fellow Springsteen fan Eric Church, but where Church prefers beefy guitars, Moore favors open-road anthems, songs that feel masculine but retain a vulnerable core. Such an emphasis on ballads and deliberate midtempo rockers gives Wild Ones a soft, even hazy touch when compared to the glossy snap of Up All Night, a shift that neatly punctures whatever lingering bro country affections remain in Moore's music. Instead of living for tomorrow's parties, he's rhapsodizing about good times once had in a style that funnels prime Bon Jovi through John Mellencamp. If Kip's songs aren't as hook-heavy or as sticky as his idols, it is nevertheless admirable that he's completely revamped his sound so he doesn't feel like anybody else in contemporary country -- not his bro country peers, not Church, not a red dirt refugee or macho rocker. He's effectively evoked the feel and aesthetic of mid-'80s heartland rock, and if that doesn't necessarily make him a wild one, it does make him a rebel of sorts.

© Stephen Thomas Erlewine /TiVo

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