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311|Universal Pulse

Universal Pulse

311

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Weighing in at a mere eight songs that clock in at under a half-hour, Universal Pulse barely meets the modern parameters of a full-length album. It feels as brief as an EP and its tightness extends to the songs themselves, which don’t so much boil 311 down to their essence but focus on their hardest, boldest elements. Within the sharp relief of Bob Rock’s immaculate production, this can mean that the fuzz-toned guitars and crunching riffs are strenuously underlined: they are the foundation of this unusually rock-oriented 311 album yet in this crystal-clear atmosphere they drill, not pummel. This sonic crispness also means the vocals are particularly prominent and flat, and with every element retaining the same hyper-clear articulation, with each instrument and melody presented at a slightly skewed edge, Universal Pulse can be wearying even at its half-hour length.
© Stephen Thomas Erlewine /TiVo

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Universal Pulse

311

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1
Time Bomb
00:03:16

311, MainArtist - Tim Mahoney, Composer - Bob Rock, Producer - Nick Hexum, Composer - Hydroponic Music / BMI, MusicPublisher

2011 311 Records, under exclusive license in North America to ATO Records, LLC 2011 311 Records, under exclusive license in North America to ATO Records, LLC

2
Wild Nights
00:03:38

311, MainArtist - Chad Sexton, Composer - Bob Rock, Producer - Nick Hexum, Composer - Hydroponic Music / BMI, MusicPublisher

2011 311 Records, under exclusive license in North America to ATO Records, LLC 2011 311 Records, under exclusive license in North America to ATO Records, LLC

3
Sunset in July
00:03:56

311, MainArtist - Tim Mahoney, Composer - Bob Rock, Producer - Nick Hexum, Composer - Hydroponic Music / BMI, MusicPublisher

2011 311 Records, under exclusive license in North America to ATO Records, LLC 2011 311 Records, under exclusive license in North America to ATO Records, LLC

4
Trouble
00:03:32

311, MainArtist - Bob Rock, Producer - Nick Hexum, Composer - Hydroponic Music / BMI, MusicPublisher

2011 311 Records, under exclusive license in North America to ATO Records, LLC 2011 311 Records, under exclusive license in North America to ATO Records, LLC

5
Count Me In
00:03:27

311, MainArtist - Bob Rock, Producer - Nick Hexum, Composer - Hydroponic Music / BMI, MusicPublisher

2011 311 Records, under exclusive license in North America to ATO Records, LLC 2011 311 Records, under exclusive license in North America to ATO Records, LLC

6
Rock On
00:03:29

311, MainArtist - Chad Sexton, Composer - Bob Rock, Producer - Hydroponic Music / BMI, MusicPublisher

2011 311 Records, under exclusive license in North America to ATO Records, LLC 2011 311 Records, under exclusive license in North America to ATO Records, LLC

7
Weightless
00:03:19

311, MainArtist - Bob Rock, Producer - Nick Hexum, Composer - Hydroponic Music / BMI, MusicPublisher

2011 311 Records, under exclusive license in North America to ATO Records, LLC 2011 311 Records, under exclusive license in North America to ATO Records, LLC

8
And A Ways To Go
00:04:18

311, MainArtist - Bob Rock, Producer - Nick Hexum, Composer - Wills, Composer - Hydroponic Music / BMI, MusicPublisher

2011 311 Records, under exclusive license in North America to ATO Records, LLC 2011 311 Records, under exclusive license in North America to ATO Records, LLC

Chronique

Weighing in at a mere eight songs that clock in at under a half-hour, Universal Pulse barely meets the modern parameters of a full-length album. It feels as brief as an EP and its tightness extends to the songs themselves, which don’t so much boil 311 down to their essence but focus on their hardest, boldest elements. Within the sharp relief of Bob Rock’s immaculate production, this can mean that the fuzz-toned guitars and crunching riffs are strenuously underlined: they are the foundation of this unusually rock-oriented 311 album yet in this crystal-clear atmosphere they drill, not pummel. This sonic crispness also means the vocals are particularly prominent and flat, and with every element retaining the same hyper-clear articulation, with each instrument and melody presented at a slightly skewed edge, Universal Pulse can be wearying even at its half-hour length.
© Stephen Thomas Erlewine /TiVo

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