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Tony Scott|Tony Scott

Tony Scott

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Langue disponible : anglais

Tony Scott's 1967 self-titled album for Verve is a good example of what makes him such an interesting but frustrating artist. After branching out from mainstream jazz in the 1950s, clarinetist Scott began exploring ethnic and folk music. Here listeners find him switching between straight-ahead standards and avant-garde, Eastern-influenced melodies. The result is utterly schizophrenic and ultimately makes for a frustrating listen. That said, Scott is a phenomenal musician and -- when he sticks to the experimental stuff -- is quite compelling.

© Matt Collar /TiVo

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Tony Scott

Tony Scott

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À partir de 12,49€/mois

1
Ode To An Oud
00:04:22

Tony Scott, MainArtist, ComposerLyricist

℗ 1969 UMG Recordings, Inc.

2
My Funny Valentine
00:03:39

Richard Rodgers, ComposerLyricist - Lorenz Hart, ComposerLyricist - Tony Scott, MainArtist

℗ 1969 UMG Recordings, Inc.

3
Satin Doll
00:03:40

Billy Strayhorn, Composer - Tony Scott, MainArtist

℗ 1969 UMG Recordings, Inc.

4
Homage To Lord Krishna
00:05:04

Tony Scott, MainArtist, ComposerLyricist

℗ 1969 UMG Recordings, Inc.

5
Blues For Charlie Parker
00:03:22

Tony Scott, MainArtist, ComposerLyricist

℗ 1969 UMG Recordings, Inc.

6
Sophisticated Lady
00:04:01

Duke Ellington, ComposerLyricist - Mitchell Parish, ComposerLyricist - Irving Mills, ComposerLyricist - Tony Scott, MainArtist

℗ 1969 UMG Recordings, Inc.

7
Swara Sulina (The Beautiful Sound Of The Flute)
00:05:06

Tony Scott, MainArtist, ComposerLyricist

℗ 1969 UMG Recordings, Inc.

8
Nina's Dance
00:03:20

Tony Scott, MainArtist, ComposerLyricist

℗ 1969 The Verve Music Group, a Division of UMG Recordings, Inc.

9
Brother Can You Spare A Dime?
00:03:07

E.Y. HARBURG, ComposerLyricist - Jay Gorney, ComposerLyricist - Tony Scott, MainArtist

℗ 1969 UMG Recordings, Inc.

Chronique

Tony Scott's 1967 self-titled album for Verve is a good example of what makes him such an interesting but frustrating artist. After branching out from mainstream jazz in the 1950s, clarinetist Scott began exploring ethnic and folk music. Here listeners find him switching between straight-ahead standards and avant-garde, Eastern-influenced melodies. The result is utterly schizophrenic and ultimately makes for a frustrating listen. That said, Scott is a phenomenal musician and -- when he sticks to the experimental stuff -- is quite compelling.

© Matt Collar /TiVo

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